Childhood Memoir

Aké. Los años de la niñez es el relato en primera persona de la infancia de Soyinka en una aldea de Nigeria llamada Aké, en los años en torno a la Segunda Guerra Mundial. Allí el pequeño Wole, un muchacho de una curiosidad infinita, amante de los libros y propenso a meterse en líos y aventuras, crece con la doble influencia de los aires occidentales y de las antiguas tradiciones espirituales youruba.

This is a summary with key takeaways and analysis of Born a Crime: Stories from a South African Childhood, television star Trevor Noah's memoir about growing up as a mixed-race child.

As a neurodivergent child in a hundred-year-old house, Zaji Cox collects grammar books, second-hand toys, and sightings of feral cats. She dances and cartwheels through self-discovery and doubt, guided by her big sister and their devoted single mother. Through short essays that evoke the abundant imagination of childhood, Plums for Months explores the challenges of growing up mixed race and low-income on the outskirts of Portland, Oregon.

Her Last Death begins as the phone rings early one morning in the Montana house where Susanna Sonnenberg lives with her husband and two young sons. Her aunt is calling to tell Susanna her mother is in a coma after a car accident. She might not live. Any daughter would rush the thousands of miles to her mother's bedside. But Susanna cannot bring herself to go. Her courageous memoir explains why.

At age four, Diana manages her family's banking, grocery shops alone, and befriends the town drunk. Her father is too busy chasing skirts and throwing fits to notice what she does. And her mom is too mentally absent to properly parent. While Diana's narcissistic dad terrorizes and exploits her, she works harder to please him. Estill, an award-winning humor author, shares an honest and comedic look at her dysfunctional childhood. As an adult, she struggles to reclaim her power while caring for her dementia-impaired dad.

Among Schoolchildren illuminates a year in the life of a fifth-grade teacher struggling to make a positive difference in the lives of her students. In Holyoke, Massachuetts, Christine Zajac toils far from the limelight. Her story, and that of her students is heart-warming and inspiring as she helps them to become full-scale human beings. We find that some are brilliant, that others are troubled, and that Ms. Zajac never gives up.

With poignant prose and a deeply authentic personal story, this harrowing account exposes the stark and painful realities of childhood abuse, painting a heart-breaking picture of the lasting pain and fear that it inflicts on its victims. Spanning 30 years, in this coming-of-age memoir, author Christina Vitagliano recounts in vivid detail the frightening nights spent when her father loomed in the doorway of her bedroom, along with the psychological toll that the relentless familial abuse took on her psyche.

Celebrated journalist Lauren St. John "bears witness to a remarkable story" ( Publishers Weekly) in this striking memoir of her African childhood. In the 1970s St. John lived on a Rhodesian farm that should have been paradise. But the specter of war hung over the land, filling every day with peril and uncertainty.

In little more than 50 years the regard with which the Royal Family are held has changed out of all recognition. Their private lives are now the stuff of soap opera and it seems any one who comes into contact with them sells their story to the magazines or to the newspapers. The Little Princesses was published in 1950 to a furore we cannot imagine today. Crawfie was demonised by the press, and the Queen Mother, who had been a great friend and who had, Crawfie maintained, given her permission to write the account, never spoke to her again.

For Kim Woodburn, finding fame in her 60s in the smash-hit television series How Clean is Your House? with fellow dust-buster Aggie Mackenzie is like living a fairytale. Often, however, she has simply wished that she had never been born, for Kim has overcome horrific emotional and physical abuse, both at the hands of her alcoholic mother and her philandering, abusive father.

Opened on February 17, 1929, the Mississippi State Preventorium operated continuously until 1976. The Mississippi Preventorium, like similar hospitals throughout the country, was an institution for sickly, anemic, and underweight children. It was established on the grounds of the Mississippi State Tuberculosis Sanitorium in the early years of the twentieth century when tuberculosis was a dreaded disease worldwide. The TB Sanitorium hospital housed those with tuberculosis, offering refuge for patients of all ages afflicted with the pernicious and contagious disease.

While most kids are served home-cooked dinners and tucked in with bedtime stories at night, Mary Zoe never knows which version of her mother, Zodie, to expect. She might be dressed to the nines, rhapsodizing about a more luxurious way of life, or she might be strewn naked on the floor, slumped into unconsciousness by drugs and alcohol.

In this memoir of a lost America, Hal Borland tells the story of his family's migration to eastern Colorado as homesteaders at the turn of the twentieth century. On an unsettled and unwelcoming prairie landscape, the Borlands build a house, plant crops, and eke out a meager existence. While life is difficult—and self-reliance is necessary with no neighbors for miles—the experience brings the family close and binds them closer to the terrible and beautiful natural patterns that govern their lives.

In terms of drama, my childhood memoir appears sadly lacking. It starts promisingly, Mum and Dad arguing just after my birth, but deteriorates thereafter into eighteen years of relative wellbeing. The working title 'Nothing Much Happened' always seemed appropriate and yet?

The inspiring stories of five people who changed history, including Leonardo da Vinci, who painted the Mona Lisa; Christopher Wren, who rebuilt London; Antoni Gaudí, who built the Sagrada Familia in Barcelona; Pablo Picasso, the famous Spanish painter; and Frida Kahlo, the famous Mexican female artist.

Sometimes there is an entire year that sparkles in the memory as a time brimming over with the fullness of life. By the age of 10, Annie’s intervals of awakening began to occur more frequently; the hours and minutes of the years that followed were spent reveling in the delights and the anguishes that accompany being fully alive.

Andrea Kott thought of herself as “the welfare Jew.” The daughter of a single mother whose depression and drinking pitched them into poverty, her stormy life looked nothing like that of the Jewish kids she knew: It defied every stereotype she associated with being Jewish—having an intact family and material wealth, and becoming a bat mitzvah. Alienated and ashamed, Kott felt ineligible to be Jewish, yet hungered for connection to the tradition and to God. It took a near-fatal accident, her mother’s death, marriage and motherhood, and losing a beloved brother for her to find her Jewish home.

My sand life, my pebble life. My life measured out in tides, coming in and going out. My life measured out in games of trying to spot the sea first. My life measured out in the delicious and indulgent sadness that comes from leaving a holiday cottage for the last time and for the first time in several days it isn’t raining, but at least the kids have had a great time and, let’s face it, so have you.

Flora Miller Biddle was born a blue-blood. The granddaughter of the Whitney museum founder, Gertrude Vanderbilt Whitney, her childhood played out in a sort of Wharton landscape as she was shielded from the woes of the world. But money itself is not the source of happiness. In this wonderfully evocative memoir, Flora Miller Biddle examines, critiques, and pays homage to the people and places of her childhood that shaped her life.

One of the most important figures in the Scots revival of the late 20th and early 21st centuries is Billy Kay. Through radio, television, plays, creative writing and especially his hugely influential book Scots The Mither Tongue, Kay’s work helped change people’s negative perception of Scots and paved the way for its acceptance as a key element in Scottish cultural identity.