British Museum

Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the 20th century as seen through the eyes of an English girl determined to learn about her family and its secrets.

1894. A well-respected academic is found dead in a gentlemen’s convenience cubicle at the British Museum, the stall locked from the inside. Professor Lance Pickering had been due to give a talk promoting the museum’s new 'Age of King Arthur' exhibition when he was stabbed repeatedly in the chest. Having forged a strong reputation working alongside the inimitable Inspector Abberline on the Jack the Ripper case, Daniel Wilson is called in to solve the mystery, and he brings his expertise and archaeologist Abigail Fenton with him.

Nella sala di lettura del British Museum il professor Julius Arnell esala l’ultimo respiro. Sembrerebbe la classica morte per cause naturali. Ma quando dei confetti avvelenati vengono ritrovati nelle sue tasche, all’ispettore Shelley e al suo improbabile compagno di indagini non resterà che usare tutto il loro fiuto per scoprire l’identità del pericoloso omicida.

The launch of a new exhibit at Bexford museum is derailed when Brock and Poole discover a body in its midst. With rumors of a lost treasure, a confusing array of suspects, and a personal stake in the case, they must focus to find their culprit. Which isn't going to be easy. Detective Sergeant Guy Poole is dreading confronting his mother with the truth and faces losing a second parent from his life. Detective Inspector Sam Brock's life is changing, and there are big decisions to make for the future. Can they untangle the web of mystery to find their killer?

What if the British Museum isn't a house of learning, but a vast sinkhole of still-bubbling historic injustice? What if it presents us not with a carefully ordered cross section of history but is instead a palatial trophy cabinet of colonial loot swarming with volatile and errant spirits? When artist and writer Noah Angell first heard murmurs of ghostly sightings at the British Museum he had to find out more. What started as a trickle soon became a landslide as staff old and new brought forth testimonies of their inexplicable supernatural encounters.

This is the vivid, personal accounts of four women who lived and traveled as settlers in early British Columbia. The women in this book were trailblazers. The frontiers they lived on were not only geographical but personal. As they left the drawing rooms of England and Eastern Canada for new lives in the far West, social patterns were disrupted and the status quo dissolved. On the wagon roads and river boats of 19th-century British Columbia, they found risks, opportunities, and freedoms far beyond those familiar to their more-settled contemporaries.

"The Egyptian Book of the Dead," translated by E.A. Wallis Budge, is a pivotal work that opened the ancient Egyptian world of the afterlife to the West. Comprising a collection of spells, rituals, and incantations, this sacred text was designed to guide the deceased through the Duat (the Egyptian underworld) and ensure their safe passage to the afterlife.

The men who worked British Columbia's mines have passed into history. Coal Dust in My Blood is a moving account of one coal miner's life, in plain, evocative language. But this book is much more than a personal memoir. Bill Johnstone's mining career spanned several decades and he worked in a wide variety of positions. His broad insights reveal important aspects of the history of coal mining in BC.

Tucker Wayne's past and his present collide when a former army colleague comes to him for help. She's on the run from brutal assassins hunting her and her son. To keep them safe, Tucker must discover who killed a brilliant young idealist - a crime that leads back to the most powerful figures in the US government.

The British Museum devoted itself to acquiring historical artifacts that showcased the influence and prestige of the British Empire, as well as the facilities in which to house them, surviving wars, financial challenges, controversies, and political pressures. In the process, it became one of the British Empire’s greatest cultural jewels, and to this day, it holds the distinctions of being the world’s first national public museum and the most venerated museum of its kind in Britain.

Uncovering the physical remains of our past is a quintessential human itch; the pursuit of every society from the ancients through to today. But the stories behind archaeological exploration and discovery - what we look for when, what we end up finding, and what we then do with it - tell us as much about ourselves today as they do about the past. Through eight sensational stories of discovery, Professor Michael Scott traces the evolution of modern archaeology from colonial expeditions to today's cutting-edge digs, unearthing traps, curses and buried treasure along the way.

A provocative, progressive rejoinder to the status quo, from the perspective of a disrupter and global leader in the museum world. The challenge to transform museums is unapologetically real and complicated. But everything we learn about reconciliation, science and biodiversity, climate change, and sustainability gives us the confidence and freedom to break through the conventions of the past. Each essay in this collection emphasises key features that are driving change in museums, such as globalization, society, authenticity, and technology.

This omnibus edition comprises books one, two, and three in the Museum Rats series of children's books. Two children discover their new home has a great big surprise - there’s a secret door that takes them straight into the British Museum. These stories puts a fresh spin on the classic children’s adventure books, with characters that reflect modern-day values and mysteries that needs cracking.

Walter Rothschild is an American Egyptologist living in London and charged by the British Museum with the task of unlocking the riddle of the Stela of Paser, a centuries-old funerary stone. In the final hours of his quest, with six days left before his contract is up with the British Museum, Walter meets a young woman who expresses an interest in him and his work.