British Police Mysteries

Ex-detective superintendent Brandt has turned against society. The first kill was a stab in the dark, but now he's got a real taste for it. But his pursuer, DCI Stella Johnson, has rankled him. She has leaked to the press the idea he is impotent, and it has taken hold. Brandt wants to prove himself. Who better a victim than the woman who has embarrassed him? Johnson's strategy backfires, and she is in trouble with her superiors. Yet she now has a very personal reason to hunt down Brandt. Will going solo put her at even greater risk than before? And just what has he in mind for her?

The Rise is a gleaming residential tower, newly constructed from steel and blackened glass, that stands on some of London’s most prestigious real estate. Looming imposingly over Hyde Park, only multi-millionaires need apply for one of its sumptuous apartments. But when the young night concierge is found murdered in the building’s lobby, the elite residents quickly find their gilded lifestyles under unwelcome police scrutiny.

A family outing to Tattershall Castle comes to a chilling end when eleven-year-old Tommy Burton disappears without a trace in broad daylight. All that remains in his place is a small blue teddy bear. DS Karen Hart and her team are called in to investigate the unusual circumstances—but for DI Morgan the crime scene is eerily familiar.

While attending a crime scene on the outskirts of Maidstone, DI Kay Hunter makes a shocking discovery. The victim has been brutally cut to pieces, his identity unknown. When more body parts start turning up in the Kentish countryside, Kay realizes the disturbing truth–a serial killer is at large and must be stopped at all costs. With no motive for the murders and a killer who has gone undetected until now, Kay and her team of detectives must work fast to calm a terrified local population and a scornful media. When a third victim is found, her investigation grows even more complicated.

You are Dead is the 11th thrilling crime novel in Peter James' Roy Grace series, narrated by Daniel Weyman. They were marked for death. The last words Jamie Ball hears from his fiancée, Logan Somerville, are in a terrified mobile phone call. She has just driven into the underground car park beneath the block of flats where they live in Brighton. Then she screams and the phone goes dead.

When Detective Mark Turpin is assigned the task of investigating the death of a local businessman, the case is first thought to be one of accidental drowning. Until a bullet hole is found where the victim fell into the River Thames. Then a number of graves are unearthed at a disused airfield site being redeveloped by the dead man, exposing a horrific secret and plunging Mark into one of the darkest investigations of his career. After two more bodies are discovered amongst the burnt-out ruins of a building on a nearby industrial estate, Mark realises that a serial killer is at large.

Seventy-five-year-old Sylvia Perkins was found battered to death in her home in 2010. The murder weapon was suspected to be a fire poker and it seems she was quite popular with older gentlemen. Her grandson Robbie inherited everything, but he can't be placed at the scene of the crime. Who killed this harmless old woman and why? And what secrets was she hiding?

In an evil world, everything is for sale.... The body of a missing teenager is dredged from the seabed off the Sussex coast, missing vital organs. Soon after, a further two more bodies are found.... Caitlin Beckett, a 15 year old in Brighton will die if she does not receive an urgent transplant. When the health system threatens to let her down her mother takes drastic action and goes to an online broker in black-market organs. The broker can provide what she wants, but it will come at a price.

With his partner away on a honeymoon, Yorkshire detective Andrew Dalziel tries to beat the blues by taking a vacation of his own. But after getting caught in a torrential rain and running into a funeral procession, he winds up accompanying a crowd of upper-class mourners to a crumbling country house. Dalziel isn't known for his elegant manners, but he has bigger problems than not fitting in: The owner of the home has died under unusual circumstances, and soon more bodies are turning up.

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.

Don't imagine for one moment that I'm not watching you.... The Metropole Hotel, Brighton. After a heady New Year's Eve ball, a woman is brutally raped as she returns to her room. A week later, another woman is attacked. Both victims' shoes are taken by the offender.... Detective Superintendent Roy Grace soon realises that these new cases bear remarkable similarities to an unsolved series of crimes in the city back in 1997.

