British Detective Fiction

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

Two weeks of rest and recuperation - that's what the doctor ordered. Detective Sergeant DC Smith could listen to some music, make some of his own, and maybe even catch up on his reading; he is almost looking forward to it. And then there is a knock on the door. It's only his next-door neighbor, but it is the beginning of a sequence of events that will bring him face to face with some of the darkest episodes and the most dangerous people from his own past.

In the peace and tranquility of the woods at Pinehills on a Saturday afternoon, a mobile phone begins to ring. The phone belongs to DC Smith, and it isn't unusual that the call is from Kings Lake Central police station; what is unusual is the fact that he seems to be the subject of an investigation rather than taking part in one. What can the links be between a prisoner's violent death in another county, the disappearance of two teenagers, and the highest profile case in Kings Lake for many years?

When Matt Ballard was starting out his career, three boys were murdered in the same area, the remote and bleak Gibbet Fen. When the main suspect was killed in a hit-and-run, the killings stopped. But Matt was not satisfied that the real murderer had been caught. Over 25 years later, Matt gets a photo in an unmarked envelope. It's of the Gibbet Fen crime scene. And the picture was taken before the murder took place. More photos arrive, relating to the historic murders, as well as intimate pictures of Matt's very secret private life.

Detective Sergeant Chris Waters got the call at 05.29 that July morning. This is it, said DCI Reeve, you'll be first there, it's all yours, you're the crime scene manager. Suddenly, after months of waiting and wondering, Waters finds himself in at the deep end, and alone at the scene of a puzzling murder. As the investigation proceeds, the detectives at Kings Lake Central find themselves visiting familiar places and talking to some familiar faces, while old enmities reappear in the incident room. Before this is over, Chris Waters will need to make a career-changing decision.

Mark Randall lay dead in a field near Lowacre long before Smith had done what he had to do in Belfast. By the time he went back to work, the investigation was well underway. "It's not my case," he says more than once, and he really doesn't need it to be; he has enough to think about as it is. But going around the Norfolk countryside dotting the i's and crossing the t's, speaking to the local farmers and the Brothers of St. Francis from Abbeyfields, Smith begins to suspect that the investigation might be heading in entirely the wrong direction.

Change is afoot at Kings Lake Central police station. A most unexpected new detective inspector takes up his post this Monday morning, and the oldest detective in the place takes a momentous decision. Around them, other officers are considering their own situations, and even the building itself seems to be facing an uncertain future. But life and death go on, nevertheless, and by lunchtime someone will make a grim discovery on the Norfolk saltmarshes. A stranger seems to have suffered a slow and agonizing death out there.

No one would ever accuse famous opera star Dame Serena Levante of lacking a flare for the dramatic. Unfortunately, it's curtains down on the dysfunctional diva when she's found dead at the bottom of a staircase in her elegant home. Solving an opera singer's murder may not be the typical hairdresser's aria of expertise. But Dame Serena was the mother of Daisy's best friend Floria, so Daisy must do-or-dye her best to get to the roots of the case.

When 14-year-old Zoe Johnson doesn't come home on a Monday night in early December, the alarm bells in Kings Lake Central police station do not ring straight away - after all, she's from the Dockmills, one of the toughest estates in the town. But for Detective Sergeant DC Smith, due to retire in just three weeks' time, there are some strange echoes of the case that has haunted him for the past 13 years. Maybe it's simply his over-developed sense of irony, or maybe, in his final days as a police officer, Smith must look once more into the eyes of a serial killer.

A young woman is dumped, injured and unconscious, in a private hospital's parking lot. She is an amnesiac with no memory prior to her discovery by hospital personnel. Detective Inspector Peter Diamond of the Bath homicide squad is unwilling to become involved. He has other, more important cases to solve: a woman has plunged to her death from the roof of a local landmark while half the young people of Bath partied below, and an elderly farmer has shot himself.

Chief Inspector Brian Hooley has a plan, and it won't make him popular. He wants to bring back autistic detective Jonathan Roper. Currently suspended on misconduct charges, his condition, coupled with a relentless work ethic, makes Roper a unique investigator with observational skills that allow him to see what others miss. But he is also a complex man who doesn't get social boundaries, and plenty of his colleagues just don't like him. Hooley doesn't care about that. He knows Roper is the one to make a difference.

