British Crime

In the dead of night, four teenagers taking a shortcut through an archaeological dig site find a woman’s lifeless body in a muddy trench, her hands and neck locked in a medieval device known as a Shrew’s Fiddle. It doesn’t take long to see that these are no ancient remains: the woman was killed just hours earlier.

A missing girl, a trafficking ring, and a web of lies. When wayward teen Olivia goes missing, her friend reports it. Jon Pilgrim and his team take the case, hunting for the missing girl. Sifting through their lives, they discover both girls have been victims for a long time. Grooming, gaslighting, a criminal gang used these vulnerable young women.

The Cornish village of St. Petroc is the sort of place where people come to hide. Tom Killgannon is one such person. But when a seventeen-year-old runaway named Lila breaks into Tom’s house, she takes more than just his money. His wallet holds everything about his new identity. He also knows that Lila is in danger from the travelers’ commune she has been living at. Something sinister has been going on there, and Lila knows more than she realizes. But to find her, he risks not only giving away his location to the gangs he’s in hiding from but also becoming a target for whoever is hunting Lila.

While attending a crime scene on the outskirts of Maidstone, DI Kay Hunter makes a shocking discovery. The victim has been brutally cut to pieces, his identity unknown. When more body parts start turning up in the Kentish countryside, Kay realizes the disturbing truth–a serial killer is at large and must be stopped at all costs. With no motive for the murders and a killer who has gone undetected until now, Kay and her team of detectives must work fast to calm a terrified local population and a scornful media. When a third victim is found, her investigation grows even more complicated.

It's the end of the summer season in the harbour town of Estepona. The holiday makers are heading home, leaving the British expats to reclaim their little corner of paradise. Among them is art restorer Astrid Swift's estranged father. She's sailed into town to reunite with him but has instead been tasked with catching an internet troll who's been threatening his wife online. Soon Astrid is entwined in the lives of these expats, from the boozy local heckler to the socially awkward beachcomber. And then she discovers a body in the bunker of the golf course.

When young, pretty Eliza Anderson walks through Grace McKenna’s door begging for help finding her missing sister, it sparks the Portobello Detective Agency’s most dangerous investigation to date. The trail leads Grace and her team to a plush clinic nestled in Scotland’s remote wilderness. On the surface, Whiteadder House seems too good to be true, offering miracle cures and luxury comfort at no cost. But as they dig deeper, the cracks in its gleaming façade start to show.

A group of children play. Not far away, in the ditch on the other side of the farmyard, the body of a young woman. The nearby village hides as many secrets as the community at the farm, a disparate group of people looking for an alternative to their previous torturous lives. Their leader, idealistic and benevolent, espouses love and kindness, and somebody's not following his dictate. The second death, an old woman, seems unrelated to the first, but is it? Is it part of the tangled web that connects the farm to the village?

When an armed man massacres several people in central London, Claudine witnesses the whole thing. To her horror, one of the victims is her brother, Jethro. Riven by grief, Claudine retreats to the house in the Fens where she and Jethro grew up. When the police contact her, she is left reeling when they tell her Jethro orchestrated the attack. Why would a gentle, if troubled, middle-aged man cause such bloodshed – and why would he include himself in the list of victims? Claudine finds herself down a rabbit hole of mystery, caught up in Jethro's research on a medieval cult.

When Dorothy Martin and her husband, retired police detective Alan Nesbitt, decide to visit the beautiful island of Alderney in the English Channel, they hope for a pleasant, peaceful holiday. It’s not to be. Taking a walk on their very first day, they discover a body, apparently the victim of an unfortunate accident, on a precipitous hill path.

Killing Goldfinger charts the extraordinary rise and spectacular bullet-riddled fall of John Palmer, the richest, most powerful criminal ever to have emerged from the modern British underworld. Palmer earned his nickname Goldfinger after smelting (in his back garden) tens of millions of pounds worth of stolen gold bullion from the 20th century's most lucrative heist; the Brink's-Mat robbery. Palmer then used his share of the millions to become the vicious overlord of a vast illegal timeshare property empire in Tenerife.

