Child Poverty

Twelve-year-old Olivia Hales has a foolproof plan for winning a million dollars so that she and her little sister, Berkeley, can leave behind Sunny Pines Trailer Park. But first she has to: Fix the swamp cooler and make dinner and put Berkeley to bed because her mom is too busy to do all that. Write another letter to her dad even though he hasn't written back yet. Teach Berk the important stuff, like how to make chalk drawings, because they can't afford day care and Olivia has to stay home from school to watch her.

Fifteen-year-old Pearl DeWitt and her mother live in Fallbrook, California, where its sunny 340 days of the year, and where her uncle owns a grove of 900 avocado trees. Uncle Hoyt hires migrant workers regularly, but Pearl doesnt pay much attention to them...until Amiel. From the moment she sees him, Pearl is drawn to this boy who keeps to himself, fears being caught by la migra, and is mysteriously unable to talk.

Abby doesn’t remember what happened the night she woke up in soot-stained clothes, lying next to a burning building with an unfamiliar boy at her side. But her connection with Sam is immediate and intense. And she has no one else: no family, no home, not even a last name. She and Sam start a new life, just the two of them, and Abby’s deliriously happy - until memories from her past begin to haunt her. And suddenly everything she’s learned to love turns sinister....

Through the long years of the Great Depression, Harper Flute watches with a child's clear eyes her family's struggle to survive in a hot and impoverished landscape. As life on the surface grows harsher, her brother Tin escapes ever deeper into a subterranean world of darkness and troubling secrets, until his memory becomes a myth barely whispered around the countryside.

She can't marry him while her name is marred! There's no way she would dream of tainting the man's reputation - he had enough baggage of his own to worry about. Fortunately for Ericka, Titus is not the kind of guy who gives up easily. Going undercover, he becomes a resident of a men's homeless shelter. No matter what it takes, he's determined to expose the real criminal so he can take Ericka's hand in marriage.

No longer did the Michtom's gather family and friends around the kitchen table to talk. No longer was Joseph at leisure to play stickball with the guys. No longer were Joseph and his book-loving sister free from watching their pesky two-year-old brother. Now - when it was summer vacation and more than anything Joseph wanted to experience the thrill, the grandeur, the electricity of Coney Island - Joseph worked.

Fans of Karen Cushman's witty, satisfying novels will welcome Meggy Swann, newly come to London with her only friend, a goose named Louise. Meggy's mother was glad to be rid of her; her father, who sent for her, doesn't want her after all. Meggy is appalled by London, dirty and noisy, full of rogues and thieves, and difficult to get around in - not that getting around is ever easy for someone who walks with the help of two sticks. Just as her alchemist father pursues his great work of transforming base metal into gold, Meggy finds herself pursuing her own transformation.

In a dying country town lives Satchel O'Rye, a young man fighting the future; Chelsea Piper, a young woman fighting the past; and a long-lost creature that can teach them both the art of survival. Stripes of the Sidestep Wolf is a shimmering, ultimately joyful novel, a story of journeying towards courage and freedom, of finding the will to live a life beyond expectation.

In 2018, poverty and domestic violence cast Evelyn and her children into the urban wilderness of Los Angeles, where she avoids the family crisis network that offers no clear pathway for her children to remain together and in a decent school. For the next five years, Evelyn works full time as a waitress yet remains unable to afford legitimate housing or qualify for government aid. All the while she strives to provide stability, education, loving memories, and college aspirations for her children even as they sleep in motels and in her car.

Briony thought she knew all about Wicked and its dangerous woods. What she didn't expect was that there were more than creatures who go bump in the night, more than creatures the Preservation Society have to watch out for. Aunt Sophie, Pietre, and all the residents of Wicked Woods have been waiting for this moment...a moment that would change Briony forever.

A Spillworthy is an idea so good, it has to be shared and ten-year-old Ulysses Finch doesn't let being homeless get in his way. He scrawls his best thoughts on pizza boxes, releases them into the wild, and relishes every response. After moving to Idaho, Ulysses finds Gem Rost's journal and dives into reading it. She must be a kindred spirit! Or is she?

Jonathan Kozol's books have become touchstones of the American conscience. Unlike his previous books, however, Ordinary Resurrections is almost entirely narrative and takes us into the fascinating details of daily life as he has lived it with young children who befriended him over the course of several years. Like Amazing Grace, this book describes the children of New York's South Bronx, but it is a markedly different book in mood and vantage point.

'Your Robin Hood thing. Let's do it for the Novel Project,' says Angie. 'Tell everyone?' I shrieked. 'Are you crazy?' Kelly thinks it's all over - her crazy effort to feed the poor. At first it seemed so right, but it became an obsession. And it made her do something so terrible her parents never spoke about it afterwards. Now her best friend is about to start the nightmare all over again...

Crash tells the story of the Great Depression, from the sweeping fallout of the market collapse to the more personal stories of those caught up in the aftermath. Packed with photographs, primary documents, and firsthand accounts, Crash shines a spotlight on pivotal moments and figures across ethnic, gender, racial, social, and geographic divides, reflecting many different experiences of one of the most turbulent decades in American history.

Paul Acampora makes his exciting debut in young-adult fiction with this poignant tale of a girl coping with the recent death of her father. When her mother moves the family to California, Dulcie decides to drive her father's pick-up truck back to Connecticut on her own.

Rachel, Cassie, and Joey live in the city with their Pop, until Pop's search for work lands the family on a run down farm. Dreamy Rachel loves to read, and doesn't know much about the country. Times are hard there, too - the school and library are closed. When Pop gets work near Canada, he has to leave the children on the farm alone. For two months! But Rachel's the oldest, and she'll make sure they're all right. Somehow.

En esta obra, de corte histórico, que se sitúa a mediados del siglo XVI. El parecido físico permite a Tom Canty, un niño pobre y soñador, suplantar al príncipe Eduardo, que se aburre en palacio. De este modo, el príncipe, mezclado con el pueblo, conoce las injusticias cometidas por su gobierno. Pero ¿qué ocurrirá cuando quiera recuperar su identidad y reparar sus errores?

Few winter stories are more affecting than Hans Christian Andersen's The Little Match Girl. Written in 1848, and strictly speaking a New Year's Eve story, it showed so clearly then, as it does now, that the Christmas holidays do not represent fireside, food, and presents for all. This story never fails to move, yet it somehow avoids serious sentimentality.

Once upon a time, There was a family of four, the father, the mother, and two children, Jack and Alice. Jack is a boy, and Alice is a girl. Jack was 7 years old, and Alice was 5 years old. They lived in a village. They were so poor, and everyone in the town looked down on them. Because they were so poor, they could not afford so many things.

When Lilly moves to NYC with her parents, it’s going to be a scary experience. Used to living in a small town where everyone looks out for each other, Lilly is nervous about all the huge changes that it’s going to make to her life. But her dad is an engineer, and it means that they must move around the country often. They must go where the work is. It means that Lilly has everything she needs, but are material things alone ever enough? Sometimes, she thinks that she would rather have her dad home more than all the presents with which he showers her.