British Fiction

It's June 1941, and the low point of the war. England throws wave after wave of RAF bombers across the Channel, but somehow the Luftwaffe is able to shoot them down at will. The skies, indeed, the war itself seem to belong to Hitler.

When prison inmate and former police officer John Brace says he’s willing to give up information about the location of a dead body in return for protection for his family, Vera knows that she has to look into his claims. But opening up this cold case strikes much closer to home than Vera anticipates as her investigation takes her back in time to The Seagull, a once-decadent and now-derelict nightclub where her deceased father and his friends used to congregate.

Only days before Britain declares war on Germany, Harry Clifton, hoping to escape the consequences of long-buried family secrets, and forced to accept that his desire to marry Emma Barrington will never be fulfilled, has joined the Merchant Navy. But his ship is sunk in the Atlantic by a German Uboat, drowning almost the entire crew. An American cruise liner, the SS Kansas Star, rescues a handful of sailors, among them Harry and the third officer, an American named Tom Bradshaw.

When Mr. Rushworth, the former husband of Edmund's sister Maria, is discovered dead in his home, Jonathan and Juliet find themselves with problems far weightier than the marriage market. In one of the greatest scandals of its day, Maria abandoned her new husband in favor of the notorious rake Henry Crawford, and when he wouldn't marry her, was forced to flee to the continent in disgrace. Now Maria is back, accompanied by a daughter she claims Mr. Rushworth fathered after their divorce—and who he wrote into his will just before his death.

DS Whitney Walker wants a promotion, but it’s hard when she’s trying to balance motherhood with a career. When a newborn baby is kidnapped from the local hospital, she draws on her skills as a mother to help. Despite being ordered not to, and when the leads are going nowhere, Walker enlists the help of a local journalist who’s convinced it’s the work of an international baby smuggling ring. Walker’s plan backfires and she fears they’re running out of time.

On the day of Alec Salter’s fiftieth birthday party, his wife, Charlotte, vanishes. Most of the small English village of Glensted is at the party for hours before anyone realizes she is missing. While Alec brushes off her disappearance, their four children—especially fifteen-year-old Etty—grow increasingly anxious as the cold winter hours become days and she doesn’t return. Then Etty and her friend Morgan find the body of Morgan’s father—and the Salters’ neighbor— Duncan Ackerley, floating in the river.

Detective Joseph Easter's daughter discovers a cottage hidden in some trees on a large fenland farm. Someone has been living there. The farm owner's wife has been receiving sinister pagan artifacts, including a witch's knife. Are they some sort of warning or message? Joseph and his daughter search the cottage and find an old satchel. Inside are photos of a beautiful girl, Jennifer Cowley. She went missing 15 years ago. She'd been stalked by a young man, who was convicted of her murder, even though her body was never found.

Jane Halliwell once dreamed of a home of her own—but those dreams (and her dowry) died with her father. Now, she works as a governess, preparing her charge for a future no longer within her reach. When her employer is murdered during a house party, however, Jane is forced back into the world of the ton. But stepping in as hostess will require working with the same lord who once broke her girlish heart.

The tranquility of a luxury cruise along the Nile was shattered by the discovery that Linnet Ridgeway had been shot through the head. She was young, stylish, and beautiful. A girl who had everything . . . until she lost her life. Hercule Poirot recalled an earlier outburst by a fellow passenger: “I’d like to put my dear little pistol against her head and just press the trigger.” Yet under the searing heat of the Egyptian sun, nothing is ever quite what it seems.

Alison Willetts has survived a stroke, deliberately induced by a skilful manipulation of pressure points on the head and neck. She can see, hear and feel, but she is completely unable to move or communicate. In leaving Alison Willetts alive, the police believe the killer's made his first mistake. Then DI Tom Thorne discovers the horrifying truth: it isn't Alison who is the mistake, it's the three women already dead. Thorne must find a killer whose agenda is disturbingly unique, and Alison, the one person who holds the key to the killer's identity, is unable to say anything....

