British Detectives Thrillers

DC Sophie Jones was in the wrong place at the wrong time. Viciously bludgeoned one night in a dark alley, she is left fighting for her life in hospital, leaving no clues as to why she was there or what might have motivated the attack. For Detective Karen Hart, fiercely protective of her young protégée, this is already deeply personal: an attack on Sophie is an attack on the whole team. When a car workshop near the crime scene is linked to local mobster Quentin Chapman, the man Hart has spent years trying to bring down, it’s hard not to jump to the most obvious conclusion.

Billie-Rose's bloodstained body is found in the kitchen of her ground-floor flat. She's been strangled to death, there's a deep laceration to her upper thigh, and a wooden chess-piece grasped tightly in her hand. Daubed on the wall in Billie-Rose's own blood is a strange symbol: a bishop's mitre. All Detective Jack MacIntosh can think is: He's back. Four years earlier, four young women were also strangled to death in their own homes, the same deep wound to the thigh, the same weird symbol scrawled on the wall. The work of the killer they call the Bishop. Is he back to kill again?

1792, England: Lord Francis and Lady Ottilia Fanshawe are on their way home when their coach comes to a sudden stop. A woman is standing in the middle of the road - covered in blood. The woman refuses to speak but on further investigation they find the body of a man hidden in the woods. Ottilia insists on bringing the woman home to find out what occurred. But the more she finds out the more complicated the case becomes....

Don't imagine for one moment that I'm not watching you.... The Metropole Hotel, Brighton. After a heady New Year's Eve ball, a woman is brutally raped as she returns to her room. A week later, another woman is attacked. Both victims' shoes are taken by the offender.... Detective Superintendent Roy Grace soon realises that these new cases bear remarkable similarities to an unsolved series of crimes in the city back in 1997.

When the dead body of a woman is found on public display, the murder scene bears all the hallmarks of a famous work of art. DI Ian Drake knows he is dealing with a very creative and intelligent killer - one who enjoys having their work showcased for all to see. As more murders take place, each copying a famous work of art, Drake faces a murderer who always seems to be one step ahead.

Two skeletons are discovered in the grounds of St Mary's Choir School. This was not a centuries-old Christian burial. They are wearing modern-day clothes, and there is evidence of foul play. Consecrated land has been sadistically violated.

Detective Inspector Gilbert Markham is a rising talent of the Bromgrove police force. He is on the trail of the murderer when another life is brutally claimed. Who is the savage killer lurking in this innocent place?

Alison Willetts has survived a stroke, deliberately induced by a skilful manipulation of pressure points on the head and neck. She can see, hear and feel, but she is completely unable to move or communicate. In leaving Alison Willetts alive, the police believe the killer's made his first mistake. Then DI Tom Thorne discovers the horrifying truth: it isn't Alison who is the mistake, it's the three women already dead. Thorne must find a killer whose agenda is disturbingly unique, and Alison, the one person who holds the key to the killer's identity, is unable to say anything....

Thomas Mundy checks in to London's Wrexley Hotel, but he never checks out. The maid finds him on the floor of his room, bludgeoned to death by his own walking stick. Inspector Witherspoon is soon on the case and learns Mundy was an unlikely victim for such a violent crime. But Mrs. Jeffries and the household staff uncover that Mundy was less an amiable businessman and more a duplicitous con man with enemies on both sides of the Atlantic. Now Witherspoon and his staff must determine who on their lengthy list of suspects had the motive to put Mundy in the red.

Normally dead bodies in a graveyard are buried - but not this one. When a woman is found strangled in a North London cemetery with an old newspaper clipping clutched in her hand, Inspector Witherspoon is surprised to find that he and the victim have crossed paths before. Alice Robinson was a respectable widow who ran a quiet Islington lodging house. None of her lodgers have any apparent motive to murder their landlady.

Margaret Starling wasn't the sort of woman anyone expected to be murdered. She was a wealthy upper-class widow. But money alone won't protect you when someone decides it's high time you met your maker. Margaret wasn't as well-regarded as she'd always thought she was. But Mrs. Jeffries and Inspector Witherspoon know that justice isn't a popularity contest, and they won't rest until they sift through the suspects to catch a sinister scrooge.

It was just an ordinary Wednesday lunchtime when Detective Martha Munro's life changed forever. Her sergeant is speaking, but she barely hears what he's telling her. Your mother has been shot dead. Your four-year-old daughter has been taken. There are no leads. Who would want to hurt her family? Martha realizes it's time to ask herself some hard questions about her late father. He led the anti-corruption squad at Scotland Yard. It's rumored he kept a list of everyone who worked for him, from coppers to criminals. And just being on the list was a sure-fire way to lower your life expectancy.

The peace of Kielder Water is shattered when tourists open a barrel they found floating in the reservoir at dawn. Detectives Stone and Oliver are called to examine the skeletal remains inside. The tourists are eliminated from the investigation, but that same day a second body is discovered - this one with skin. Have the police let the killer leave the scene? While Stone investigates the remains, Oliver travels to Iceland to gather evidence and track down the tourists who have fled. Someone will do anything to protect the secrets of the past.

A beautiful socialite is dead. Roy Grace’s leading suspect, her husband, was sixty miles away when she died, but all other evidence points to him. Has someone stolen his identity or is he simply a very clever liar? Grace’s investigation, and his budding new relationship, are derailed after a reported sighting of his wife, Sandy, who has been missing for nine years. Grace desperately tries to cast light on the truth in both cases as his emotional turmoil – and the body count – grows . . .

Harry Richards, a local solicitor, is found in his car, throat slit. DI Clare Mackay is on the case. She soon learns that Harry was not the upstanding man he seemed to be. Finding the killer should be easy. Then the wife of one of Harry's colleagues is discovered dead in her car, and Clare realises there is something more sinister at play… Can she find out who's behind the murders before they turn their attention to her?

Movie star Mary Marvell consults with Hercule Poirot after receiving threatening letters that warn her to return her diamond, the famous "Western Star", to its rightful owner. But who does own the diamond, and is it even the genuine article?

They were meant to be safe on Fleet Ward: psychiatric patients monitored, treated, cared for. But now one of their number is found murdered, and the accusations begin to fly. Was it one of his fellow patients? A member of staff? Or did someone come in from the outside? DC Alice Armitage is methodical, tireless, and she's quickly on the trail of the killer. The only problem is, Alice is a patient too.

When a film shoot on Wharfedale’s vintage railway turns into a grisly crime scene, DCI Oldroyd’s idyllic visit to the countryside with his partner Deborah is well and truly stopped in its tracks. One of the film’s stars has been shot dead in a train carriage while the cameras rolled outside. But nobody else went in—or came out. Has the killer really pulled off the perfect, impossible crime?

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

When a long-serving Master at one of England's most prestigious public schools drowns in Bassenthwaite Lake, Detective Inspector Skelgill is summoned to investigate his apparent suicide. It soon becomes clear that senior members of staff are not all that they seem. As the school closes ranks, Skelgill realizes he is pitted against a sinister power struggle for control of its highly lucrative operation.

At the Central Criminal Court, an eager crowd awaits the trial of Victoria Lamartine, an active participant in the Resistance during the war. She is now employed at the Family Hotel in Soho, where Major Eric Thoseby has been found murdered. Thoseby is believed to have fathered Lamartine's child, and the prosecution insist that his death is revenge for his abandonment of Lamartine and her arrest by the Gestapo. A last-minute change in Lamartine's defence counsel grants solicitor Nap Rumbold just eight days to prove her innocence.