Canada Historical Fiction

The story of the restorative power of art in one man’s life, set against the sweep of the twentieth century—from Toronto in the ’20s and ’30s, through the killing fields of World War II, to 1960s Sicily.

In the face of the misery in his homeland, the artist Masuji Ono was unwilling to devote his art solely to the celebration of physical beauty. Instead, he put his work in the service of the imperialist movement that led Japan into World War II. Now, as the mature Ono struggles through the aftermath of that war, his memories of his youth and of the "floating world" - the nocturnal world of pleasure, entertainment, and drink - offer him both escape and redemption, even as they punish him for betraying his early promise.

The time is our own time. The place, Sri Lanka, the island nation off the southern tip of India, a country formerly known as Ceylon, which is steeped in centuries of cultural achievement and tradition - and forced into the late 20th century by the ravages of civil war and the consequences of a country divided against itself. Into this maelstrom steps a woman, Anil Tissera, born in Sri Lanka, educated in the West, a forensic anthropologist sent by an international human-rights group to work with officials to discover the source of the organized campaigns of murder engulfing the island.

With murder dominating the news, the respected wife of a New Brunswick sea captain is drawn into the case of a British home child whose bad luck has turned worse. Mortified that she must purchase the girl in a pauper auction to save her from the lechery of wealthy townsmen, Josephine Galloway finds herself suddenly the proprietor of a boarding house kept afloat by the sweat and tears of a curious and not completely compatible collection of women, including this English teenager, Flora Salford.

Set in the years around 1492, Yiddish for Pirates recounts the compelling story of Moishe, a Bar Mitzvah boy who leaves home to join a ship's crew, where he meets Aaron, the polyglot parrot, who becomes his near-constant companion. From a present-day Florida nursing home, this wisecracking yet poetic bird guides us through a world of pirate ships, Yiddish jokes, and treasure maps. But Inquisition Spain is a dangerous time to be Jewish, and Moishe joins a band of hidden Jews trying to preserve some forbidden books.

Bytown, 1836: The lawless cesspool that will become the city of Ottawa is beginning to reek of more than just swamp water. Rife with squalor, corruption, and organized crime, class injustice divides the town more starkly than the canal that bisects it, cutting off its Irish poor—who are ready to fight back. On a homestead in the woods near Bytown, a domestic drama is also reaching a fever pitch

Ned Vatcher, only 14, ambles home from school in the chill hush that precedes the first storm of the winter of 1936 to find the house locked, the family car missing, and his parents gone without a trace. From that point on, his life is driven by the need to find out what happened to the Vanished Vatchers. His father, Edgar, born to a poor family of fishermen, had risen to become the right-hand man to the colony's prime minister, then suffered an unexpected fall from grace. Were he and his wife murdered? Was it suicide? Had they run away? If so, why had they left their only child behind?

Vallée-du-Richelieu, printemps 1906. Alors que l'arrivée des beaux jours égaie la petite communauté de Douceville, les mauvaises langues se délient dans des lettres anonymes adressées à l'archevêché. Elles dénoncent le curé Grégoire, qui héberge au presbytère sa nièce Sophie, une jeune fille de 17 ans belle à faire damner un saint.

Growing up on the Bay of Fundy, Azuba Galloway dreams of going to sea. She watches magnificent ships slowly making their way into Whelan’s Cove, the sense of exoticism bursting from their holds along with foreign goods. As a young woman, Azuba marries a seasoned merchant sea captain, Nathaniel Bradstock. Unwilling to have him away at sea for most of their married life, and anxious to see far shores, she extracts a promise that he will take her with him. But Azuba becomes pregnant soon after they marry, and Nathaniel knows too well the perils of life on a ship.

When Julia arrives in Medway, accompanying her beloved Hardy on his first posting as an RCMP constable, she tries to explain her new life to old friends from the city, but can find no shared vocabulary to convey this rural reality, let alone police life. As Hardy disappears into long days at work, Julia takes a job as editor of the local newspaper, the Observer. Interviewing people to compose a view of the town each week, she gathers knowledge of the community’s surface joys and sorrows; meanwhile, Hardy is immersed in violence and loss, and Julia can only witness his increasing exhaustion.

As the witches roast chestnuts and melt lead to see their fate, a series of odd messengers land on their doorstep bearing invitations for a New Year's Eve masquerade hosted by a woman they've never met. Gossip, dreams and portents follow, leading the witches to question the woman's motives. Is she as benevolent as she seems or is she laying a trap? And so, as Gilded-Age New York prepares to ring in the new year, the witches don their finery and head for the ball, on the hunt for answers that might well be the end of them.

