British Police Mysteries

When Matt Ballard was starting out his career, three boys were murdered in the same area, the remote and bleak Gibbet Fen. When the main suspect was killed in a hit-and-run, the killings stopped. But Matt was not satisfied that the real murderer had been caught. Over 25 years later, Matt gets a photo in an unmarked envelope. It's of the Gibbet Fen crime scene. And the picture was taken before the murder took place. More photos arrive, relating to the historic murders, as well as intimate pictures of Matt's very secret private life.

Detective Sergeant Chris Waters got the call at 05.29 that July morning. This is it, said DCI Reeve, you'll be first there, it's all yours, you're the crime scene manager. Suddenly, after months of waiting and wondering, Waters finds himself in at the deep end, and alone at the scene of a puzzling murder. As the investigation proceeds, the detectives at Kings Lake Central find themselves visiting familiar places and talking to some familiar faces, while old enmities reappear in the incident room. Before this is over, Chris Waters will need to make a career-changing decision.

In the peace and tranquility of the woods at Pinehills on a Saturday afternoon, a mobile phone begins to ring. The phone belongs to DC Smith, and it isn't unusual that the call is from Kings Lake Central police station; what is unusual is the fact that he seems to be the subject of an investigation rather than taking part in one. What can the links be between a prisoner's violent death in another county, the disappearance of two teenagers, and the highest profile case in Kings Lake for many years?

Change is afoot at Kings Lake Central police station. A most unexpected new detective inspector takes up his post this Monday morning, and the oldest detective in the place takes a momentous decision. Around them, other officers are considering their own situations, and even the building itself seems to be facing an uncertain future. But life and death go on, nevertheless, and by lunchtime someone will make a grim discovery on the Norfolk saltmarshes. A stranger seems to have suffered a slow and agonizing death out there.

When 14-year-old Zoe Johnson doesn't come home on a Monday night in early December, the alarm bells in Kings Lake Central police station do not ring straight away - after all, she's from the Dockmills, one of the toughest estates in the town. But for Detective Sergeant DC Smith, due to retire in just three weeks' time, there are some strange echoes of the case that has haunted him for the past 13 years. Maybe it's simply his over-developed sense of irony, or maybe, in his final days as a police officer, Smith must look once more into the eyes of a serial killer.

When a beautiful, wealthy student is found dead in her room in Oxford's most prestigious college, Detective Inspector Bridget Hart is called to investigate. The murdered girl appeared to have no enemies, yet was killed in a brutal and bloody assault. Haunted and driven by her own personal tragedy, newly promoted DI Bridget Hart has a lot to prove as she leads her first murder case. Her investigation uncovers a tangled web of lies, lust and ambition, and brings her into conflict with powerful interests.

Detective Sara Hirst has moved from London to Norfolk Police's Serious Crimes Unit. She wants to know the truth about her father, who has connections to the area. Her mother won't tell her the real story. A new job. A new place. Same old problems. Sara's first call-out is to a decomposing body discovered in a ditch on a local farm. How does the murder relate to a recent spate of thefts? Who wanted the victim dead? Then the case grows very personal.

A young woman is dumped, injured and unconscious, in a private hospital's parking lot. She is an amnesiac with no memory prior to her discovery by hospital personnel. Detective Inspector Peter Diamond of the Bath homicide squad is unwilling to become involved. He has other, more important cases to solve: a woman has plunged to her death from the roof of a local landmark while half the young people of Bath partied below, and an elderly farmer has shot himself.

When Scotland Yard superintendent Duncan Kincaid takes Gemma, Kit, and Toby for a holiday visit to his family in Cheshire, Gemma is soon entranced with Nantwich's pretty buildings and the historic winding canal, and young Kit is instantly smitten with his cousin Lally. But their visit is marred by family tensions exacerbated by the unraveling of Duncan's sister Juliet's marriage. And tensions are brought to the breaking point on Christmas Eve with Juliet's discovery of a mummified infant's body interred in the wall of an old dairy barn.

When a body is found on a lonely cliff top path, the angelic face of a murdered teenager lies facing the rising sun. Strangled by the hands of an unknown killer, it falls to DI Tom Janssen and his fledgling team to find out how she came to be there. Destined for a career in medicine, one to rival that of her parents, Holly Bettany’s future was as bright as it had been privileged. Seemingly, all that could threaten this promising teenager’s life was Holly herself.

