British Crime Thrillers

Billie-Rose's bloodstained body is found in the kitchen of her ground-floor flat. She's been strangled to death, there's a deep laceration to her upper thigh, and a wooden chess-piece grasped tightly in her hand. Daubed on the wall in Billie-Rose's own blood is a strange symbol: a bishop's mitre. All Detective Jack MacIntosh can think is: He's back. Four years earlier, four young women were also strangled to death in their own homes, the same deep wound to the thigh, the same weird symbol scrawled on the wall. The work of the killer they call the Bishop. Is he back to kill again?

A man is found dead, tied to a chair in the middle of the road, a stag’s antlers on his head. The gruesome scene stuns the town, especially when the victim is identified: Jim Tiernan, who ran the White Hart pub. Tiernan’s pub is at the center of village life and he knew everyone’s secrets. Detective Nicola Bridge grew up in Fleetcombe and has now returned, for the good of her family, from a life away in Liverpool. DC Harry Ward is ten years younger and, despite his newcomer status, determined to earn Nicola’s trust.

You are Dead is the 11th thrilling crime novel in Peter James' Roy Grace series, narrated by Daniel Weyman. They were marked for death. The last words Jamie Ball hears from his fiancée, Logan Somerville, are in a terrified mobile phone call. She has just driven into the underground car park beneath the block of flats where they live in Brighton. Then she screams and the phone goes dead.

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.

An English bobbie returning from night patrol finds a corpse in evening dress locked in the stocks on the village green. He identifies the body immediately. Andrew Vereker was not a well-loved man, and narrowing down the suspects is not going to be an easy job. The Vereker family are corrupt and eccentric - and hardly cooperative. It's another case for the resourceful Superintendent Hannasyde, who sets off on the trail of a killer so cunning that even his consummate powers of detection are tested to their limits.

DCI Matilda Darke has returned to work after a nine-month absence. A shadow of her former self, she is tasked with reopening a cold case: the terrifyingly brutal murders of Miranda and Stefan Harkness. The only witness was their 11-year-old son, Jonathan, who was too deeply traumatised to speak a word. Then a dead body is discovered, and the investigation leads back to Matilda's case. Suddenly the past and present converge, and it seems a killer may have come back for more....

Her name is Sandy. You might know her as the loving wife of Detective Superintendent Roy Grace. But there's more to her than meets the eye. A woman with a dubious past, a complicated present and an uncertain future. Then she was gone. Her disappearance caused a nationwide search. Even the best detective on the force couldn't find her. They thought she was dead. Where did she go? Why did she run? What would cause a woman to leave her whole life behind and simply vanish?

The Metropole Hotel, Brighton. After a heady New Year's Eve ball, a woman is attacked as she returns to her room. A week later, another woman is assaulted. Both victims' shoes are taken by the offender . . . Roy Grace soon realizes that these new cases bear remarkable similarities to an unsolved series of crimes in the city back in 1997. Dubbed 'Shoe Man', the perpetrator was believed to have attacked five women before murdering his sixth victim and vanishing. Could this be a copycat, or has Shoe Man resurfaced?

After being abducted and assaulted, a teenage girl somehow managed to escape from her captor. She is traumatized and needs to heal, but the police need her help to catch her assailant—information she clearly knows, but is unwilling to give. Without the girl’s assistance, DI Adam Fawley’s investigation is at a dead end. When another girl vanishes under the same circumstances, he recognizes a disturbing pattern—and a link to something long buried in his past.

A hanging man's body found by an uncontrollable dog, a murdered historian with an unpublished book, and a mysterious cottage, hiding in the shadows of Bluebell Wood. Set within the mysterious beauty of the Norfolk Broads, this fast-paced British detective series is a dark cozy Norfolk murder mystery with a slice of humour and a touch of romance, one that will have you guessing until the very end, when the last shocking twist is finally revealed.

Inspector Witherspoon has been assigned another tough case. The latest murder victim has possibly swindled his shareholders out of a huge sum of money. When the businessman is found with a bullet through is chest, all of them are suspects - but no one is telling the truth. It is up to Mrs. Jeffries and the household staff at Upper Edmonton Gardens to crack the case.

