British Suspense

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

The Cornish village of St. Petroc is the sort of place where people come to hide. Tom Killgannon is one such person. But when a seventeen-year-old runaway named Lila breaks into Tom’s house, she takes more than just his money. His wallet holds everything about his new identity. He also knows that Lila is in danger from the travelers’ commune she has been living at. Something sinister has been going on there, and Lila knows more than she realizes. But to find her, he risks not only giving away his location to the gangs he’s in hiding from but also becoming a target for whoever is hunting Lila.

As bogus corruption charges loom over her, DS Kat Ballantyne finds herself deskbound and stuck with cold cases. Her hated boss, DI Carver, has given her just one week to explain how £50,000 found its way into her bank account. If she can’t, she’ll be lucky to have a desk at all. Then a close friend calls her from a murder scene, claiming to have strangled a local gangster’s wife. Kat has no choice but to disobey orders and investigate. Despite overwhelming forensic evidence supporting her friend’s confession, something still doesn’t add up…

Steph Williams is excited to get her hands stuck into her latest gardening project. This time, she's been commissioned by Lady Clara of Ashford Manor to restore the stately gardens to their former glory. But the estate is suddenly thrown into chaos when a dead body is discovered in one of the rooms. The police rule it as suicide, though Steph's convinced they're barking up the wrong tree. For she knows the deceased better than they do and it could only be one thing: murder. And if the police won't listen to her, then Steph will have to investigate the case herself.

When a long-serving Master at one of England's most prestigious public schools drowns in Bassenthwaite Lake, Detective Inspector Skelgill is summoned to investigate his apparent suicide. It soon becomes clear that senior members of staff are not all that they seem. As the school closes ranks, Skelgill realizes he is pitted against a sinister power struggle for control of its highly lucrative operation.

When a high-flying adman is stabbed to death on a company weekend in the English Lake District, local detective Daniel Skelgill finds himself wrenched from his rural Cumbrian comfort zone. As the investigation unfolds, DI Skelgill is led a merry dance between London and Edinburgh, at every turn confronted by uncooperative suspects—colleagues, wife and lovers of the deceased—each of whom is possessed of motive and opportunity. Is this a crime of passion, a professional hit, or a cleverly calculated killing borne out of greed and jealousy?

DCI Kate Young never meant to shoot Superintendent John Dickson at the reservoir that night—even if, as a scheming corrupt cop and head of the shady syndicate, he probably had it coming. But now Kate has photographic evidence that someone else knows her terrible secret… Tormented by guilt and the voices of the dead, Kate is desperate to unmask the rest of the corrupt officers before her own sins catch up with her. When DI Harriet Khatri, awaiting trial for the murder of Kate’s mentor, claims she was framed by Dickson’s syndicate, Kate reluctantly agrees to help in the hope of finding answers.

While visiting his old friend Flambeau, Father Brown attempts to explain to an inquisitive American the 'secret' of his detective method, by means of eight stories of crime, murder, and obsession, including: a poet accused of the murder of a magistrate; stolen jewels and stolen fish; a theatre manager dead in a locked room; a mourner shut away in a castle; and the case of the worst crime in the world.

When Dorothy Martin goes to France—alone because Alan is stuck back home in Sherebury with a broken ankle—she worries about her ability to get along in a language she barely speaks, and in a country she hasn’t seen for over fifty years. But by the time Alan joins her a week later, Dorothy has found herself embroiled in one mystery after another: a woman drowning in quicksand; a man suffering a near-fatal fall in the abbey at Mont Saint Michel; and a missing American archaeologist—all seemingly connected to a monk named Abelard who has been dead for almost nine hundred years.

DI Bliss attends the aftermath of an apparent murder-suicide—but the scene tells him and his colleagues something very different occurred. Now the Peterborough Major Crimes Unit face an adversary like no other. They have no idea why his victims had to die. They have no idea who he is. They have no idea where he might strike next—only that he will. But while the killer is cunning, leaving no evidence for them to find, his biggest mistake might be in underestimating the team now hunting him. Because when Jimmy Bliss is on the case, all bets are off.