Jo told him the phone call had been about a woman who wanted to have her husband declared dead. Smith thought for a moment and then said, 'Hmm. There must be a few million women in this country who feel like that. I take it her husband's been missing for a while and she's decided it's time to move on. In the absence of a body, which is always a nuisance, she wants Diver and Diver to confirm there's no proof he's alive. And I've told Jason a dozen times I'm not getting involved in anything matrimonial. I have enough trouble sorting out my own relationships.'

DS Whitney Walker wants a promotion, but it’s hard when she’s trying to balance motherhood with a career. When a newborn baby is kidnapped from the local hospital, she draws on her skills as a mother to help. Despite being ordered not to, and when the leads are going nowhere, Walker enlists the help of a local journalist who’s convinced it’s the work of an international baby smuggling ring. Walker’s plan backfires and she fears they’re running out of time.

Who hung the headmaster in the playground on the night of the school Halloween Party? Almost everyone in Heppleburn either hated or feared the viper-tongued Harold Medburn. Inspector Ramsay is convinced it was the headmaster’s enigmatic wife but Jack Robson, school governor and caretaker, is determined to prove her innocence. With the help of his restless daughter Patty, Jack digs into the secrets of Heppleburn, and uncovers a cesspit of lies, adultery, blackmail and madness.

When local fisherman Horace Boller decided to row his boat out on the tidal backwash of the river one morning, he couldn't have meant to land a catch like this. What he ended up with was a body floating on the river's surface. And judging by the state of the corpse, the death was not a recent one. The strange thing is, the coroner report indicates that drowning was not the cause of death. It's up to the intrepid C. D. Sloan - and his markedly less intrepid assistant, Constable Crosby - to investigate.

As the sun sets into the sea over the pretty Cornish town of St Ives, a young woman, Freya Kempston, hasn’t returned home after a day out in the mall at St Austell. Panicking, her husband begs Detective Lauren Pengelly and her team to find her. Has Freya run out on her stable, loving marriage, or has something more sinister taken place? Grainy security footage from the mall provides the first break in the case—capturing Freya talking intently with a well-known local mechanic on the day she disappeared. But when cornered, the mechanic denies even knowing her.

When a police detective is taken off life support after falling into a coma, only an autopsy reveals the murderous act that precipitated her death. She'd been working on a special task force within North London's Nigerian community, and Acting Detective Superintendent Thomas Lynley is assigned to the case, which has far-reaching cultural associations that have nothing to do with life as he knows it. In his pursuit of a killer determined to remain hidden, he's assisted by Detective Sergeants Barbara Havers and Winston Nkata.

The youth theatre cast are in their places but Gus Lynch’s female lead is missing, that is, until she’s found in the boot of his car. Detective Inspector Stephen Ramsay and Sergeant Gordon Hunter are assigned to head the murder enquiry, meanwhile violence is escalating on the Starling Farm Estate as police battle to contain the latest outbreak of joyriding. Is the death of Gabriella connected to the events at Starling Farm? When another death occurs, investigations suggest a possible link, and Ramsay realizes what could have provoked someone to kill...and kill again.

One moonlit night, the bodies of two young people are discovered lying entwined on a blanket in the woods. The young man is clutching a red rose. It appears to be a lovers' suicide pact.... Until Detective Nikki Galena and DS Joseph Easter look more closely. Romeo and Juliet, as they decide to call them, were murdered somewhere else and brought to the woods. But why? Then another young couple are found dead, again beautifully posed as lovers.

Detective Joseph Easter's daughter discovers a cottage hidden in some trees on a large fenland farm. Someone has been living there. The farm owner's wife has been receiving sinister pagan artifacts, including a witch's knife. Are they some sort of warning or message? Joseph and his daughter search the cottage and find an old satchel. Inside are photos of a beautiful girl, Jennifer Cowley. She went missing 15 years ago. She'd been stalked by a young man, who was convicted of her murder, even though her body was never found.

As the mists roll over the fens and enigmatic lights twinkle in the distance, only the locals know their way along the hidden paths through the mysterious watery terrain of one of England's most beautiful and sometimes dangerous places. Detective Matt Ballard may have retired but there's still plenty going on in the fens to keep him busy. Someone trashes an old lady's garden and daubs her isolated cottage with hateful graffiti. Emilia Swain seems to be totally harmless, so why is she being targeted?