Akemi’s desire for independence and aversion to marriage are unusual in her small village. A gift for drawing allows her to move to a rooming house in Tokyo where she studies medical illustration, finding satisfaction in the precision and purpose of her work. Sayako is the first roommate to pay Akemi attention, and they quickly become inseparable—Sayako drawn to Akemi’s humble origins, so distinct from her own insufferable, wealthy family; Akemi attracted to Sayako’s rebelliousness and her aspiration to be a painter.

In this sweeping tale, at once epic and intimate, Shyam Selvadurai introduces us to Siddhartha Gautama—who will later become “the enlightened one,” or the Buddha—an unusually bright and politically astute young man settling into his upper-caste life as a newlywed to Yasodhara, a woman of great intelligence and spirit. Mansions of the Moon traces the couple’s early love and life together, and then the anguished turmoil that descends upon them both as Siddhartha’s spiritual calling takes over and the marriage partnership slowly, inexorably crumbles.

Utopia Avenue may be the most extraordinary British band you've never heard of. Emerging from London's psychedelic scene in 1967 and fronted by folksinger Elf Holloway, guitar demigod Jasper de Zoet, and blues bassist Dean Moss, Utopia Avenue released only two LPs during its brief, blazing journey from the clubs of Soho and draughty ballrooms to Top of the Pops and the Top 10; to Amsterdam, Rome, and a fateful American fortnight in the autumn of 1968. David Mitchell's new novel is the story of Utopia Avenue.

Québec, 1815. Ange-Élisabeth Boucher de Montizambert, 17 ans, a toujours fait ce qu’on attendait d’elle. Fiancée officieusement depuis sa naissance à Richard Philippe Guyon, riche héritier d’un empire fondé sur l’import-export, elle fait l’envie de bien d’autres jeunes filles de son rang. Cependant, quand Richard part étudier en Angleterre et que son père prend la direction du lac Saint-Jean, «en pays sauvage», Angélie se sent soudainement moins sûre d’elle-même et de son avenir.

Faisant fi des conseils de ses proches, Ange-Élizabeth Boucher de Montizambert s'embarque en direction du poste de traite du lac Chamouchouane, près du lac St-Jean, afin de rejoindre son père, qu'elle sait très malade et qu'elle imagine peut-être même mort. Sortie des riches salons de Québec, la voici à parcourir lacs et rivières dans des canots peuplés de voyageurs, sous les ordres d'un mystérieux guide innu.

Many readers still claim this haunting, atmospheric novel of Michael Ondaatje's as their first love—a novel as sensual and erotic today as ever it was. At the turn of the century, the Storyville district of New Orleans had some 2000 prostitutes, 70 professional gamblers, and 30 piano players. But it had only one man who played the cornet like Buddy Bolden—he who cut hair by day at N. Joseph's Shaving Parlor, and at night played jazz, unleashing an unforgettable wildness and passion in crowded rooms.

Heartbreaking and wise, Rush Home Road tells the life story of Adelaide Shadd, who finds redemption in old age, and Sharla, a five-year-old mixed race girl abandoned to Addy’s care by her white mother. Born in the first decade of the 20th century in Rusholme (inspired by the real town of Buxton), in southwestern Ontario, an all-black community settled by fugitive slaves, Addy Shadd is raped as a teenager and forced to flee the family home. She makes her way on foot to Detroit.

It is the early 1950s in a restless Iran, a country powerful with oil wealth but unsettled by class and religious divides and by a larger world hungry for its resources. One night, a humble driver in the Iranian army is walking home through a neighbourhood in Tehran when he hears a small, pitiful cry. Curious, he searches for the source, and to his horror comes upon a newborn baby girl abandoned by the side of the road and encircled by ravenous dogs. He snatches up the child, and forever alters his own destiny and that of the little girl, whom he names Aria.

When the sophisticated Innes Kent turns up on her doorstep, Lexie Sinclair realizes she cannot wait any longer for her life to begin, and leaves for London. There, at the heart of the 1950s Soho art scene, she carves out a new life. In the present day, Elina and Ted are reeling from the difficult birth of their first child. Elina struggles to reconcile the demands of motherhood with her sense of herself as an artist, and Ted is disturbed by memories of his own childhood that don’t tally with his parents’ version of events.