British Police Procedural

DCI Kett is back, heading Norfolk Constabulary’s brand-new Extreme Crime Task Force. And it’s just in time. The body of a woman bound in thorns has been discovered in Norwich’s historic Cow Tower. In her mouth is a severed finger wrapped in a scrap of red cloth, and the first few lines of a fairy tale. “Once upon a time, a young maiden waited to be saved from a hideous monster.” The finger belongs to another missing woman, and if Kett, Porter and Savage want to find her alive they must follow a chain of blood-drenched riddles, each victim leading to the next.

When a body is found draped over Swanage’s iconic Globe monument, DCI Lesley Clarke is called in. A message points to the motive: Go Home. Is this a hate crime? Or something closer to home? Lesley must find the killer before he or she strikes again, all while dealing with a mutiny in her team and political pressure from her boss. At the same time, a local journalist has been investigating the death of Lesley's predecessor - and claims to have key information. Wary of involving her team, Lesley brings in her old colleague Zoe Finch to help.

DCI Lesley Clarke is back in Dorset, and her world has turned upside down. One of the people she's closest to is to under arrest for the murder of DCI Mackie and a body has been found in the remote lighthouse at Portland Bill. And not just any body, but the body of someone she investigated before moving to Dorset. Can Lesley win the trust of the close-knit Portland community and find the killer? And can DI Zoe Finch of the West Midlands force help her track down potential suspects?

DCI Lesley Clarke has too many suspects to choose from when a wealthy lawyer and her unidentified companion are found brutally murdered in a Sandbanks mansion. Was it the victim's ex-husband, resentful at her new lifestyle? Her housekeeper, who found the bodies? Or could it have been a murder-suicide? Lesley and her team must unravel the evidence and find the real killer, while also investigating the disappearance of local journalist Sadie Dawes.

When a body washes up on the shores of Brownsea Island, DCI Lesley Clarke initially suspects suicide. But as she gets closer to the island's close-knit community, she starts to suspect foul play. Why did the victim argue with her closest friend days before her death? What secrets is the victim's manager keeping? And can Lesley get to the bottom of the mystery before someone else dies?

SPIDER MOUTHDI FRED FAIRSERVICE has just returned from holiday when he’s confronted with several mysterious deaths; the mutilated dead body of a junkie, the apparent suicide of a housewife, and the murder of a cannibal, kicks off the strangest investigation of his dark and brutal career. But the strangest element of the case is the connection to the deaths of several old men and women who are found with spiders placed in their mouths.

Mary Connon froze out her husband, Sam, long ago. She likes the attention of other men—like the fellow members of Sam's rugby club. Naturally, when she's found dead in her sitting room with a hole in her head, Sam is a suspect. If only he hadn't suffered a dizzying scrum injury that's left everything a blur. He isn't sure that he didn't kill her. But Det. Inspector Andrew Dalziel and his partner, Peter Pascoe, are looking outside the unhappy home. Because it seems everyone within spitting distance of the suburban femme fatale wanted Mary dead.

Alison Willetts has survived a stroke, deliberately induced by a skilful manipulation of pressure points on the head and neck. She can see, hear and feel, but she is completely unable to move or communicate. In leaving Alison Willetts alive, the police believe the killer's made his first mistake. Then DI Tom Thorne discovers the horrifying truth: it isn't Alison who is the mistake, it's the three women already dead. Thorne must find a killer whose agenda is disturbingly unique, and Alison, the one person who holds the key to the killer's identity, is unable to say anything....

Melissa couldn’t be happier that summer has arrived. She’s delighted to have her mother back by her side, and she is extending her beloved Hawthorn Cottage so her new family can live together. Meanwhile, Melissa’s mother, Sylvia, is back in good health and enjoying a brief stay at a stately retirement home. She loves getting to know the residents, until first a dog and then his owner are both found dead in the dining room. Like mother, like daughter, Sylvia decides to do a little investigating of her own.

Eight-year-old Leila Smith has seen and heard things that no child should ever have to. On the Hawthorn Estate, where she lives, she often stays out in the playground long after the other children have left, just so she can avoid her own home for longer. But what Leila doesn't know is that someone has been watching her. One day, she disappears without a trace. The police search start a nationwide search, but it's as if Leila has vanished into thin air. Who kidnapped her? What do they want? Will she return home safe and sound, or is she lost forever?

