British Women Detectives

Fifteen years ago, a serial killer was on a rampage murdering young women in Middlehampton. Then, suddenly, the killings stopped, and the murderer was never found… So when the body of another young woman is found bearing the twisted killer’s unique hallmark—the overpowering stench of lavender and an origami heart—DS Kat Ballantyne knows this can only mean one thing: the killer is back.

A wedding on picturesque Martha's Vineyard promises to be the affair of the season when Penny Arbuthnot asks her cousin, feisty 92-year-old poet Victoria Trumbull, if she can use her property for the reception. Victoria agrees - but she has no idea what's in store for the hapless couple. For one, Penny is seriously in debt and desperate to marry money. She thinks she's on the road to riches when she hooks Rocco Bufano, whose father is a multi-billionaire. But unbeknownst to Penny, Rocco's been disowned by dad.

When Inspector Witherspoon becomes the main suspect in a murder case, Scotland Yard refuses to let him investigate. But no one said anything about Mrs. Jeffries and her polished detection skills, proving that behind every great man there's a woman - and that a crime solver's work is never done.

When human remains are discovered under Bradford’s derelict Odeon car park, DS Nikita Parekh and her team are immediately called to the scene. Distracted by keeping her young nephew out of trouble, Nikki is relieved when the investigation is transferred to the Cold Case Unit, and she can finally focus on her family. But after the identity of the victim is revealed, she’s soon drawn back into the case. The dead man is a direct link to her painful past. As the body count begins to rise, Nikki must do everything she can to stop the killer in their tracks before anyone else gets hurt.

1792, England: Lord Francis and Lady Ottilia Fanshawe are on their way home when their coach comes to a sudden stop. A woman is standing in the middle of the road - covered in blood. The woman refuses to speak but on further investigation they find the body of a man hidden in the woods. Ottilia insists on bringing the woman home to find out what occurred. But the more she finds out the more complicated the case becomes....

Lord Francis and Lady Ottilia Fanshawe have suffered a devastating blow. With Ottilia sunk deep into a depression, Francis is desperate to get his beloved wife back. So when he hears about a murder at the seaside town of Weymouth, an idea starts to form.... A young girl's body has been discovered, laid out in an open coffin, surrounded by candles. The staged scene, and the fact that the victim was a member of a theatrical troupe, suggests one of her colleagues is the killer. Knowing Ottilia's sharp intuition and penchant for solving mysteries, Francis brings her to the murder site.

P. D. James meets E. L. James in Under a Silent Moon, this first novel in an exciting British crime series-a blend of literary suspense and captivating thriller that introduces formidable Detective Chief Inspector Louisa Smith - from suspense talent Elizabeth Haynes, author of the best-selling Into the Darkest Corner. In the crisp, early hours of an autumn morning, the police are called to investigate two deaths. The first is a suspected murder at a farm on the outskirts of a small village. A beautiful young woman has been found dead, her cottage drenched with blood.

The peace of Kielder Water is shattered when tourists open a barrel they found floating in the reservoir at dawn. Detectives Stone and Oliver are called to examine the skeletal remains inside. The tourists are eliminated from the investigation, but that same day a second body is discovered - this one with skin. Have the police let the killer leave the scene? While Stone investigates the remains, Oliver travels to Iceland to gather evidence and track down the tourists who have fled. Someone will do anything to protect the secrets of the past.

Margaret Starling wasn't the sort of woman anyone expected to be murdered. She was a wealthy upper-class widow. But money alone won't protect you when someone decides it's high time you met your maker. Margaret wasn't as well-regarded as she'd always thought she was. But Mrs. Jeffries and Inspector Witherspoon know that justice isn't a popularity contest, and they won't rest until they sift through the suspects to catch a sinister scrooge.

With London's streets deserted, a young flower girl is murdered. But why was she out so late on the foggiest night of the year? Inspector Witherspoon of Scotland Yard has nowhere to even begin looking for a suspect. However, Mrs. Jeffries, his housekeeper, is even more accomplished at detection than she is at household management. A policeman's widow herself, her quick wits allow her to nudge the inspector in the right direction to solve the mystery.