When a beautiful, wealthy student is found dead in her room in Oxford's most prestigious college, Detective Inspector Bridget Hart is called to investigate. The murdered girl appeared to have no enemies, yet was killed in a brutal and bloody assault. Haunted and driven by her own personal tragedy, newly promoted DI Bridget Hart has a lot to prove as she leads her first murder case. Her investigation uncovers a tangled web of lies, lust and ambition, and brings her into conflict with powerful interests.

The launch of a new exhibit at Bexford museum is derailed when Brock and Poole discover a body in its midst. With rumors of a lost treasure, a confusing array of suspects, and a personal stake in the case, they must focus to find their culprit. Which isn't going to be easy. Detective Sergeant Guy Poole is dreading confronting his mother with the truth and faces losing a second parent from his life. Detective Inspector Sam Brock's life is changing, and there are big decisions to make for the future. Can they untangle the web of mystery to find their killer?

Detective Sara Hirst has moved from London to Norfolk Police's Serious Crimes Unit. She wants to know the truth about her father, who has connections to the area. Her mother won't tell her the real story. A new job. A new place. Same old problems. Sara's first call-out is to a decomposing body discovered in a ditch on a local farm. How does the murder relate to a recent spate of thefts? Who wanted the victim dead? Then the case grows very personal.

Newly appointed as land agent to the youthful Lord Croft, Matthew Rowsley finds plenty to keep him busy as he attends to his lordship's neglected country estate. But he's distracted from his tasks by the disappearance of a young housemaid. Has Maggie really eloped with a young man, as her mother attests - or is the truth rather more sinister? What's been going on behind the scenes at the grand country estate...and where has his lordship disappeared to?

London, 1850: A young Charles Lenox struggles to make a name for himself as a detective...without a single case. Scotland Yard refuses to take him seriously and his friends deride him for attempting a profession at all. But when an anonymous writer sends a letter to the paper claiming to have committed the perfect crime - and promising to kill again - Lenox is convinced that this is his chance to prove himself. The writer's first victim is a young woman whose body is found in a naval trunk, caught up in the rushes of a small islets in the middle of the Thames.

London 1884. Electricity pioneer Simon Borthwick lights up Victorian London with a stunning illuminations display - then shoots himself in a hansom cab. Plucky Fleet Street reporter Penny Green witnesses the inventor's death and suspects the clue to his suicide lies in a mysterious letter he left behind. But can she persuade Inspector James Blakely of Scotland Yard that a crime has been committed? Borthwick isn't the only person who died that day, and Penny soon encounters a shadowy world which the police can't get close to.

On Christmas Eve, DCI Mackenzie Jones is called to a shooting at a remote farmhouse. Ralph Mallender believes his father lies dead inside. When three more bodies are discovered, it's clear a festive family gathering has turned into a gruesome tragedy. At first it seems like an open and shut case: a murder suicide committed by Ralph's volatile brother Cameron. Then new evidence makes Mack suspect the man who reported the crime is in fact the perpetrator. But Mack isn't the only one with a stake in the case.

London, 1884. A culprit is on the run after a fatal poisoning in Bermondsey. It seems like a simple case for Penny Green to report on, until a series of macabre photographs is discovered. As the poisonings continue, Scotland Yard is convinced they have their suspect. It's not long before they're outwitted, and no one is safe. Penny and Inspector James Blakely must avoid the red herrings and track down the manipulative poisoner. But could there be more than one?

Lord Francis and Lady Ottilia Fanshawe are preparing for the birth of their first child. But Lady Fan won't let a little thing like pregnancy get in the way of solving a local mystery. Their neighbor - Sir Joslin Cadel, who recently returned from a sugar plantation in Barbados - has collapsed and died on his doorstep. And his young ward, Tamasine Roy, claims to have murdered him. With Tamasine clearly suffering from some kind of mental disorder and the rest of Cadel's household acting suspiciously, it is clear all is not as it seems.