Ex-detective superintendent Brandt has turned against society. The first kill was a stab in the dark, but now he's got a real taste for it. But his pursuer, DCI Stella Johnson, has rankled him. She has leaked to the press the idea he is impotent, and it has taken hold. Brandt wants to prove himself. Who better a victim than the woman who has embarrassed him? Johnson's strategy backfires, and she is in trouble with her superiors. Yet she now has a very personal reason to hunt down Brandt. Will going solo put her at even greater risk than before? And just what has he in mind for her?

It's nearly Christmas in Oxford, and Detective Inspector Bridget Hart is enjoying a rare day off at Oxford's Christmas Market. A ghost tour seems like a fun way to round off the day. Until, that is, a brutal murder brings the evening to a tragic close. Torn between work and family commitments over the festive season, Bridget soon discovers that the ghost of Christmas past is reaching out to the present with fatal consequences.

DI Kate Young is on leave. She’s the force’s best detective, but her bosses know she’s under pressure, on medication and overcoming trauma. So after her bad judgement call leads to a narrowly averted public disaster, they’re sure all she needs is a rest. But when Staffordshire Police summon her back to work on a murder case, it’s a harder, more suspicious Kate Young who returns. With a new ruthlessness, she sets about tracking down a clinical, calculating serial killer who is torturing victims and leaving clues to taunt the police.

Meet disgraced ex-DI Ellie Reckless, a self-proclaimed "cop for criminals", and the person the underworld calls when they can't call the police. For months now, she's built up a series of favors, all so she can set them off like dominos—proving that Nicky Simpson, YouTube sensation and wannabe gangster, was the man who destroyed her life—and killed the man she loved. And in return, Nicky has watched her carefully, waiting to see whether she's too much of a threat to keep alive. But when Nicky's life is threatened, he's forced to turn to Ellie and her team for help.

When a promising local artist disappears, the victim's brother begs Detective Tara Thorpe to take the case. It seems there's no evidence of foul play...he simply disappeared without a trace. Tara agrees to do some digging...never mind that her unorthodox approach to policing has got a few of her colleagues' backs up. Amongst them is her former supervisor Detective Patrick Wilkins...he's had enough of Tara calling the shots and will do anything to knock her down. She must be careful.

Harry Richards, a local solicitor, is found in his car, throat slit. DI Clare Mackay is on the case. She soon learns that Harry was not the upstanding man he seemed to be. Finding the killer should be easy. Then the wife of one of Harry's colleagues is discovered dead in her car, and Clare realises there is something more sinister at play… Can she find out who's behind the murders before they turn their attention to her?

It’s Christmastime in London, and Sherlock Holmes takes on two cases. The angelic three-year-old child of a wealthy couple is the target of a vicious kidnapper, and a country aristocrat worries that his handsome, favourite son has mysteriously vanished from his London pied à terre. Holmes and Watson, aided by the colourful Heffie O’Malley, slip slide in the ice to ensure a merry Christmas is had by nearly everybody.

When a detested viscount is found murdered by the banks of the Thames and Charlie Hastings becomes the prime suspect, Barnaby and Penelope Adair join forces with Stokes to discover the real story behind the unexpected killing. Charlie Hastings is astonished to find himself accused of murdering Viscount Sedbury. Admittedly, Charlie had two heated altercations with Sedbury in the hours preceding the man’s death, but as Charlie is quick to point out to Stokes—and to Barnaby and Penelope—there are a multitude of others in the ton who will be delighted to learn of Sedbury’s demise.

Ritchie Gulliver MP is dead. Castrated and left to bleed in an empty Leith warehouse. Vicious, racist and corrupt, many thought he had it coming. But nobody could have predicted this. After the life Gulliver has led, the suspects are many: corporate rivals, political opponents, the countless groups he's offended. And the vulnerable and marginalised, who bore the brunt of his cruelty—those without a voice, without a choice, without a chance. As Detective Ray Lennox unravels the truth, and the list of brutal attacks grows, he must put his personal feelings aside.