Cat Horror

Listen as Mike Anderson, storyteller and songwriter extraordinaire, delivers spooky stories, and sing along with some of his very best songs!

"The Black Cat" is a short story by American writer Edgar Allan Poe. It was first published in the August 19, 1843, edition of The Saturday Evening Post. It is a study of the psychology of guilt, often paired in analysis with Poe's "The Tell-Tale Heart". In both, a murderer carefully conceals his crime and believes himself unassailable, but eventually breaks down and reveals himself, impelled by a nagging reminder of his guilt.

The narrator boasts of his well-known kindness and compassion towards animals, which was mirrored by his wife. His favorite pet of theirs was a large black cat named Pluto. As the years passed, the narrator became more besotted by drink and consumed by his own cruelty and perverseness. He abused his wife and the animals. Pluto, who was his favorite, bore the brunt of his rage. One day, the narrator cut out one of the cat’s eyes, and not long after that, he hanged the cat from the branch of his tree.

Thelma the Ghost Cat finds herself on the I-75 expressway near Kentucky in a snow storm. What happens when she finds herself in a trunk on the top of Jim and Sarah Gaunter's van headed for Michigan? Thelma knows everything happens for a reason, but why is she here and how will she ever get back to Enchanted? Suzanne and Cooper help Thelma return to Enchanted in this fun, light story. Book three in the series. Ghost Cat is a fun, fast adventure that also is a stand alone story.

El gato negro es uno de lo cuentos siniestros más conocidos de Edgar Allan Poe, así como uno de sus grandes relatos psicológicos. La combinación de ambos elementos, horror y psicología, parece conducir directamente a la expresión terror psicológico, que hoy sabemos inspirada en la singularidad artística de este autor​ y que podría definirse como aquella fórmula literaria que aspira a conjugar en una síntesis superior miedo, enajenación y arte.

Nobody really knew how long the old Funnel mansion had stood empty, waiting up there high on Carpenter's Hill like a child's forgotten lunch box, any more than anybody knew just how long that old cat had squatted in behind the screen of the front porch window. Three young boys are about to find out just exactly what the dark and horrifying secret is behind that cat. Only two of them will survive.

This audiobook is a collection of two short stories by author, Edgar Allan Poe. It includes: The Pit and the Pendulum: Imprisoned and subjected to extraordinary torments at the hands of the Spanish Inquisition, one man struggles to keep his sanity... and his life. The Black Cat: A man overcome by alcohol sinks into wild depravity, goaded by the haunting spectre of a murdered pet.

In this third installment of the Creepsville Collection, we present a trio of creepy tales, all with a feline theme: "Symbiosis", "This Restless Night", and "Look What the Cat Dragged In". These yarns were crafted by an author who has cohabitated with many kitties over the years. Each story is brought to vivid life by the amazing narration and sound design skills of Noah DeBiase.

Cat haters beware. This piece by H.P. Lovecraft is largely memoirish, whereby the narrator is compelled to tell the listener about Ulthar after petting his own cat. When a travelling caravan passes through, a young orphan named Menes finds his beloved black kitten has gone missing and fears the worst - that his kitten had suffered a torturous end at the hands of the town cat killers. Annoyed by the lack of action on the part of the townspeople, Menes invokes a prayer that results in the cats of the town rising and slaying the cat-killing couple.

Barry Pain was noted for his humorous tales of “Eliza” and her husband, but his tales of the weird and supernatural are equally noteworthy. This volume, More Tales in the Dark, contains eight of them.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares - premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

Talvolta, per alcuni esseri umani, l'amore può diventare una malattia: una malattia insopportabile. Ma Poe vuol mettere in guardia costoro: "malattia, forse follia..." sembra dire, "...ma prima o poi, un'anima nera troverà la propria punizione !"

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

As with most stories by Poe, there are far deeper meanings as the narrator takes us through his madness. Pluto his cat becomes a symbol of what is wrong in his, the narrator's, life. He tortures Pluto in a drunken stupor by cutting out his eye. He feels guilt for hurting a creature he once loved that also once loved him. The narrator continues to spiral into his web of self-destruction until he is penning his story the night before he will meet the same fate he imposed upon Pluto.

How easily does love turn to hate? In what is arguably one of Edgar Allen Poe's most disturbing tales, we join our narrator as he cruelly injures and betrays his once beloved cat. Our deeply disturbed narrator shows a malicious streak and lack of conscience that is painful to witness. The narrative forces us to question to what extent we can escape our conscience. As we realize all is not as it seems.