British Detective

Yorkshire Dales, Summer 1997. Vicky Mott slips out the door of her remote cottage, and into the pale dawn light. She scrawls a note for her friends. Gone to see the sunrise. V xxx That's the last anyone ever hears from twenty-year-old music lover Vicky. Another victim of the Fellside Strangler? That would make Vicky the fourth young woman to lose her life this summer. Snatched by a mysterious killer who stalks the fells . . . But Vicky's body is never found.

Nella sala di lettura del British Museum il professor Julius Arnell esala l’ultimo respiro. Sembrerebbe la classica morte per cause naturali. Ma quando dei confetti avvelenati vengono ritrovati nelle sue tasche, all’ispettore Shelley e al suo improbabile compagno di indagini non resterà che usare tutto il loro fiuto per scoprire l’identità del pericoloso omicida.

A family outing to Tattershall Castle comes to a chilling end when eleven-year-old Tommy Burton disappears without a trace in broad daylight. All that remains in his place is a small blue teddy bear. DS Karen Hart and her team are called in to investigate the unusual circumstances—but for DI Morgan the crime scene is eerily familiar.

For five long years, Detective Barnes has been hunting the killer of the person he cared about the most. Now, the one man who could have revealed the truth is dead. His charred and blackened body is all that remains in his burnt-out flat. A week later, a desperate, emaciated young woman hammers on the door of a late-night convenience store. She speaks no English—but it’s clear that she’s terrified—and running for her life. It's only Barnes who connects the two events. He and his new boss, Superintendent Samson Kane, team up to uncover the truth.

October 1891. A stranger is discovered hanging from a tree in the Malvern Hills. Detective Inspector Ravenscroft and Constable Crabb are called in to investigate. But how can they solve the murder if no one can identify the victim? Whoever killed the man must have really wanted him dead—they strung him up and watched as he suffocated. This may be the most dangerous case Ravenscroft has ever worked. Will the Herefordshire Hangmen ever be brought to justice?

In late Victorian England, private enquiry agents Cyrus Barker and Thomas Llewelyn find themselves in the middle of the deadly chaos when powerful forces align to take over London's criminal underworld.

A young female soldier is found on Salisbury Plain, her throat cut and a bloody knife in her dead hand. Everyone assumes that she killed herself. But something doesn’t feel right to DI Ford; the whole scene seems staged. Convinced of foul play, and despite fierce opposition from the army brass and his own superiors, Ford launches a murder investigation.

DC Sophie Jones was in the wrong place at the wrong time. Viciously bludgeoned one night in a dark alley, she is left fighting for her life in hospital, leaving no clues as to why she was there or what might have motivated the attack. For Detective Karen Hart, fiercely protective of her young protégée, this is already deeply personal: an attack on Sophie is an attack on the whole team. When a car workshop near the crime scene is linked to local mobster Quentin Chapman, the man Hart has spent years trying to bring down, it’s hard not to jump to the most obvious conclusion.

Ella has discovered a secret room in the Yellow Cottage, but with it comes a ghost. Who was she? And how did she die? Ella needs to find the answers before either of them can find peace. But suddenly, things take a nasty turn for the worse.

The peace of Kielder Water is shattered when tourists open a barrel they found floating in the reservoir at dawn. Detectives Stone and Oliver are called to examine the skeletal remains inside. The tourists are eliminated from the investigation, but that same day a second body is discovered - this one with skin. Have the police let the killer leave the scene? While Stone investigates the remains, Oliver travels to Iceland to gather evidence and track down the tourists who have fled. Someone will do anything to protect the secrets of the past.

DI Kate Young is on leave. She’s the force’s best detective, but her bosses know she’s under pressure, on medication and overcoming trauma. So after her bad judgement call leads to a narrowly averted public disaster, they’re sure all she needs is a rest. But when Staffordshire Police summon her back to work on a murder case, it’s a harder, more suspicious Kate Young who returns. With a new ruthlessness, she sets about tracking down a clinical, calculating serial killer who is torturing victims and leaving clues to taunt the police.

Movie star Mary Marvell consults with Hercule Poirot after receiving threatening letters that warn her to return her diamond, the famous "Western Star", to its rightful owner. But who does own the diamond, and is it even the genuine article?

The new audiobook from Sunday Times number-one best seller Martina Cole sees the return of her iconic heroine DCI Kate Burrows. If you liked The Ladykiller you'll love Damaged. When the bodies of missing schoolgirls start turning up, former DCI Kate Burrows is dragged out of retirement. A new Grantley serial killer is in town and DCI Annie Carr turns to Kate for help.

DCI Suzanna McLeod is a fighting fit and highly intelligent detective with brilliant analytical talents, who’s been favourably compared to Sherlock Holmes. Her Edinburgh-based team is legendary for being the UK’s best, so she has a reputation to live up to and a team to lead. Suzanna’s under pressure to catch the armed robbers before their success tempts them to more ambitious and dangerous missions. But she has to juggle two investigations when her magnifying glass is stolen. The Glass is a cherished heirloom entrusted to her care by her late great-great-uncle.

It's only 10 days since Douglas Remfry's release from prison, having served seven years for rape, and now he's dead: naked on a bare mattress in a grubby north London hotel room, his head hooded and his hands tied with a brown leather belt. Someone knew he was coming out. Someone wanted to mete out some punishment of his own. And when a second sex offender is found dead, DI Tom Thorne knows he has a vicious, calculating vigilante on his hands.

Murder isn't a walk in the park...War widow fashionista, Ginger Gold, makes a gruesome discovery while walking her Boston terrier, Boss, through Kensington Gardens. A woman of ill-repute is dead. When Chief Inspector Basil Reed becomes a suspect, the blustery and often times pigheaded Superintendent Morris pulls him off the case. Ginger’s not about to be pushed around by the superintendent despite his warnings.

When the dead body of a woman is found on public display, the murder scene bears all the hallmarks of a famous work of art. DI Ian Drake knows he is dealing with a very creative and intelligent killer - one who enjoys having their work showcased for all to see. As more murders take place, each copying a famous work of art, Drake faces a murderer who always seems to be one step ahead.

Mrs. Laetitia Rodd, aged 52, is the widow of an archdeacon who makes her living as a highly discreet private investigator. Her brother, Frederick Tyson, is a criminal barrister living in nearby Highgate with his wife and 10 children. Frederick finds the cases, and Laetitia solves them using her arch intelligence and her immaculate cover as an unsuspecting widow. When a case arises involving the son of the highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire undercover as the family's new governess.

When new victims of the still-at-large serial killer known as the Red Reaper start to appear in London, DCI Declan Walsh and his team are placed back on the case—but everything isn't what it seems. For a start, the deaths are different, and the calling card is new. It could be a copycat, apart from one thing... They know what Declan did to the real Red Reaper a year earlier. Something only Declan and the closest members of his team keep secret. Is this the real Reaper, back to gain revenge on Declan and his family—or is this a protégé, staking his own claim to the serial killer name?

From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realize that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine.