British Historical Romance

When Loftus and Morgan both set their sights on Soulden, the rivalry of the season begins. Their mutual hatred escalates into spite, sabotage, and scandal, as all of society eagerly waits to see which diamond of the first water will prevail. Except the course of true loathing, just like true love, never did run smooth. The harder they try to destroy each other, the closer they come to uncovering each other’s deepest vulnerabilities—and the more difficult it becomes to deny the burning attraction between them.

After a lifetime of rakish behavior, Lord Maxfeld must pretend he's reformed and find a fake wife. And there is nobody more suitable than Lady Phoebe. Trouble is, Phoebe will not agree to a false engagement and leaves Max no option but to blackmail her into agreeing to his scheme. Phoebe will go to great lengths to avoid anything remotely dishonorable and blackmails Max right back—directly to the altar. Once married, though, Phoebe wants more than just Max's ring—she wants his heart, something he can never give . . .

Devastated by the disappearance of his sister, the Earl of Stranraer has gone to extraordinary lengths to find the notorious rake responsible, and enters his household incognito to wreak his vengeance. But his enemy has an unexpected protector—the innocent but headstrong Miss Cassandra Blythe. Cassie is determined to learn the art of seduction. But she is blindsided by her body's thrilling response to the wrong man—a mysterious servant who shows up at the most inauspicious moments to spoil her lessons in love with warnings of her imminent ruin.

Determined to avoid the strife-filled marriage of his parents, Marcus, the Duke of Ulvercombe, wants an amenable, biddable wife, and has set his cap for a certain pretty miss. Unfortunately, her vastly opinionated, frustrating, and lamentably beautiful guardian, Lady Clara Tinniswood, keeps distracting him, tempting him to consider a far more tempestuous—and passionate—union. Recently widowed Lady Clara Tinniswood wants only to organize a quiet new life for herself, beyond the control of any man. But one shockingly unguarded moment catapults her headlong into a forbidden passion.

Emma Hibbert will never again trust a good-looking man. They offer nothing but heartbreak and humiliation. But her conscience won't let her abandon a sinfully handsome stranger needing help—even if he ignites an unwelcome passion in her. She soon realizes she should have left him in the mud where she found him, for he has the power to ruin everything . . .

Matilda, Lady of Flanders, Duchess of Normandy, rules as Regent of Normandy for her husband, Duke William. William has won the Battle of Hastings, but Saxon England does not wish to surrender to him as King. As William sets England to flame, Matilda waits in Normandy for the time to come when she can claim her crown. Through bloodshed, battle, and struggle will England be won, but even as Matilda rejoices for her new power, a prophecy is spoken, linking the fates of her children to the wailing voices and horrific images in dreams which come to haunt her.

1075 and Dowager Queen Edith has died. Her niece Gunnhild longs to leave Wilton Abbey, but is her suitor, Breton knight Count Alain of Richmond, interested in her inheritance as the daughter of King Harold and Edith Swan-Neck, or does he love her for herself? Is her own love for Count Alain an enduring love, or has she made a terrible mistake? The Swan Daughter is woven around a true 11th-century tale of elopement, love and courage.

England 1802: Lady Leonora, daughter to the Earl of Whickerton, longs to understand...the world in its entirety, particularly, human nature. Always observing those around her, Leonora finds herself utterly fascinated by what people say and do, by how their eyes reflect what is in their hearts and how each and every emotion can be read upon another's face.

Sebastian Whitcombe, Viscount Willowthorpe, comes to America to experience the great Wild West for himself before it disappears for good. The adventure comes with a convenient bonus—it postpones his father’s edict that he take a wife from the British aristocracy. Sebastian isn’t so much against marriage as he is an arranged marriage to the wrong woman.

The Darcys are happily married, and it's time for Elizabeth to take her place in Derbyshire society. Will the Bennets' arrival at Pemberley usher in a period of discontent for the newlyweds? What of Darcy's relations? What manner of mischief ensues when a cousin whom Darcy never knew existed comes to Derbyshire, intent on securing his place in the family? Discover what happens after the happily-ever-after ending of Miss Jane Austen's Pride and Prejudice.

Victorian England sets the stage for a passionate, unforgettable romance between a diplomat's daughter and a notorious mercenary who has targeted her father for assassination.

Survival rests with Rachelle Macquinet, a beautiful young couturiere, and Marquis Fabien de Vendome, her dashing nobleman-husband, when Queen Mother Catherine de Medici unfolds her murderous scheme to preserve her reign. Faith in Christ must uphold them to escape the Queen's web of treachery.

Lady Amelia Chastain knew most men weren’t to be trusted. And Lord Simon Davenport was at the top of that list. Handsome, rich, and a rake, the man was too arrogant, too confident for his own good. What made it even worse was that he stood between her and her dreams. Confronting him was both worrisome and challenging. But at the same time, exciting and fulfilling.

James Fenimore Cooper was America's first successful popular novelist. Son of the prominent federalist William Cooper, founder of the Cooperstown settlement, James was educated at Yale in preparation for a genteel life as a federalist gentleman. After his father's death in an 1809 duel, Cooper quickly squandered his inheritance, and at thirty was on the verge of bankruptcy. He turned to writing but his first book, Precaution (1820), was a failure.

When the Duke proposes a clandestine alliance to Lady Catherine, her pragmatic nature sees the wisdom in his scheme. While he may be a rogue, he's also a trusted confidant of her brother. Moreover, she remains steadfast in her conviction to resist any rogue's enchantments. Neither harbors matrimonial intentions, and their hearts bear no inclinations toward each other. Their plan appears impeccable—until fate casts an unexpected twist.

Christopher Egan, heir to the notorious Prestwick Earldom, is one of London's most scandalous rakes. He's never credited the gossips' claim that fate cast an ancient curse on every successive Earl of Prestwick as punishment for their wickedness, but once he inherits the earldom after his infamous uncle's untimely demise, it looks as if he may be the next to lose his head. Determined to cheat the curse and avoid his ancestors' grisly fate, Kit abandons his life of merry debauchery and embarks on a London season to wed the lady he's long been promised to.

Young, happy and deeply in love, the future looks rosy for local beauty Lilliana Parker and her beau Robert, the dashing Earl of Sherborne. Their friends and family wait with baited breath for news of their inevitable engagement, certain that nothing can harm the charmed life of this golden couple. However, fate has other plans and the Earl is called to rejoin his Regiment in India on a mission that is both dangerous and vital to Queen and country.

Lord Brookenham and Miss Isobel Stafford naturally rubbed up against each other like wild thistles and horsehair. They couldn’t share a ballroom or a parlor without snapping at to each other. To Isobel, he was too handsome and too manly for his own good. It was as if he had been placed on this earth to frustrate her. To Lord Brookenham, Isobel Stafford was too free and self-assured for a young miss. The antithesis of everything he knew to be correct about his world.

Jane Austen's most famous novel, Pride and Prejudice is brought to sparkling new life in this "wonderful, unforgettable" recording from AudioFile Earphones award-winning narrator Alison Larkin. Always a witty and original voice, Alison Larkin follows her narration of Pride and Prejudice with songs from Regency England, to give the listener a sense of what after dinner family entertainment might have sounded like in Jane Austen's time.