Thanks to a nomadic childhood, Revelle Lee is fluent in ten languages, which she puts to use at crime scenes and in courtrooms across London. Being a court interpreter is a stressful job, one that makes her privy to the most personal and often dark details of others’ lives. In the meantime, she’s close to adopting a six-year-old boy named Elliot from foster care. Revelle is determined to be the mother she never had, and to make up for a terrible mistake she made years ago.

In an untouched corner of Craynebrook, the lifeless body of a local farmer is found, his blood mingling with the mud of Blackbird Farm. For Detective Inspector Matthew Stannard, still nursing wounds from a brutal assault, this grisly scene marks the beginning of an investigation unlike any he’s worked on before.

The CID's Andrew Dalziel prefers simple killers. Not a crackpot who fancies himself Hamlet and taunts authorities with lofty quotes from the Bard. Dubbed the Yorkshire Choker, he's already taken three lives in four weeks and promises more tragedy to come. To help nab the serial strangler, Peter Pascoe has enlisted the help of linguistics professors, psychologists, and psychics-all of it nonsense to the grounded Dalziel.

Spring is a magical time in England - bluebells massing along the woodland paths, primrose and wild thyme dotting the meadows. Antiques dealer Kate Hamilton is spending the month of May in the Suffolk village of Long Barston, enjoying precious time with Detective Inspector Tom Mallory. While attending the May Fair, the annual pageant based on a well-known Anglo-Saxon folktale, a body turns up in the middle of the festivities.

Penelope Parish has hit a streak of bad luck, including a severe case of writer's block that is threatening her sophomore book. Hoping a writer in residence position at The Open Book bookstore in Upper Chumley-on-Stoke, England, will shake the cobwebs loose, Pen, as she's affectionately known, packs her typewriter and heads across the pond. Unfortunately, life in Chumley is far from quiet, and when the chairwoman of the local Worthington Fest is found dead, fingers are pointed at Charlotte Davenport, an American romance novelist and the future duchess of Worthington.

A hay barn is set on fire at Low Dale Farm. It seems that an arsonist is targeting isolated barns. Arnold Merryweather’s ancient bus helps catch a car thief. And when Nick arrests not only a pig thief but also the expectant pig, the police station cleaner is not very pleased. But it’s not all crime. A glider crashes into a romance in a thatched cottage, and then Constable Nick is involved in a plot to force a penny-pincher to spend money. In the beautiful North Yorkshire countryside of the 1960s, Constable Nick’s roles are as varied as the eccentric villagers.

In the bleak countryside around Blithfield Reservoir, a serial murderer and rapist is leaving a trail of bloodshed. His savage calling card: the word ‘MINE’ carved into each of his victims. DI Kate Young struggles to get the case moving - even when one of the team’s own investigators is found dead in a dumpster. But Kate is battling her own demons. Obsessed with exposing Superintendent John Dickson and convinced there’s a conspiracy running deep in the force, she no longer knows who to trust.

London, 1878. One April morning, a small boat bearing a young woman’s corpse floats down the murky waters of the Thames. When the victim is identified as Rose Albert, daughter of a prominent judge, the Scotland Yard director gives the case to Michael Corravan, one of the only senior inspectors remaining after a corruption scandal the previous autumn left the division in ruins. Reluctantly, Corravan abandons his ongoing case, a search for the missing wife of a shipping magnate, handing it over to his young colleague, Mr. Stiles.

When Mr. Rushworth, the former husband of Edmund's sister Maria, is discovered dead in his home, Jonathan and Juliet find themselves with problems far weightier than the marriage market. In one of the greatest scandals of its day, Maria abandoned her new husband in favor of the notorious rake Henry Crawford, and when he wouldn't marry her, was forced to flee to the continent in disgrace. Now Maria is back, accompanied by a daughter she claims Mr. Rushworth fathered after their divorce—and who he wrote into his will just before his death.

DI Kate Young has known for years that her boss, Superintendent John Dickson, is a violent and evil man. But when she finally confronts him and accidentally shoots and kills him, she’s forced to cover her tracks before anyone can pin his death on her. With revelations about his corruption soon to become public knowledge, Kate sets up a trail of evidence to make it seem that Dickson has conveniently vanished… But Kate knows the corruption doesn’t end with Dickson.