On a cold night in February, the popular Lighterman's ball festivities are cut short when a guest of honor, Stephen Bremmer, goes into spasms and abruptly collapses. Once again Inspector Witherspoon returns to the Wrexley Hotel to investigate a murder. The victim was considered a boorish snob who felt entitled to anything and anyone he wanted. Yet despite his Oxford education, he was barely literate, lazy, and prone to make stupid mistakes - his last mistake turned out to be crossing a killer.

Thomas Mundy checks in to London's Wrexley Hotel, but he never checks out. The maid finds him on the floor of his room, bludgeoned to death by his own walking stick. Inspector Witherspoon is soon on the case and learns Mundy was an unlikely victim for such a violent crime. But Mrs. Jeffries and the household staff uncover that Mundy was less an amiable businessman and more a duplicitous con man with enemies on both sides of the Atlantic. Now Witherspoon and his staff must determine who on their lengthy list of suspects had the motive to put Mundy in the red.

Normally dead bodies in a graveyard are buried - but not this one. When a woman is found strangled in a North London cemetery with an old newspaper clipping clutched in her hand, Inspector Witherspoon is surprised to find that he and the victim have crossed paths before. Alice Robinson was a respectable widow who ran a quiet Islington lodging house. None of her lodgers have any apparent motive to murder their landlady.

They were meant to be safe on Fleet Ward: psychiatric patients monitored, treated, cared for. But now one of their number is found murdered, and the accusations begin to fly. Was it one of his fellow patients? A member of staff? Or did someone come in from the outside? DC Alice Armitage is methodical, tireless, and she's quickly on the trail of the killer. The only problem is, Alice is a patient too.

From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realize that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine.

Christopher Gilhaney isn't a popular man, and he proves why once again when he insults every guest at Abigail Chase's Guy Fawkes Night dinner party. When Gilhaney is shot dead under the cover of the night's fireworks, his murder is deemed a robbery gone wrong. But when the case hasn't been solved six weeks later, Inspector Witherspoon is called upon to find the killer - and quickly!

Mary Connon froze out her husband, Sam, long ago. She likes the attention of other men—like the fellow members of Sam's rugby club. Naturally, when she's found dead in her sitting room with a hole in her head, Sam is a suspect. If only he hadn't suffered a dizzying scrum injury that's left everything a blur. He isn't sure that he didn't kill her. But Det. Inspector Andrew Dalziel and his partner, Peter Pascoe, are looking outside the unhappy home. Because it seems everyone within spitting distance of the suburban femme fatale wanted Mary dead.

The ladies of the Mayfair Orchid and Exotic Plant Society are known for a bit of friendly rivalry, but the backstabbing has never been literal - until now. When Hiram Filmore, an orchid hunter and supplier, is found dead in Mrs. Helena Rayburn's conservatory, Inspector Witherspoon is called in to weed out a murderer. When it comes out that Mrs. Rayburn and her flowery friends knew each other from long ago, Mrs. Jeffries begins to suspect that there's more to unearth about this case than meets the eye.

As a family liaison offer, DC Maggie Neville has seen parents crumble under the weight of their child’s death. Imogen Tyler is no different. Her son’s fall was witnessed by the school caretaker, and another pupil is under suspicion/being questioned, but Imogen is paralysed by questions. Why was he at the school so early? Why was he with a girl who wasn’t a friend?

DC Sophie Jones was in the wrong place at the wrong time. Viciously bludgeoned one night in a dark alley, she is left fighting for her life in hospital, leaving no clues as to why she was there or what might have motivated the attack. For Detective Karen Hart, fiercely protective of her young protégée, this is already deeply personal: an attack on Sophie is an attack on the whole team. When a car workshop near the crime scene is linked to local mobster Quentin Chapman, the man Hart has spent years trying to bring down, it’s hard not to jump to the most obvious conclusion.