British Police

Seventy-five-year-old Sylvia Perkins was found battered to death in her home in 2010. The murder weapon was suspected to be a fire poker and it seems she was quite popular with older gentlemen. Her grandson Robbie inherited everything, but he can't be placed at the scene of the crime. Who killed this harmless old woman and why? And what secrets was she hiding?

Roy Grace, creation of the CWA Diamond Dagger award-winning author Peter James, faces his most complex case yet in Dead If You Don't. Shortly after Kipp Brown and his teenage son, Mungo, arrive at the Amex stadium for their team's biggest-ever football game, Mungo disappears. A short while later Kipp receives a text with a ransom demand and a warning not to go to the police if he and his wife want to see their son alive again.

The career of playwright Joy Sinclair comes to an abrupt end on an isolated estate in the Scottish Highlands when someone drives an 18-inch dirk through her neck. Called upon to investigate the case in a country where they have virtually no authority, aristocratic Detective Inspector Thomas Lynley and his partner Detective Sergeant Barbara Havers grapple for both a motive and a murderer. Emotions run deep in this highly charged drama, for the list of suspects soon includes Britain’s foremost actress, its most successful theatrical producer, and the woman Lynley loves.

When Constable Evan Evans and his new fiancée decide to travel south from home in Llanfair, Wales, to visit his mother in Swansea, they're not expecting the disturbing news that greets them on their arrival: the young thug convicted of murdering Evan's father several years earlier is suspected of murder once again.

When a body is found draped over Swanage’s iconic Globe monument, DCI Lesley Clarke is called in. A message points to the motive: Go Home. Is this a hate crime? Or something closer to home? Lesley must find the killer before he or she strikes again, all while dealing with a mutiny in her team and political pressure from her boss. At the same time, a local journalist has been investigating the death of Lesley's predecessor - and claims to have key information. Wary of involving her team, Lesley brings in her old colleague Zoe Finch to help.

What's the secret of Patrick Aldermann's success? Well, he was bequeathed his aunt's gardened estate after her sudden death; his wife's wealthy father died leaving the couple a hefty inheritance; and several fatal mishaps among colleagues have allowed the milquetoast to rise in his company with alarming speed. His boss fears he's hired a serial killer-a suspicion that's compelled the CID's Andrew Dalziel and Peter Pascoe to investigate. Is it possible the mild-mannered accountant, whose only real side passion seems to be roses, has a thorny edge?

You are Dead is the 11th thrilling crime novel in Peter James' Roy Grace series, narrated by Daniel Weyman. They were marked for death. The last words Jamie Ball hears from his fiancée, Logan Somerville, are in a terrified mobile phone call. She has just driven into the underground car park beneath the block of flats where they live in Brighton. Then she screams and the phone goes dead.

They were meant to be safe on Fleet Ward: psychiatric patients monitored, treated, cared for. But now one of their number is found murdered, and the accusations begin to fly. Was it one of his fellow patients? A member of staff? Or did someone come in from the outside? DC Alice Armitage is methodical, tireless, and she's quickly on the trail of the killer. The only problem is, Alice is a patient too.

Melissa couldn’t be happier that summer has arrived. She’s delighted to have her mother back by her side, and she is extending her beloved Hawthorn Cottage so her new family can live together. Meanwhile, Melissa’s mother, Sylvia, is back in good health and enjoying a brief stay at a stately retirement home. She loves getting to know the residents, until first a dog and then his owner are both found dead in the dining room. Like mother, like daughter, Sylvia decides to do a little investigating of her own.

London, 1878. One April morning, a small boat bearing a young woman’s corpse floats down the murky waters of the Thames. When the victim is identified as Rose Albert, daughter of a prominent judge, the Scotland Yard director gives the case to Michael Corravan, one of the only senior inspectors remaining after a corruption scandal the previous autumn left the division in ruins. Reluctantly, Corravan abandons his ongoing case, a search for the missing wife of a shipping magnate, handing it over to his young colleague, Mr. Stiles.

Harry Richards, a local solicitor, is found in his car, throat slit. DI Clare Mackay is on the case. She soon learns that Harry was not the upstanding man he seemed to be. Finding the killer should be easy. Then the wife of one of Harry's colleagues is discovered dead in her car, and Clare realises there is something more sinister at play… Can she find out who's behind the murders before they turn their attention to her?

While attending a crime scene on the outskirts of Maidstone, DI Kay Hunter makes a shocking discovery. The victim has been brutally cut to pieces, his identity unknown. When more body parts start turning up in the Kentish countryside, Kay realizes the disturbing truth–a serial killer is at large and must be stopped at all costs. With no motive for the murders and a killer who has gone undetected until now, Kay and her team of detectives must work fast to calm a terrified local population and a scornful media. When a third victim is found, her investigation grows even more complicated.

It's 1996. Detective Sergeant Tom Thorne is a haunted man. Haunted by the moment he ignored his instinct about a suspect, by the horrific crime that followed and by the memories that come day and night, in sunshine and shadow. So when seven-year-old Kieron Coyne goes missing while playing in the woods with his best friend, Thorne vows he will not make the same mistake again. Cannot. The solitary witness. The strange neighbour. The friendly teacher. All are in Thorne's sights. This case will be the making of him...or the breaking.

Fifteen years ago, a serial killer was on a rampage murdering young women in Middlehampton. Then, suddenly, the killings stopped, and the murderer was never found… So when the body of another young woman is found bearing the twisted killer’s unique hallmark—the overpowering stench of lavender and an origami heart—DS Kat Ballantyne knows this can only mean one thing: the killer is back.

Alison Willetts has survived a stroke, deliberately induced by a skilful manipulation of pressure points on the head and neck. She can see, hear and feel, but she is completely unable to move or communicate. In leaving Alison Willetts alive, the police believe the killer's made his first mistake. Then DI Tom Thorne discovers the horrifying truth: it isn't Alison who is the mistake, it's the three women already dead. Thorne must find a killer whose agenda is disturbingly unique, and Alison, the one person who holds the key to the killer's identity, is unable to say anything....

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.

Yorkshire Dales, Summer 1997. Vicky Mott slips out the door of her remote cottage, and into the pale dawn light. She scrawls a note for her friends. Gone to see the sunrise. V xxx That's the last anyone ever hears from twenty-year-old music lover Vicky. Another victim of the Fellside Strangler? That would make Vicky the fourth young woman to lose her life this summer. Snatched by a mysterious killer who stalks the fells . . . But Vicky's body is never found.

A young female soldier is found on Salisbury Plain, her throat cut and a bloody knife in her dead hand. Everyone assumes that she killed herself. But something doesn’t feel right to DI Ford; the whole scene seems staged. Convinced of foul play, and despite fierce opposition from the army brass and his own superiors, Ford launches a murder investigation.

Eight-year-old Leila Smith has seen and heard things that no child should ever have to. On the Hawthorn Estate, where she lives, she often stays out in the playground long after the other children have left, just so she can avoid her own home for longer. But what Leila doesn't know is that someone has been watching her. One day, she disappears without a trace. The police search start a nationwide search, but it's as if Leila has vanished into thin air. Who kidnapped her? What do they want? Will she return home safe and sound, or is she lost forever?

Melissa Craig is struggling with her new novel, so when the invitation arrives to visit a nearby country house for some writing time, she decides a bit of peace and quiet is just what she needs. The house is everything she could have hoped for, even if the staff do seem rather unsettled. She has barely unpacked when the owner of the house persuades Melissa to investigate some threatening notes he has received. But before she can do any digging, he is found murdered in his own orchard.