British Crime

It's the end of the summer season in the harbour town of Estepona. The holiday makers are heading home, leaving the British expats to reclaim their little corner of paradise. Among them is art restorer Astrid Swift's estranged father. She's sailed into town to reunite with him but has instead been tasked with catching an internet troll who's been threatening his wife online. Soon Astrid is entwined in the lives of these expats, from the boozy local heckler to the socially awkward beachcomber. And then she discovers a body in the bunker of the golf course.

Charming film writer and director Geraint Denbigh is found lifeless in the garden of his Welsh home. It looks like he fell from a window, but eagle-eyed Detective Chief Inspector Matt Lambert soon finds irregularities in the crime scene. Before long he determines it was murder. Recently retired, the victim was writing about his eventful life and many of his former colleagues and associates could have had reason to stop him before he spilled the beans on their transgressions.

A group of children play. Not far away, in the ditch on the other side of the farmyard, the body of a young woman. The nearby village hides as many secrets as the community at the farm, a disparate group of people looking for an alternative to their previous torturous lives. Their leader, idealistic and benevolent, espouses love and kindness, and somebody's not following his dictate. The second death, an old woman, seems unrelated to the first, but is it? Is it part of the tangled web that connects the farm to the village?

When an armed man massacres several people in central London, Claudine witnesses the whole thing. To her horror, one of the victims is her brother, Jethro. Riven by grief, Claudine retreats to the house in the Fens where she and Jethro grew up. When the police contact her, she is left reeling when they tell her Jethro orchestrated the attack. Why would a gentle, if troubled, middle-aged man cause such bloodshed – and why would he include himself in the list of victims? Claudine finds herself down a rabbit hole of mystery, caught up in Jethro's research on a medieval cult.

When Dorothy Martin and her husband, retired police detective Alan Nesbitt, decide to visit the beautiful island of Alderney in the English Channel, they hope for a pleasant, peaceful holiday. It’s not to be. Taking a walk on their very first day, they discover a body, apparently the victim of an unfortunate accident, on a precipitous hill path.

Killing Goldfinger charts the extraordinary rise and spectacular bullet-riddled fall of John Palmer, the richest, most powerful criminal ever to have emerged from the modern British underworld. Palmer earned his nickname Goldfinger after smelting (in his back garden) tens of millions of pounds worth of stolen gold bullion from the 20th century's most lucrative heist; the Brink's-Mat robbery. Palmer then used his share of the millions to become the vicious overlord of a vast illegal timeshare property empire in Tenerife.

When the body of a teenage boy is found in the River Witham, it falls to DI Freya Bloom and her team to raise the truth from the depths. The boy, nicknamed Simple Simon, was a troubled soul. But when Bloom digs deeper into Simon’s life, she discovers that not only was he the victim of a viscous cyber bullying attack, but also suffered sexual abuse. Was his death a shocking teenage suicide, or does somebody have a terrible secret to hide? With four potential suspects in the firing line, and guilt in every one of their eyes, Bloom must make some difficult choices.

D.I. Graves is back on the case to face his toughest challenge yet: a case with no motive and no suspect, nothing at all that could explain why someone would kill innocent people and then take parts from the bodies. Then the next victims are discovered: another pair of bodies, new body parts taken, and again in their own home. Someone is breaking into houses across the city at night, leaving horror in their wake. It seems to Graves that this could be two serial killers, working together. But how are they choosing their victims? Is any house in London a target? Is anyone safe?

Nigella Parker has a deep-rooted fear of fire and a talent for solving arson cases. When a charred figure is found beside Sir Christopher Wren’s Monument to the Great Fire of London, Nigella is dragged into a case pitting her against a murderous artist creating sculptures using burnt flesh. Nigella partners with Colm O’Leary of Scotland Yard to track the arsonist. The pair are more than colleagues. But their past isn’t the only buried history as they race to connect the dots between an antique nail and a long-forgotten architect dwarfed by the life's work of Sir Christopher Wren.

When Kate and Nathan receive a photo of four kidnapped models, the clock starts ticking for the detectives to save their lives before it’s too late. Kate has been on the Murder Team for a few months now, working run-of-the-mill cases with Nathan. But the memory of that first case, and it's disturbing details, still bothers her. Meanwhile, four models arrive at a shoot in a local abandoned mental asylum and are violently kidnapped. The next day, a photo of them lands on the desk of Kate and Nathan, with a chilling note.

