Childhood Memoir

Dead Woman Pickney chronicles Yvonne Shorter Brown’s life growing up in Jamaica between 1943 and 1965 and teaching in Canada from 1969. Told with stridency and humour, the stories include both personal experience and history. Taking up the haunting memories of childhood, along with persistent racial marginalization of Black people, both globally and in Canada, the author sets out to construct a narrative that at once explains her own origins in the former slave society of Jamaica and traces the outsider status of Africa and its peoples.

Carla Funk grew up in a place of logging trucks and God, pellet guns and parables. Every Sunday, she sat with her mother and brother in the same pew at the Mennonite church while her dad stayed home with his cigarettes and a fridge full of whiskey. In these tender, humorous stories, Funk stitches together the wondrous and the mundane: making snow angels and carrying sacks of potatoes, tossing pig bladders like footballs, and vying for the Christmas pageant spotlight.

When Lucy Mangan was little, stories were everything. They opened up new worlds and cast light on all the complexities she encountered in this one. She was whisked away to Narnia and Kirrin Island and Wonderland. She ventured down rabbit holes and womble burrows into midnight gardens and chocolate factories. She wandered the countryside with Milly-Molly-Mandy and played by the tracks with the Railway Children.

J.R. Moehringer grew up captivated by a voice. It was the voice of his father, a New York City disc jockey who vanished before J.R. spoke his first word. Sitting on the stoop, pressing an ear to the radio, J.R. would strain to hear in that plummy baritone the secrets of masculinity and identity. Though J.R.'s mother was his world, his rock, he craved something more, something faintly and hauntingly audible only in The Voice.

With ribald humor, wit, and incredible insight, Alan seamlessly moves back and forth in time, integrating stories from his childhood in Scotland and his experiences today as the celebrated actor of film, television, and stage. At times suspenseful, at times deeply moving, but always incredibly brave and honest, Not My Father's Son is a powerful story of embracing the best aspects of the past and triumphantly pushing the darkness aside.

For six months between 1966 and 1967, Wayne Johnston and his family lived in a wreck of a house across from his grandparents in Goulds, Newfoundland. At seven, Wayne was sickly and skinny, unable to keep food down, plagued with insomnia and a relentless cough that no doctor could diagnose, though they had already removed his tonsils, adenoids and appendix. To the neigh­bours, he was known as “Jennie’s boy,” a back­handed salute to his tiny, ferocious mother, who felt judged for Wayne’s condition at the same time as worried he might never grow up.

For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds.

These five stories, written and read by Gerald Durrell himself, are taken from his books Birds, Beasts and Relatives and Fillets of Plaice. They were recorded on Jersey in 1985 and are used by kind permission of the Estate of Gerald Durrell.

Pat Conroy's memoirs and autobiographical novels contain a great deal about his life, but there is much he hasn't revealed to readers and listeners - until now. My Exaggerated Life is the product of a special collaboration between this great American author and oral biographer Katherine Clark, who recorded two hundred hours of conversations with Conroy before he passed away in 2016. In the spring and summer of 2014, the two spoke for an hour or more on the phone every day. No subject was off limits, including aspects of his tumultuous life he had never before revealed.

Alexandra Fuller tells the idiosyncratic story of her life growing up white in rural Rhodesia as it was becoming Zimbabwe. The daughter of hardworking, yet strikingly unconventional English-bred immigrants, Alexandra arrives in Africa at the tender age of two. She moves through life with a hardy resilience, even as a bloody war approaches. Narrator Lisette Lecat reads this remarkable memoir of a family clinging to a harsh landscape and the dying tenets of colonialism.

Madhur (meaning sweet as honey) Jaffrey grew up in a large family compound by the Yamuna River in Delhi where her grandfather often presided over dinners with forty or more members of his extended family savoring together the wonderfully flavorful dishes that were forever imprinted on Madhur's palate.

For a boy growing up in the 1970s, rural northern New Jersey was a year-round playground, filled with secret fishing holes, enchanted woods, and private trails to explore with friends. But this childhood idyll was snatched from Clark Fredericks by a man he regarded as a local hero: Dennis Pegg, the town’s Boy Scout leader, a law enforcement officer with the Sussex County Sheriff’s Department, and, as Fredericks would discover, a serial predator.

Orlandito "Dito" Montiel grew up wild in the streets of Astoria, Queens, pulling pranks for Greek and Italian gangsters and confessing at the church of the Immaculate Conception, gobbling hits of purple mescaline and Old English, sneaking into Times Square whore houses, and at times getting near much graver trouble. Entering adulthood in the 80s, he escapes into the underground and punk cultures of Manhattan.

Originally published in 1950, The Little Princesses was the first account of British Royal life inside Buckingham Palace as revealed by Marion Crawford, who served as governess to princesses Elizabeth and Margaret.

This is the story of John McGahern's childhood - of his mother's death, his father's anger and bafflement, and of his own discovery of literature and his ambition to become a writer. At the heart of the book is an unembarrassed homage by a loving son to a woman who protected him and his sisters from his father's unpredictable moods. His joy in her presence is recovered with great lyrical tact.

Kassabova was born in Sofia, Bulgaria, and grew up under the drab, muddy, gray mantle of one of communism’s most mindlessly authoritarian regimes. Escaping with her family as soon as possible after the collapse of the Berlin Wall, she lived in Britain, New Zealand, and Argentina, and several other places. But when Bulgaria was formally inducted to the European Union she decided it was time to return to the home she had spent most of her life trying to escape. What she found was a country languishing under the strain of transition. This two-part memoir of Kapka’s childhood and return explains life on the other side of the Iron Curtain.

Jemele Hill’s world came crashing down when she called President Trump a “white supremacist”; the White House wanted her fired from ESPN, and she was deluged with death threats. But Hill had faced tougher adversaries growing up in Detroit than a tweeting president. Beneath the exterior of one of the most recognizable journalists in America was a need—a calling—to break her family’s cycle of intergenerational trauma.

By the time she was in her teens, Diamond had lived dozens of lives and lies, but as she grew older, love and trust turned to fear and violence, and her family—the only people she had in the world—began to unravel. She started to realize that her life itself might be a big con, and the people she loved, the most dangerous of all. With no way out and her identity burned so often that she had no proof she even existed, all that was left was a girl from nowhere.

Dana Trent is only a preschooler the first time she uses a razor blade to cut up weed and fill dime bags for her schizophrenic father, King. While King struggles with his unmedicated psychosis, Dana’s mother, the Lady, a cold and self-absorbed woman whose personality disorders rule the home, guards large bricks of drugs from the safety of their squalid trailer. But when the Lady impulsively plucks Dana from the Midwest and moves the two of them south, their fresh start results in homelessness and bankruptcy.

In this memoir, Natasha takes on the therapist's role with her past selves to drag her social anxiety into the open. From feisty Miss 6, lonely Miss 14 reeling from a tumultuous childhood, and defiant Miss 18 pushing back against a world where she didn't fit, through to her present self, Natasha explores the way social anxiety colored her experiences and finds healing through self-acceptance.