When the body of a teenage boy is found in the River Witham, it falls to DI Freya Bloom and her team to raise the truth from the depths. The boy, nicknamed Simple Simon, was a troubled soul. But when Bloom digs deeper into Simon’s life, she discovers that not only was he the victim of a viscous cyber bullying attack, but also suffered sexual abuse. Was his death a shocking teenage suicide, or does somebody have a terrible secret to hide? With four potential suspects in the firing line, and guilt in every one of their eyes, Bloom must make some difficult choices.

D.I. Graves is back on the case to face his toughest challenge yet: a case with no motive and no suspect, nothing at all that could explain why someone would kill innocent people and then take parts from the bodies. Then the next victims are discovered: another pair of bodies, new body parts taken, and again in their own home. Someone is breaking into houses across the city at night, leaving horror in their wake. It seems to Graves that this could be two serial killers, working together. But how are they choosing their victims? Is any house in London a target? Is anyone safe?

Nigella Parker has a deep-rooted fear of fire and a talent for solving arson cases. When a charred figure is found beside Sir Christopher Wren’s Monument to the Great Fire of London, Nigella is dragged into a case pitting her against a murderous artist creating sculptures using burnt flesh. Nigella partners with Colm O’Leary of Scotland Yard to track the arsonist. The pair are more than colleagues. But their past isn’t the only buried history as they race to connect the dots between an antique nail and a long-forgotten architect dwarfed by the life's work of Sir Christopher Wren.

A body is found floating in the local beauty spot known as Silent Pool. When DCI Jon Pilgrim and his team are brought in, they soon discover foul play. She was murdered. The woman belonged to a local aristocratic family that was gathering at the family’s estate. Jon investigates with his partner, Kate, and soon discovers secrets and rivalries. The victim was the family's black sheep. No one liked her; they all have a motive.

Ein kurzes Wort der Warnung. Die Kurzgeschichten über wahre Verbrechen in diesem Buch sind unvorstellbar schockierend. Die meisten Nachrichtenartikel und Fernsehsendungen über wahre Verbrechen übergehen die dramatischen Details der wirklich beunruhigenden Verbrechen.

A group of old friends gather in a peaceful suburban street for a dinner party. They are expecting a fun evening of wine, food and pleasant company. But then they start to play the game… It’s about trust and dark secrets – it tests marriage to its limits – and none of them can begin to imagine its consequences. Because the next day, two guests are dead and the others are trapped in a nightmare.

When a bloody corpse is discovered in a North London park, Detective Inspector Daniel Graves is the man tasked with finding the killer. However, with no clues and no suspects, the case seems like a dead end. Then another body turns up—and this time, it looks like it could be Graves’s fault. Has his investigation caused the murderer to strike again? As the case gets ever more complicated, a report comes in of another suspicious death—but this is nothing like any other Graves has dealt with. All involved are convinced that something supernatural is to blame: a demon.

When one of the notorious Johnson brothers is murdered and a bag of money goes missing, a deadly game of cat and mouse is set in motion. Detective Allie Shenton and her team are called in to catch the killer, but the suspects are double-crossing each other and Allie has little time to untangle the web of lies. As she delves deeper into the case, things take a personal turn when Allie realises she is being stalked by the very same person who attacked her sister seventeen years ago and left her for dead.

A man's body is found on a canal towpath. In his pocket, a magnetic letter in the shape of an E. Days later, a second victim is murdered, this time with the letter V tucked into her clothing. When the letter E is located near to a third victim, DI Allie Shenton and her colleagues are sent into full alert. Is their killer spelling a word, a name or are the letters an anagram? One thing's for certain as the body count rises—the eerie, childlike clues point to a pattern that doesn't look like stopping.

St Michael’s Church may be derelict but it’s not deserted. Someone still comes here to worship on nights when the moon is full. Arnold Landon should know. He’s seen the grisly evidence for himself. Blood among the roses. The butchered remains of a man, tangled in the undergrowth. The victim was a traveler. How did he come to be in the churchyard? Arnold has a theory that leads back centuries, all the way to the cult of the Raging Wolf. Everyone tells him it’s impossible, that the cultists are dead and buried. But the devil wears many faces.