Childhood Memoir

Brittany Means’s childhood was a blur of highways and traumas that collapsed any effort to track time. Riding shotgun as her mother struggled to escape abusive relationships, Brittany didn’t care where they were going. But as Brittany grew older and questioned her own complicated relationships and the poverty, abuse, and instability that enveloped her, she began to recognize that hell wasn’t only the place she read about in the Bible; it was the cycle of violence that entrapped her family.

Growing up with a mother suffering from paranoid schizophrenia and a mostly absent father, Nikki Grimes found herself terrorized by babysitters, shunted from foster family to foster family, and preyed upon by those she trusted. At the age of six, she poured her pain onto a piece of paper late one night - and discovered the magic and impact of writing. For many years, Nikki's notebooks were her most enduing companions. In this accessible and inspiring memoir, Nikki shows how the power of those words helped her conquer the hazards - ordinary and extraordinary - of her life.

Why would the multimillionaire producer of Cats, The Phantom of the Opera, and Miss Saigon take his limo from Manhattan to the struggling former steel town of Levittown, Pennsylvania, to see a high school production of Les Misérables? To see the show performed by the astoundingly successful theater company at Harry S Truman High School, run by its legendary director, Lou Volpe. Broadway turns to Truman High when trying out controversial shows such as Rent and Spring Awakening before they move on to high school theater programs across the nation. Volpe’s students from this blue-collar town go on to become Emmy-winning producers, entertainment executives, newscasters, and community-theater founders.

In her memoir, Jevranne explores the effects trauma has on the body and how it can often result in blocked-out memories. She shares her personal journey with grief and the struggles that appeared when silencing herself because of not feeling valid in her pain- a childhood and generational wound embedded through the years.

Recently hailed as "the greatest cabaret artist of [V's] generation" in The New Yorker, Mx. Justin Vivian Bond makes a brilliant literary debut with this staggeringly candid and hilarious novella-length memoir. With a recent diagnosis of attention deficit disorder, and news that V's first lover from childhood has been imprisoned for impersonating an undercover police officer, Bond recalls in vivid detail coming of age as a trans kid. Always haunted by the knowledge of being "different," Bond was further confused when the bully next door wanted to meet secretly. Their trysts went on for years, and made Bond acutely aware of sexual power and vulnerability. With inimitable style, Bond raises issues about LGBTQ adolescence, homophobia, parenting, and sexuality, while being utterly entertaining.

When Gail Gallant was five months old, she died. A year later, she was reborn. Or so her mother said. The crash occurred on a July night in 1955. The truck hit the Gallant family's car head-on; a few weeks later, newborn baby Gail died from her injuries. Mad with grief, her mother prayed feverishly for Gail's return, convinced that God would bring her child back to her. And when she gave birth within a year to a baby girl who looked identical to her lost child, she believed her prayers had been answered. She named that newborn baby Gail.

A small and effeminate boy bullied for years while growing up in an alcoholic family in suburban Cleveland Gil finds refuge in the equestrian world. A coach instills in him the dream of going to the Olympics and becomes his mentor, his guide and his predator. Gil survives rape, betrayals, setbacks, and the loss of family and friends all while on a quest to fulfill his dream. This book is not only about surviving; it's about the resilience of the human spirit and the pursuit of dreams against all odds.

World-renowned poet and Professor of African American Studies at U.C., Berkeley, June Jordan writes a deeply personal memoir of her formative years. June recalls her childhood experiences and reveals the duality of her parents’ influence on her stellar achievement as a poet. The first 12 years in Harlem were both peaceful and tumultuous for June, as she was raised the daughter of dirt-poor West Indian immigrants.

First, I Believe You is an astonishing memoir of resilience and recovery from severe childhood trauma she had no memory of. Terrifying flashbacks haunted her for decades despite an affluent, advantaged childhood, resulting in severe depression, food addiction, anxiety, and nightmares.

When Susannah Breslin is a toddler, her parents enroll her in an exclusive laboratory preschool at the University of California, Berkeley, where she becomes one of 128 children who are research subjects in an unprecedented 30-year psychological experiment that predicts who she and her cohort will grow up to be. Decades later, trapped in an abusive marriage to a man with a violent history and battling breast cancer, she starts to wonder how growing up under a microscope shaped the person she became and her life choices. Is she the narrator of the story of her life, or is something else?

