British Literature

Don't imagine for one moment that I'm not watching you.... The Metropole Hotel, Brighton. After a heady New Year's Eve ball, a woman is brutally raped as she returns to her room. A week later, another woman is attacked. Both victims' shoes are taken by the offender.... Detective Superintendent Roy Grace soon realises that these new cases bear remarkable similarities to an unsolved series of crimes in the city back in 1997.

The complete second series of BBC Radio 4's award-winning sketch show - winner of the Chortle Radio Award of the Year. In these six episodes, which make up the complete second series, you'll hear some moth-based lunacy, an awkward celestial relationship, a heart-warming tale of the days before health and safety, and how The Archers sounds to people who don't listen to The Archers - plus many other sketches featuring acute observations and wonderful wordplay.

La mort a très mauvais goût. Il y a comme un vent de printemps qui souffle sur Bruncliffe. Mais la belle saison est loin de profiter à tout le monde... Mêlé à une affaire de meurtre, Samson O'Brien doit répondre aux questions pressantes de la police. Et quand son passé est révélé au grand jour, c'est la ville entière qui se ligue contre lui. Dans toute cette agitation, il n'y a que le vétérinaire du coin pour s'inquiéter d'une série de morts inhabituelle au sein de sa clientèle canine : plusieurs chiens ont été empoisonnés.

Max Tudor has adapted well to his post as vicar of St. Edwold's in the idyllic village of Nether Monkslip. The quiet village seems the perfect home for Max, who has fled a harrowing past as an MI5 agent. But this new-found serenity is quickly shattered when the highly vocal and unpopular president of the Women's Institute turns up dead at the Harvest Fayre. The death looks like an accident, but Max's training as a former agent kicks in, and before long he suspects foul play.

In 1920, at their country home in County Cork, Sir Richard Naylor and his wife, Lady Myra, and their friends maintain a skeptical attitude toward the events going on around them, but behind the facade of tennis parties and army camp dances, all know that the end is approaching-the end of British rule in the south of Ireland, and the demise of a way of life that had survived for centuries. Their niece, Lois Farquar, attempts to live her own life and gain her own freedoms from the very class that her elders are vainly defending.

With his longtime girlfriend, Ellie, detective Peter Pascoe is off to Thornton Lacey for an exciting weekend reunion with a few of his college friends. However, upon arrival, he finds no cause for celebration. Instead, there's been a triple homicide, and one of his friends-the chief suspect-is missing.

Jodie Jackson is leaving her London life, her career and her husband behind. She'd like a chance to turn back the clocks, but she'll settle for some peace and quiet on her brother Bill's houseboat. But from the moment Jodie steps aboard her new home, it's clear she'll struggle to keep herself to herself. If it isn't Marilyn, who cleans for Bill and is under strict instructions to look after Jodie, then it's Ned, the noisy sculptor on the next-door houseboat. Ned's wood carving is hard on the ears, but it's made up for by the fact that he's rather easy on the eyes.

When a shocking murder rocks the picture-perfect English village of Raven’s Edge, erstwhile amateur detective Milla Graham finds herself right at the centre of the mystery. Still reeling from her recent breakup with local police officer Ben Taylor, Milla sets her sights on solving the case, hoping to win Ben back. But when the evidence begins to point to Milla’s old friend and former paramour Lorcan Black, she must choose between her loyalties to the past and the possibilities of the future.

Fourteen-year-old Rachel Marsh is nanny to John and Abigail Adams' children and witnesses firsthand how tension builds in the feisty New England town in the two years before it erupts in the Boston Massacre. Friends become foes and families divide as British troops arrive in 1768 to force the outspoken Bostonians to toe the line and obey the British government.

Retired policeman turned killer Jeffrey Brandt has gone underground. He is even living something like a normal life in North Wales. He killed to make society stand up and take notice. It did. His crimes are notorious. So infamous, in fact, that someone wants to emulate him. How will Brandt react to a copycat killer? Will he be flattered, or disturbed that someone wants to steal his limelight? Crucially, for investigating officer DSI Stella Johnson, the new spate of murders might offer an opportunity to finally bring Brandt to justice.

In the wake of Hilary Mantel’s brilliant conclusion to her award-winning Wolf Hall Trilogy, this collection of loosely autobiographical stories locates the transforming moments of a haunted childhood. Sharp and funny, these drawn-from-life stories begin in the 1950s in an insular northern village “scoured by bitter winds and rough gossip tongues.” For the child narrator, the only way to survive is to get up, get on, get out.

Jane Austen's most famous novel, Pride and Prejudice, is brought to sparkling life in this new unabridged recording by AudioFile Earphones Award-winning narrator Alison Larkin. A witty and always original voice, Alison Larkin is the perfect vessel to bring Jane Austen's classically satirical second novel to a new audience. This fresh and hugely entertaining listen from 'the English American' joined with Austen's deft satire, results in pure, boundless fun.

"Red beef and strong beer" was how C. S. Lewis described his education under one of his early tutors. It was, in other words, a substantial education that engaged deeply with the intellectual tradition and challenged him to grow. Gary Selby sees Lewis' expression as an indication of the kind of transformation that is both possible and necessary for the Christian faith, and he contends that spiritual formation comes about not by retreating from the physical world, but through deeper engagement with it.

You are Dead is the 11th thrilling crime novel in Peter James' Roy Grace series, narrated by Daniel Weyman. They were marked for death. The last words Jamie Ball hears from his fiancée, Logan Somerville, are in a terrified mobile phone call. She has just driven into the underground car park beneath the block of flats where they live in Brighton. Then she screams and the phone goes dead.

A family outing to Tattershall Castle comes to a chilling end when eleven-year-old Tommy Burton disappears without a trace in broad daylight. All that remains in his place is a small blue teddy bear. DS Karen Hart and her team are called in to investigate the unusual circumstances—but for DI Morgan the crime scene is eerily familiar.

Seventy-five-year-old Sylvia Perkins was found battered to death in her home in 2010. The murder weapon was suspected to be a fire poker and it seems she was quite popular with older gentlemen. Her grandson Robbie inherited everything, but he can't be placed at the scene of the crime. Who killed this harmless old woman and why? And what secrets was she hiding?

In a windswept British seaside town, single mum Alice Lake finds a man sitting on the beach outside her house. He has no name and no idea how he got there. Against her better judgment, she invites him inside. Meanwhile, in a suburb of London, 21-year-old Lily Monrose has only been married for three weeks. When her husband fails to come home from work one night, she is left alone in a place where she knows no one and with the police telling her that her husband never existed.

The last thing DS Stephanie Johnson and DS Andy Carter expected during their much-needed canal holiday was a murder. When retired folk musician Annie Shipton is found stabbed through the neck at the helm of her barge, the couple can’t help investigating the seemingly impossible crime. Nobody else boarded Annie’s boat—so how was she killed from behind?

After the bliss of their honeymoon, Mr. Darcy and Elizabeth Bennet are thrown into chaos when Elizabeth's family arrives at Pemberley uninvited and refuses to leave. As Elizabeth struggles to maintain her duties as a hostess, tensions rise and threaten to tear apart the deep love she and Mr. Darcy share.

Un roi qui perd son fils de sang a-t-il le droit de pleurer comme un être de chair ? Si je cède à l'éploration, on va me suspecter de me distraire du malheur du peuple. Et si j'ai les yeux trop secs, on va me réputer insensible au malheur de ma famille. Tant pis. Je m'abandonne à mon chagrin qui emporte mon royaume, mon État, ma charge, ma vie. Je pleure comme un petit enfant du Bon Dieu qui ne comprend pas l'amputation si soudaine, si cruelle.