A group of old friends gather in a peaceful suburban street for a dinner party. They are expecting a fun evening of wine, food and pleasant company. But then they start to play the game… It’s about trust and dark secrets – it tests marriage to its limits – and none of them can begin to imagine its consequences. Because the next day, two guests are dead and the others are trapped in a nightmare.

When a bloody corpse is discovered in a North London park, Detective Inspector Daniel Graves is the man tasked with finding the killer. However, with no clues and no suspects, the case seems like a dead end. Then another body turns up—and this time, it looks like it could be Graves’s fault. Has his investigation caused the murderer to strike again? As the case gets ever more complicated, a report comes in of another suspicious death—but this is nothing like any other Graves has dealt with. All involved are convinced that something supernatural is to blame: a demon.

When one of the notorious Johnson brothers is murdered and a bag of money goes missing, a deadly game of cat and mouse is set in motion. Detective Allie Shenton and her team are called in to catch the killer, but the suspects are double-crossing each other and Allie has little time to untangle the web of lies. As she delves deeper into the case, things take a personal turn when Allie realises she is being stalked by the very same person who attacked her sister seventeen years ago and left her for dead.

A man's body is found on a canal towpath. In his pocket, a magnetic letter in the shape of an E. Days later, a second victim is murdered, this time with the letter V tucked into her clothing. When the letter E is located near to a third victim, DI Allie Shenton and her colleagues are sent into full alert. Is their killer spelling a word, a name or are the letters an anagram? One thing's for certain as the body count rises—the eerie, childlike clues point to a pattern that doesn't look like stopping.

Still grieving the death of his long-time partner, Chase reunites with his dear friend and fellow Anglophile Billie Mondreau for a seacoast holiday of historic sightseeing. Assigned a pair of guides from the tour company Wanderers, Chase and Billie join seven other like-minded Americans looking forward to an English getaway. All except for Ronald Gretz. The wealthy entrepreneur behind the international Golden Sunset nursing home chain doesn’t like anything about walking, touring, or England.

Dorothy Martin isn’t overly enthusiastic when her husband, retired police detective Alan Nesbitt, invites her to accompany him to a conference in Cambridge, picturing cramped student accommodation. But St. Stephen’s turns out to be recently renovated, and, bolstered by ensuite facilities, Dorothy is looking forward to exploring the historic and beautiful city. It is not long, though, before disaster strikes. Lost in the maze of college buildings, Dorothy stumbles into a laboratory—and is shocked to find what looks like a pool of blood on the floor.

Inspired by the author’s own experience, The Vicar introduces Terry Nolan, an MI5 operative who, when he discovers his cover is blown and millions of lives are at stake, will do whatever it takes to stop enemy forces. Terry Nolan, an off-the-books MI5 operative known as the Vicar, has been officially dead for the past thirty years. But when Nolan is attacked in Boston, it becomes clear his cover is blown. Even worse, his Parishioners—the network of spies who work under the Vicar—have all been compromised.

È un giovedì come tanti, uno di quelli in cui tutto sembra svolgersi all’insegna della normalità. Tranne che, per il Club dei delitti del giovedì...

January 1941. The Luftwaffe continues its assault on Britain from the sky, but ATA pilot Lizzie Hayes is grounded after a crash. Itching to be of use, she hears that DI Kember is investigating the death of a coal miner in Kent and sees her chance to help. They discover the miner died from carbon monoxide poisoning but Kember instinctively suspects foul play. Was it an accident, or murder?

When a hit-and-run accident leaves eight-year-old Lee Sanders in critical condition, DI Freya Bloom and DS Ben Savage arrive on the scene in rural Lincolnshire. But the investigation they thought would be simple, soon develops into something far more sinister. The driver of the car is found in a nearby ditch, and she didn't die of natural causes. Poppy Gray, a nineteen-year-old girl with a bright future ahead of her, had only one known friend, a troubled boy who rarely speaks. Leading a simple life, Poppy had been filled with the joys of spring. But she knew something.