British Police

The career of playwright Joy Sinclair comes to an abrupt end on an isolated estate in the Scottish Highlands when someone drives an 18-inch dirk through her neck. Called upon to investigate the case in a country where they have virtually no authority, aristocratic Detective Inspector Thomas Lynley and his partner Detective Sergeant Barbara Havers grapple for both a motive and a murderer. Emotions run deep in this highly charged drama, for the list of suspects soon includes Britain’s foremost actress, its most successful theatrical producer, and the woman Lynley loves.

Seventy-five-year-old Sylvia Perkins was found battered to death in her home in 2010. The murder weapon was suspected to be a fire poker and it seems she was quite popular with older gentlemen. Her grandson Robbie inherited everything, but he can't be placed at the scene of the crime. Who killed this harmless old woman and why? And what secrets was she hiding?

When a body washes up on the shores of Brownsea Island, DCI Lesley Clarke initially suspects suicide. But as she gets closer to the island's close-knit community, she starts to suspect foul play. Why did the victim argue with her closest friend days before her death? What secrets is the victim's manager keeping? And can Lesley get to the bottom of the mystery before someone else dies?

What's the secret of Patrick Aldermann's success? Well, he was bequeathed his aunt's gardened estate after her sudden death; his wife's wealthy father died leaving the couple a hefty inheritance; and several fatal mishaps among colleagues have allowed the milquetoast to rise in his company with alarming speed. His boss fears he's hired a serial killer-a suspicion that's compelled the CID's Andrew Dalziel and Peter Pascoe to investigate. Is it possible the mild-mannered accountant, whose only real side passion seems to be roses, has a thorny edge?

You are Dead is the 11th thrilling crime novel in Peter James' Roy Grace series, narrated by Daniel Weyman. They were marked for death. The last words Jamie Ball hears from his fiancée, Logan Somerville, are in a terrified mobile phone call. She has just driven into the underground car park beneath the block of flats where they live in Brighton. Then she screams and the phone goes dead.

Melissa couldn’t be happier that summer has arrived. She’s delighted to have her mother back by her side, and she is extending her beloved Hawthorn Cottage so her new family can live together. Meanwhile, Melissa’s mother, Sylvia, is back in good health and enjoying a brief stay at a stately retirement home. She loves getting to know the residents, until first a dog and then his owner are both found dead in the dining room. Like mother, like daughter, Sylvia decides to do a little investigating of her own.

London, 1878. One April morning, a small boat bearing a young woman’s corpse floats down the murky waters of the Thames. When the victim is identified as Rose Albert, daughter of a prominent judge, the Scotland Yard director gives the case to Michael Corravan, one of the only senior inspectors remaining after a corruption scandal the previous autumn left the division in ruins. Reluctantly, Corravan abandons his ongoing case, a search for the missing wife of a shipping magnate, handing it over to his young colleague, Mr. Stiles.

It was just an ordinary Wednesday lunchtime when Detective Martha Munro's life changed forever. Her sergeant is speaking, but she barely hears what he's telling her. Your mother has been shot dead. Your four-year-old daughter has been taken. There are no leads. Who would want to hurt her family? Martha realizes it's time to ask herself some hard questions about her late father. He led the anti-corruption squad at Scotland Yard. It's rumored he kept a list of everyone who worked for him, from coppers to criminals. And just being on the list was a sure-fire way to lower your life expectancy.

Harry Richards, a local solicitor, is found in his car, throat slit. DI Clare Mackay is on the case. She soon learns that Harry was not the upstanding man he seemed to be. Finding the killer should be easy. Then the wife of one of Harry's colleagues is discovered dead in her car, and Clare realises there is something more sinister at play… Can she find out who's behind the murders before they turn their attention to her?

While attending a crime scene on the outskirts of Maidstone, DI Kay Hunter makes a shocking discovery. The victim has been brutally cut to pieces, his identity unknown. When more body parts start turning up in the Kentish countryside, Kay realizes the disturbing truth–a serial killer is at large and must be stopped at all costs. With no motive for the murders and a killer who has gone undetected until now, Kay and her team of detectives must work fast to calm a terrified local population and a scornful media. When a third victim is found, her investigation grows even more complicated.