It's 1996. Detective Sergeant Tom Thorne is a haunted man. Haunted by the moment he ignored his instinct about a suspect, by the horrific crime that followed and by the memories that come day and night, in sunshine and shadow. So when seven-year-old Kieron Coyne goes missing while playing in the woods with his best friend, Thorne vows he will not make the same mistake again. Cannot. The solitary witness. The strange neighbour. The friendly teacher. All are in Thorne's sights. This case will be the making of him...or the breaking.

When a tech entrepreneur from Shoreditch is found dead in a construction site, along with three skeletons which are discovered to be over a hundred years old, Detective Kamil Rahman sets out to prove himself on his first case for the Met Police.

Tom Thorne has it all. In Nicola Tanner and Phil Hendricks, Thorne has good friends by his side. He finally has a love life worth a damn and is happy in the job to which he has devoted his life. He has everything to lose. Hunting the woman responsible for a series of grisly murders, Thorne has no way of knowing that he will be plunged into a nightmare from which he may never wake. And he'll do anything to keep it. Finally, Thorne's past has caught up with him and a ruinous secret is about to be revealed. If he wants to save himself and his friends, he must do the unthinkable.

A young female soldier is found on Salisbury Plain, her throat cut and a bloody knife in her dead hand. Everyone assumes that she killed herself. But something doesn’t feel right to DI Ford; the whole scene seems staged. Convinced of foul play, and despite fierce opposition from the army brass and his own superiors, Ford launches a murder investigation.

Ritchie Gulliver MP is dead. Castrated and left to bleed in an empty Leith warehouse. Vicious, racist and corrupt, many thought he had it coming. But nobody could have predicted this. After the life Gulliver has led, the suspects are many: corporate rivals, political opponents, the countless groups he's offended. And the vulnerable and marginalised, who bore the brunt of his cruelty—those without a voice, without a choice, without a chance. As Detective Ray Lennox unravels the truth, and the list of brutal attacks grows, he must put his personal feelings aside.

DI Bliss attends the aftermath of an apparent murder-suicide—but the scene tells him and his colleagues something very different occurred. Now the Peterborough Major Crimes Unit face an adversary like no other. They have no idea why his victims had to die. They have no idea who he is. They have no idea where he might strike next—only that he will. But while the killer is cunning, leaving no evidence for them to find, his biggest mistake might be in underestimating the team now hunting him. Because when Jimmy Bliss is on the case, all bets are off.

When human remains are discovered under Bradford’s derelict Odeon car park, DS Nikita Parekh and her team are immediately called to the scene. Distracted by keeping her young nephew out of trouble, Nikki is relieved when the investigation is transferred to the Cold Case Unit, and she can finally focus on her family. But after the identity of the victim is revealed, she’s soon drawn back into the case. The dead man is a direct link to her painful past. As the body count begins to rise, Nikki must do everything she can to stop the killer in their tracks before anyone else gets hurt.

A routine missing person enquiry takes a grisly turn when a young couple drag a box containing human remains out of a Somerset river. The victim was a surveillance expert investigating an exaggerated injury claim—a murder with an obvious motive, until a police officer is implicated and suspended. Still brooding after his recent brush with police Professional Standards, Detective Chief Inspector Nick Dixon is on extended leave, helping his pregnant fiancée, Detective Sergeant Jane Winter, fight for her place on the major investigation team.

DC Sophie Jones was in the wrong place at the wrong time. Viciously bludgeoned one night in a dark alley, she is left fighting for her life in hospital, leaving no clues as to why she was there or what might have motivated the attack. For Detective Karen Hart, fiercely protective of her young protégée, this is already deeply personal: an attack on Sophie is an attack on the whole team. When a car workshop near the crime scene is linked to local mobster Quentin Chapman, the man Hart has spent years trying to bring down, it’s hard not to jump to the most obvious conclusion.

The career of playwright Joy Sinclair comes to an abrupt end on an isolated estate in the Scottish Highlands when someone drives an 18-inch dirk through her neck. Called upon to investigate the case in a country where they have virtually no authority, aristocratic Detective Inspector Thomas Lynley and his partner Detective Sergeant Barbara Havers grapple for both a motive and a murderer. Emotions run deep in this highly charged drama, for the list of suspects soon includes Britain’s foremost actress, its most successful theatrical producer, and the woman Lynley loves.