British Crime

When the police are unable to find a body, they are forced to dismiss a homeless veteran’s claim that he witnessed a homicide. But after he is found murdered in the same spot two days later, DI Bliss and the Major Crime Unit set their sights on catching a ruthless killer. Elsewhere, when the daughter of a cuckooed family is reported to have attempted suicide, Jimmy Bliss and DC Penny Chandler have their doubts and vow to uncover the truth. But the situation is about to get much worse, and violence is certain to erupt on the city streets.

“We have a secret the Devil and I.” These are the chilling words on the back of an old photograph that Sister Joan uncovers while cleaning out the attic storerooms. What she discovers among the dusty antiques leads to her most dangerous case yet. Joan has the strangest feeling that she's being followed. But the person she thinks she saw died over a year ago . . . Or did he? Then a young secretary turns up dead. She's been strangled. Another body is found and Sister Joan must get to the bottom of things before the murderer strikes again.

For five long years, Detective Barnes has been hunting the killer of the person he cared about the most. Now, the one man who could have revealed the truth is dead. His charred and blackened body is all that remains in his burnt-out flat. A week later, a desperate, emaciated young woman hammers on the door of a late-night convenience store. She speaks no English—but it’s clear that she’s terrified—and running for her life. It's only Barnes who connects the two events. He and his new boss, Superintendent Samson Kane, team up to uncover the truth.

Ritchie Gulliver MP is dead. Castrated and left to bleed in an empty Leith warehouse. Vicious, racist and corrupt, many thought he had it coming. But nobody could have predicted this. After the life Gulliver has led, the suspects are many: corporate rivals, political opponents, the countless groups he's offended. And the vulnerable and marginalised, who bore the brunt of his cruelty—those without a voice, without a choice, without a chance. As Detective Ray Lennox unravels the truth, and the list of brutal attacks grows, he must put his personal feelings aside.

An unassuming Dottie Ellis falls for bad boy Jimmy Carson, who sweeps her off her feet. But after discovering she is pregnant and learning that Jimmy has gone back to his ex-girlfriend Carrie Verne, her happiness falls apart. Heartbroken, Dottie runs home, only to unearth a disturbing family secret that rocks her to the core. She is now faced with an agonizing decision to protect her unborn child. What she does shocks the town. In a moment of solidarity, Carrie makes a promise to Dottie, cementing an unlikely bond between them.

DCI Lesley Clarke thinks she’s close to solving her predecessor’s murder. But when the body of a police officer connected to the crime turns up in the abandoned village of Tyneham, the case steps up a gear. And when someone she's close to is threatened by the killer, Lesley’s quest for the truth becomes even more urgent. Can Lesley convince her senior officers of the truth, keep her team on track and protect her family?

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.

When a body washes up on the shores of Brownsea Island, DCI Lesley Clarke initially suspects suicide. But as she gets closer to the island's close-knit community, she starts to suspect foul play. Why did the victim argue with her closest friend days before her death? What secrets is the victim's manager keeping? And can Lesley get to the bottom of the mystery before someone else dies?

1850: Charles Dickens is in Manchester, performing at the Queen's Theatre with his acting group. But his career on the stage is cut short when a man is shot dead - on set. With Dickens himself caught with the gun in his hands, he is immediately arrested. Along with the help of his good friend Superintendent Sam Jones, Dickens must do all he can to find the real killer, before he is locked up for a crime he didn't commit. Can Dickens convince the authorities of his innocence? Will he unmask the true assassin?

Two skeletons are discovered in the grounds of St Mary's Choir School. This was not a centuries-old Christian burial. They are wearing modern-day clothes, and there is evidence of foul play. Consecrated land has been sadistically violated.

Detective Inspector Gilbert Markham is a rising talent of the Bromgrove police force. He is on the trail of the murderer when another life is brutally claimed. Who is the savage killer lurking in this innocent place?

If there’s one thing detective Bath Peter Diamond has no patience for, it’s a dumb git trying to get involved in one of his investigations - for example, a Philip Marlowe-wannabe private investigator like the self-styled Johnny Getz. But fate has saddled Diamond with this trial. A Bath antiques dealer, “Seppy” Hubbard, has disappeared without a trace, and his daughter has hired Getz to find him. When a body is discovered in Seppy’s locked-up store, the missing persons case becomes a murder investigation, and now Diamond has to collaborate with the insufferable private eye.

When Sukey Reynolds receives news of a death at the elegant Mariners Hotel, she is intrigued. Who could possibly have wanted to hurt Dr. Whistler, a shy and retiring archaeology professor? The dusty documents he was carrying couldn’t possibly be of value, could they? You would never expect this sophisticated establishment to be home to murder. What secrets are hiding inside the charming Mariners Hotel?

A family outing to Tattershall Castle comes to a chilling end when eleven-year-old Tommy Burton disappears without a trace in broad daylight. All that remains in his place is a small blue teddy bear. DS Karen Hart and her team are called in to investigate the unusual circumstances—but for DI Morgan the crime scene is eerily familiar.

After a woman's body is found in a local beauty spot, her heart surgically removed, D.I. Andy Ross and his team are called in to investigate. But this time, they face a criminal mastermind unlike any they have before, who soon becomes known as The Doctor. All evidence points to romantic connections between the killer and his prey, with an eerie lullaby left playing on an old tape recorder next to the victims.

The mayor’s brother is missing. A transit cop lies beaten and blinded, her service weapon stolen. A new series of graffiti tags are appearing, linked to an underground group calling themselves The Death of Kings. Class warfare has broken out on the streets of Vancouver, and PI Dave Wakeland finds himself on the front lines―but unsure which side he’s on. Reeling from a bad breakup, and increasingly alienated from the city he calls home, Wakeland nevertheless agrees to look for the missing gun.

In Wiltshire, England, the Crime Review Team headed by Gus Freeman was formed to investigate cold cases. Freeman and his team have successfully solved several cases, using old witness statements plus fresh clues. After delving into Marion Reeves’s past, Gus Freeman confronts a group of wealthy people who are desperate to hide the truth. Each witness interview provides another missing piece of the jigsaw. Can Freeman complete the picture and unmask the killer?

As a family liaison offer, DC Maggie Neville has seen parents crumble under the weight of their child’s death. Imogen Tyler is no different. Her son’s fall was witnessed by the school caretaker, and another pupil is under suspicion/being questioned, but Imogen is paralysed by questions. Why was he at the school so early? Why was he with a girl who wasn’t a friend?

When a body is found draped over Swanage’s iconic Globe monument, DCI Lesley Clarke is called in. A message points to the motive: Go Home. Is this a hate crime? Or something closer to home? Lesley must find the killer before he or she strikes again, all while dealing with a mutiny in her team and political pressure from her boss. At the same time, a local journalist has been investigating the death of Lesley's predecessor - and claims to have key information. Wary of involving her team, Lesley brings in her old colleague Zoe Finch to help.

A young female soldier is found on Salisbury Plain, her throat cut and a bloody knife in her dead hand. Everyone assumes that she killed herself. But something doesn’t feel right to DI Ford; the whole scene seems staged. Convinced of foul play, and despite fierce opposition from the army brass and his own superiors, Ford launches a murder investigation.

Spiritualism has captured the public’s imagination. Séances are all the rage, and Detective Ian Hamilton’s otherwise sensible aunt Lillian is not immune to their allure. But for Ian, indulging her superstitions has its limits. When members of Lillian’s circle of séance friends begin turning up dead, Ian doesn’t need a medium to tell him these aren’t freak accidents.