As a family liaison offer, DC Maggie Neville has seen parents crumble under the weight of their child’s death. Imogen Tyler is no different. Her son’s fall was witnessed by the school caretaker, and another pupil is under suspicion/being questioned, but Imogen is paralysed by questions. Why was he at the school so early? Why was he with a girl who wasn’t a friend?

When Octavia Garamond passed away, she left explicit instructions in her will: The police must be present at her funeral, and the coroner should be exceptionally thorough when examining her body. Amelia Kennerly is perplexed to find herself the sole executor of her great-aunt's will, as she barely knew her. Further questions arise when the local parson is anything but happy to conduct Octavia's service. Then someone breaks into Octavia's home and tears the house apart. It seems the old lady's words may have been eerily prescient: "Hell is empty, and all the devils are here."

SPIDER MOUTHDI FRED FAIRSERVICE has just returned from holiday when he’s confronted with several mysterious deaths; the mutilated dead body of a junkie, the apparent suicide of a housewife, and the murder of a cannibal, kicks off the strangest investigation of his dark and brutal career. But the strangest element of the case is the connection to the deaths of several old men and women who are found with spiders placed in their mouths.

Seven years ago, Thomas Frost was arrested for the murders of five women in the Manchester area, and Detective Sergeant Blake Harte was the officer in charge of his arrest, saving the life of Kerry Nightingale in the process. Now, Frost has promised that Kerry was never safe, and she'll be dead within a few days. Sure enough, somehow, Kerry is found dead in her top floor apartment - a place that was being guarded by Blake and the apartment's security. How is it possible for Kerry to have been murdered in her apartment when nobody could have gotten in or out?

DC Sophie Jones was in the wrong place at the wrong time. Viciously bludgeoned one night in a dark alley, she is left fighting for her life in hospital, leaving no clues as to why she was there or what might have motivated the attack. For Detective Karen Hart, fiercely protective of her young protégée, this is already deeply personal: an attack on Sophie is an attack on the whole team. When a car workshop near the crime scene is linked to local mobster Quentin Chapman, the man Hart has spent years trying to bring down, it’s hard not to jump to the most obvious conclusion.

For five long years, Detective Barnes has been hunting the killer of the person he cared about the most. Now, the one man who could have revealed the truth is dead. His charred and blackened body is all that remains in his burnt-out flat. A week later, a desperate, emaciated young woman hammers on the door of a late-night convenience store. She speaks no English—but it’s clear that she’s terrified—and running for her life. It's only Barnes who connects the two events. He and his new boss, Superintendent Samson Kane, team up to uncover the truth.

What's playing at the Calliope Club may draw a furtive crowd, but as far as the CID's Andrew Dalziel can tell it's all perfectly legal. His partner, Peter Pascoe, begs to differ. From what he hears, an actress's violent ordeal on film looked all too real. When she turns up unharmed, it appears his suspicions were wrong . . . if Andrew and Peter can trust what they see. Because if this dirty business is well and good, why has the film in question vanished? Why has the theater been set ablaze? And why has its proprietor been beaten to death?

Eight-year-old Leila Smith has seen and heard things that no child should ever have to. On the Hawthorn Estate, where she lives, she often stays out in the playground long after the other children have left, just so she can avoid her own home for longer. But what Leila doesn't know is that someone has been watching her. One day, she disappears without a trace. The police search start a nationwide search, but it's as if Leila has vanished into thin air. Who kidnapped her? What do they want? Will she return home safe and sound, or is she lost forever?

The CID's Andrew Dalziel prefers simple killers. Not a crackpot who fancies himself Hamlet and taunts authorities with lofty quotes from the Bard. Dubbed the Yorkshire Choker, he's already taken three lives in four weeks and promises more tragedy to come. To help nab the serial strangler, Peter Pascoe has enlisted the help of linguistics professors, psychologists, and psychics-all of it nonsense to the grounded Dalziel.