It's 1996. Detective Sergeant Tom Thorne is a haunted man. Haunted by the moment he ignored his instinct about a suspect, by the horrific crime that followed and by the memories that come day and night, in sunshine and shadow. So when seven-year-old Kieron Coyne goes missing while playing in the woods with his best friend, Thorne vows he will not make the same mistake again. Cannot. The solitary witness. The strange neighbour. The friendly teacher. All are in Thorne's sights. This case will be the making of him...or the breaking.

Fifteen years ago, a serial killer was on a rampage murdering young women in Middlehampton. Then, suddenly, the killings stopped, and the murderer was never found… So when the body of another young woman is found bearing the twisted killer’s unique hallmark—the overpowering stench of lavender and an origami heart—DS Kat Ballantyne knows this can only mean one thing: the killer is back.

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.

Yorkshire Dales, Summer 1997. Vicky Mott slips out the door of her remote cottage, and into the pale dawn light. She scrawls a note for her friends. Gone to see the sunrise. V xxx That's the last anyone ever hears from twenty-year-old music lover Vicky. Another victim of the Fellside Strangler? That would make Vicky the fourth young woman to lose her life this summer. Snatched by a mysterious killer who stalks the fells . . . But Vicky's body is never found.

The table is set for family dinner; roast chicken, wine for them and juice for their darling boy, a vase of fresh daisies from the garden for decoration. But the food is cold, and the flowers are wilting. You might think they were sleeping in the next room, if it wasn’t for the blood dripping crimson onto the carpet… FBI Agent Val Costa is drawn out of retirement once again when the Cramer family are found dead in their home in Red Rose County.

For LA producer Larry Brooker, this is the movie that could bring the fortune that has so long eluded him.... For rock superstar, Gaia, desperate to be taken seriously as an actor, this is the role that could get her an Oscar nomination.... For the City of Brighton and Hove, the publicity value of a major Hollywood movie being filmed on location, about the city's greatest love story - between King George IV and Maria Fitzherbert - is incalculable.

DC Sophie Jones was in the wrong place at the wrong time. Viciously bludgeoned one night in a dark alley, she is left fighting for her life in hospital, leaving no clues as to why she was there or what might have motivated the attack. For Detective Karen Hart, fiercely protective of her young protégée, this is already deeply personal: an attack on Sophie is an attack on the whole team. When a car workshop near the crime scene is linked to local mobster Quentin Chapman, the man Hart has spent years trying to bring down, it’s hard not to jump to the most obvious conclusion.

Melissa Craig is struggling with her new novel, so when the invitation arrives to visit a nearby country house for some writing time, she decides a bit of peace and quiet is just what she needs. The house is everything she could have hoped for, even if the staff do seem rather unsettled. She has barely unpacked when the owner of the house persuades Melissa to investigate some threatening notes he has received. But before she can do any digging, he is found murdered in his own orchard.

Ritchie Gulliver MP is dead. Castrated and left to bleed in an empty Leith warehouse. Vicious, racist and corrupt, many thought he had it coming. But nobody could have predicted this. After the life Gulliver has led, the suspects are many: corporate rivals, political opponents, the countless groups he's offended. And the vulnerable and marginalised, who bore the brunt of his cruelty—those without a voice, without a choice, without a chance. As Detective Ray Lennox unravels the truth, and the list of brutal attacks grows, he must put his personal feelings aside.

Tom Thorne has it all. In Nicola Tanner and Phil Hendricks, Thorne has good friends by his side. He finally has a love life worth a damn and is happy in the job to which he has devoted his life. He has everything to lose. Hunting the woman responsible for a series of grisly murders, Thorne has no way of knowing that he will be plunged into a nightmare from which he may never wake. And he'll do anything to keep it. Finally, Thorne's past has caught up with him and a ruinous secret is about to be revealed. If he wants to save himself and his friends, he must do the unthinkable.