With the Cold War drawing to a close in the East, Bernard Samson is still haunted by the events that have turned his life upside down over the last ten years. But when he takes a train from Moscow to Berlin, he stumbles across a clue that may lead him to the truth at last—even though, in finding the answers, he could lose everything. Bringing the Faith, Hope, and Charity trilogy and Bernard Samson's story to a stunning conclusion, this final volume brilliantly shows the human cost of the spying game.

DI Zoe Finch has been working in Cumbria for a year. She’s finally got to grips with her team, the area, and much of its criminal underworld. But when a body is found outside a burning barn, the investigation leads her both out of Cumbria, and closer to home. Why was the victim there? Who was he with? And is this murder linked to other cases her team has worked on? The clock is ticking, and the killer isn’t done with Cumbria yet. There’s more blood to be shed, and it might belong to someone Zoe knows.

Rachel Holley has always dreamed of a wedding - the white dress, the fairy tale, and, of course, the happily-ever-after. But when her fiancé breaks it off the night before, claiming she doesn’t love him, Rachel’s fairy tale ends in ashes. Homeless, hopeless, and feeling like her life has been completely derailed, Rachel must start over in all sorts of ways - and hold her head up high in the fishbowl of her tiny village.

The bodies of four men have been discovered in the town of Bradfield. Enlisted to investigate is criminal psychologist Tony Hill. But profiling the psychopath is not beyond him. Hill's own past has made him the perfect man to comprehend the killer's motives. It's also made him the perfect victim. A game has begun for the hunter and the hunted. But as Hill confronts his own hidden demons, he must also come face-to-face with an evil so profound he may not have the courage—or the power—to stop it.

Feisty, passionate Beatrice Steele has never fit the definition of a true lady, according to the strict code of conduct that reigns in Swampshire, her small English township—she is terrible at needlework, has absolutely no musical ability, and her artwork is so bad it frightens people. Nevertheless, she lives a perfectly agreeable life with her marriage-scheming mother, prankster father, and two younger sisters— beautiful Louisa and forgettable Mary. But she harbors a dark secret: She is obsessed with the true crime cases she reads about in the newspaper.

Ruth is a woman who believes in and despairs of the curative power of love. Her daughter, Eleanor, who is addicted to drugs, has just had a baby, Lily. Ruth adjusts herself in ways large and small to give to Eleanor what she thinks she may need—nourishment, distance, affection—but all her gifts fall short. After someone dies of an overdose in Eleanor's apartment, Ruth hands her daughter an envelope of cash and takes Lily home with her, and Lily, as she grows, proves a compensation for all of Ruth's past defeats and disappointment. Love without fear is a new feeling for her.

When an elderly priest is murdered, the killer searches the victim so roughly that his already ragged cassock is torn in the process. What was the killer looking for? And what had a dying woman confided to the priest on her deathbed only hours earlier? Mark Easterbrook and his sidekick, Ginger Corrigan, are determined to find out. Maybe the three women who run The Pale Horse public house - and who are rumored to practice the "Dark Arts" - can provide some answers....

Detective Peter Diamond, chief of the Avon and Somerset Murder Squad, is taking a short holiday in the country. His former colleague Julie Hargreaves has invited Diamond and his partner, Paloma, to visit the idyllic village of Baskerville (no relation to the Sherlock Holmes story, so he's told). It turns out Julie's invitation was not without ulterior motives. The woman who owns the village's largest dairy farm has been convicted of manslaughter following a terrible accident in her grain silo.

When the body of a man is found dead in his remote, isolated home, DI Tom Janssen and his team struggle to understand what motive there could be to murder such an inoffensive, seemingly placid local character. The man lived alone and was well known in the community, but kept his distance from others, leading a haphazard way of life almost entirely off the grid. What secrets did he hide in his private life that might be worth killing for? As the team are about to understand, even the most nondescript of people can exist in a world darker than most of us will ever see....

As a politician, Emma has sacrificed a great deal for her career—including her marriage and her relationship with her teenage daughter, Flora. The glare of the spotlight is unnerving for Emma, particularly when it leads to countless insults, threats, and trolling as she tries to work in the public eye. As a woman, she knows her reputation is worth its weight in gold but as a politician, she discovers it only takes one slip-up to destroy it completely.