For all the roads we choose to travel, and even those we don't, Fred Rogers has an observation, a story, some insights to share. Whether you're facing graduation, a new job, a new baby, marriage, any change in your life, expected or not, the wisdom that Mister Rogers offers can contribute mightily to the grace with which you handle the change. It all comes down to knowing we're valuable, and that we're worthy of that value. As Fred would say, "You don't have to be anything more than who you are right now."

Mary MacLeod's mother died in childbirth when Mary was five, an event that marked for the child a "before time" - a lost joyful time - and after. She was shunted from one relative to another while her father coped with his grief. He married again only nine months later, perhaps to have a mother for his child, but her new mum, harsh and withholding of her love, quickly exerted complete control over her thoughts and deeds, with her father oblivious.

In 1975, seven-year-old Doina Cornell left England with her father Jimmy Cornell, mother and brother to spend the next six years sailing around the world on a small yacht. The author has drawn on her memories, diaries and stories, to re-create the perfect life led by a sailing child: swimming, diving and playing the days away in deserted anchorages; visiting some of the most beautiful islands in the world; falling in love with the sea in all its ever-changing moods, from balmy trade wind ocean passages to the treacherous breakers that crash onto tropical reefs.

From a young age, Layla Salek has experienced some people as colors—her mother brown, her father green, her husband rainbow. As she notes, sometimes, when words fail, colors speak. Chaos in Color is the captivating story of Layla’s journey from childhood to adulthood with a mother who suffered from untreated bipolar disorder. Each chapter paints a vivid, heartbreaking picture of the abuse, neglect, and trauma that she experienced as she grew up at the mercy of her mother’s bipolar swings, an incompetent mental health system, and the strangers with whom she was often left.

Nowhere Like This Place is a coming-of-age memoir set against the backdrop of the weirdness of an enclave with more PhDs per capita than anywhere else on Earth. It’s steeped in thinly-veiled sexism and the searing angst of an artsy child trapped in a terrarium full of white-bread nuclear scientists and their nuclear families. Everything happens, and nothing happens, and it all works out in the end. Maybe.

The extraordinary memoir of a childhood spent in the 'Children of God' cult. Rebel tells the story of Faith, a woman who grew up in the Children of God cult (known latterly as The Family). Now in her 40s with two teenage children of her own, Faith's first-person narrative alternates between her childhood adventures and traumas within the cult and her post-cult life following her escape at the age of 19.

In this memoir of a lost America, Hal Borland tells the story of his family's migration to eastern Colorado as homesteaders at the turn of the twentieth century. On an unsettled and unwelcoming prairie landscape, the Borlands build a house, plant crops, and eke out a meager existence. While life is difficult—and self-reliance is necessary with no neighbors for miles—the experience brings the family close and binds them closer to the terrible and beautiful natural patterns that govern their lives.

Hayden Herrera’s parents each married five times; following their desires was more important to them than looking after their children. When Herrera was only three years old, her parents separated, and she and her sister moved from Cape Cod to New York City to live with their mother and their new hard-drinking stepfather. They saw their father only during the summers on the Cape, when they and the other neighborhood children would be left to their own devices by parents who were busy painting, writing, or composing music.

Much is written about children's infancy and toddler years, which is good, since children will never remember those times themselves. It is ages four to 14 that make up the second act, as Catherine Newman puts it in this delightfully candid, outlandishly funny new memoir about the years that "your children will remember as childhood". Following Newman's son and daughter as they blossom from preschoolers into teenagers, Catastrophic Happiness is about the bittersweet joy of raising children and the ever-evolving landscape of issues parents traverse.

First published in 1967, Stop-Time was immediately recognized as a masterpiece of modern American autobiography, a brilliant portrayal of one boy’s passage from childhood to adolescence and beyond. Here is Frank Conroy’s wry, sad, beautiful tale of life on the road; of odd jobs and lost friendships, brutal schools and first loves; of a father’s early death and a son’s exhilarating escape into manhood.