British Detective

You are Dead is the 11th thrilling crime novel in Peter James' Roy Grace series, narrated by Daniel Weyman. They were marked for death. The last words Jamie Ball hears from his fiancée, Logan Somerville, are in a terrified mobile phone call. She has just driven into the underground car park beneath the block of flats where they live in Brighton. Then she screams and the phone goes dead.

As a family liaison offer, DC Maggie Neville has seen parents crumble under the weight of their child’s death. Imogen Tyler is no different. Her son’s fall was witnessed by the school caretaker, and another pupil is under suspicion/being questioned, but Imogen is paralysed by questions. Why was he at the school so early? Why was he with a girl who wasn’t a friend?

Virtual romance becomes a terrifying obsession in Peter James' tenth Roy Grace novel, Want You Dead.... Single girl, 29, smouldering redhead, love life that's crashed and burned. Seeks new flame to rekindle her fire. Fun, friendship and - who knows - maybe more? When Red Westwood meets handsome, charming and rich Bryce Laurent through an online dating agency, there is an instant attraction. But as their love blossoms, the truth about his past, and his dark side, begins to emerge.

Roy Grace, creation of the CWA Diamond Dagger award-winning author Peter James, faces his most complex case yet in Dead If You Don't. Shortly after Kipp Brown and his teenage son, Mungo, arrive at the Amex stadium for their team's biggest-ever football game, Mungo disappears. A short while later Kipp receives a text with a ransom demand and a warning not to go to the police if he and his wife want to see their son alive again.

When Constable Evan Evans and his new fiancée decide to travel south from home in Llanfair, Wales, to visit his mother in Swansea, they're not expecting the disturbing news that greets them on their arrival: the young thug convicted of murdering Evan's father several years earlier is suspected of murder once again.

The last thing DS Stephanie Johnson and DS Andy Carter expected during their much-needed canal holiday was a murder. When retired folk musician Annie Shipton is found stabbed through the neck at the helm of her barge, the couple can’t help investigating the seemingly impossible crime. Nobody else boarded Annie’s boat—so how was she killed from behind?

After a car accident ended her medical career before it even started, Cassie moved to London on a whim, expecting to see the sights and live the typical tourist backpacker lifestyle. Instead she finds herself accompanying a French private detective, Violet Despuis, as they attempt to find out who poisoned four people in the middle of London. Cassie's life soon includes this crazy detective, an ancient landlady with a curious past, a mischievous orange cat who likes going for walks on a leash, and a super hot pathologist that Cassie is sure is out of her league.

They were meant to be safe on Fleet Ward: psychiatric patients monitored, treated, cared for. But now one of their number is found murdered, and the accusations begin to fly. Was it one of his fellow patients? A member of staff? Or did someone come in from the outside? DC Alice Armitage is methodical, tireless, and she's quickly on the trail of the killer. The only problem is, Alice is a patient too.

Steeped in a history of award-winning Yorkshire ale, the town of Markham boasts not one but two breweries. Richard Foster runs one; his sister, Emily, along with her partner, Janice, runs the other. And not without some resentment. The unwelcome return of the town’s former bad boy, Brendan Scholes, threatens to ignite the sibling rivalry further. Scholes claims to have found the long-lost secret recipe to the beer that made Richard and Emily’s father famous, and he wants money.

From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realize that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine.

The ladies of the Mayfair Orchid and Exotic Plant Society are known for a bit of friendly rivalry, but the backstabbing has never been literal - until now. When Hiram Filmore, an orchid hunter and supplier, is found dead in Mrs. Helena Rayburn's conservatory, Inspector Witherspoon is called in to weed out a murderer. When it comes out that Mrs. Rayburn and her flowery friends knew each other from long ago, Mrs. Jeffries begins to suspect that there's more to unearth about this case than meets the eye.

When a woman is abducted from a quiet suburban street and bundled into the back of a white van, the only witness to the crime is a child with a reputation for telling tall tales. The police doubt the girl’s story, except for Detective Karen Hart, who is determined to follow her instincts—perhaps because the shy little girl reminds her of the daughter she’s still grieving. When a playing card is found at the scene, Karen finds her first clue. And when a second card is found at the home of a missing woman, Tamara, Karen finds her victim.

Billie-Rose's bloodstained body is found in the kitchen of her ground-floor flat. She's been strangled to death, there's a deep laceration to her upper thigh, and a wooden chess-piece grasped tightly in her hand. Daubed on the wall in Billie-Rose's own blood is a strange symbol: a bishop's mitre. All Detective Jack MacIntosh can think is: He's back. Four years earlier, four young women were also strangled to death in their own homes, the same deep wound to the thigh, the same weird symbol scrawled on the wall. The work of the killer they call the Bishop. Is he back to kill again?

With his partner away on a honeymoon, Yorkshire detective Andrew Dalziel tries to beat the blues by taking a vacation of his own. But after getting caught in a torrential rain and running into a funeral procession, he winds up accompanying a crowd of upper-class mourners to a crumbling country house. Dalziel isn't known for his elegant manners, but he has bigger problems than not fitting in: The owner of the home has died under unusual circumstances, and soon more bodies are turning up.

When a film shoot on Wharfedale’s vintage railway turns into a grisly crime scene, DCI Oldroyd’s idyllic visit to the countryside with his partner Deborah is well and truly stopped in its tracks. One of the film’s stars has been shot dead in a train carriage while the cameras rolled outside. But nobody else went in—or came out. Has the killer really pulled off the perfect, impossible crime?

Newly returned from investigating a murder in Monkslip-super-Mare, former M15 agent Max Tudor wants nothing more than to settle back into his predictable routine as vicar of St. Edwold's Church in the village of Nether Monkslip. But the flow of his sermon on Bathsheba is interrupted when Lady Duxter is found dead after having made a suicide pact with her lover. Lady Duxter's husband rallies quickly from the double tragedy - too quickly, it is murmured in the village. Having already planned a writer's retreat at his manor house, he insists the show must go on.

An artist's model never shows up at Neville Grant's house...or so he claims. But when one of Mr. Grant's houseguests suddenly dies, the Inspector and Mrs. Jeffries have to work double-time to find both the missing model and the killer!

Alison Willetts has survived a stroke, deliberately induced by a skilful manipulation of pressure points on the head and neck. She can see, hear and feel, but she is completely unable to move or communicate. In leaving Alison Willetts alive, the police believe the killer's made his first mistake. Then DI Tom Thorne discovers the horrifying truth: it isn't Alison who is the mistake, it's the three women already dead. Thorne must find a killer whose agenda is disturbingly unique, and Alison, the one person who holds the key to the killer's identity, is unable to say anything....

Margaret Starling wasn't the sort of woman anyone expected to be murdered. She was a wealthy upper-class widow. But money alone won't protect you when someone decides it's high time you met your maker. Margaret wasn't as well-regarded as she'd always thought she was. But Mrs. Jeffries and Inspector Witherspoon know that justice isn't a popularity contest, and they won't rest until they sift through the suspects to catch a sinister scrooge.

Determined to make the First Edition Library a success, Hayley Burke wasn’t expecting to have to solve an old friend’s murder in this all-new mystery from USA Today best-selling author Marty Wingate.