Classic Adaptation

Sir Michael Morpurgo retells two of Shakespeare’s best-loved plays, The Winter’s Tale and The Tempest, in this stunning audio collection in association with the RSC, featuring readings by members of the Royal Shakespeare Company and Michael himself. Translating these iconic plays into thrilling prose, the nation’s favourite storyteller preserves all the imaginative genius and spark of the originals, while bringing a contemporary and vibrant voice to their retelling.

Madness or ghosts? In this audio drama adaptation of Charlotte Perkins Gilman’s famous tale of a woman’s decent into madness while submitting to her doctor-husband’s “rest cure”, the themes emerge vibrantly that caused the original short story to be rediscovered and embraced by feminists and humanists alike in the 1970s. It’s powerful message retains its clearness and strength to this day. Recorded before a live audience at Baltimore Theatre Project on Halloween night, 2013.

Flash Gordon is kidnapped and forced to perform as a trapeze artist in a circus of slaves. Flash foils his captors and forms an expedition to end the tyranny on the planet Mesmo.

A beautiful adaptation highlighting the humor of the mechanicals, the magic of the fairies, and the vitality of the lovers, without losing the essence of the language. Perfect for students, teachers, and theaters alike. Making Shakespeare more accessible (including for those with additional needs). A supplement for understanding the Shakespeare, a fast track to understanding the plot and language.

Marilla Cuthbert and her brother Matthew want to adopt an orphan, to help on the farm at Green Gables. They ask for a boy, but they get Anne, who has red hair and freckles, and who talks and talks and talks.They didn’t want a girl, but how can they send a child back, like an unwanted parcel? So Anne stays, and begins a new life in the sleepy, quiet village of Avonlea in Canada.

Narração simples com efeitos sonoros cativantes, que ajudam a contar a história clássica de Os Três Porquinhos. Quando três porquinhos saem de casa para construir suas próprias casas, a mãe os avisa sobre um lobo malvado. Os porcos aprendem uma lição valiosa enquanto o lobo faminto está determinado a comer os porcos no jantar. Descubra qual porco constrói a casa mais forte e como eles são mais espertos que o lobo mau. Uma reviravolta nova e positiva no final deste conto de fadas o tornará um favorito da família e incentivará o amor pela leitura por toda a vida.

"When we are happy, we are always good," says Lord Henry, "but when we are good, we are not always happy." Lord Henry’s lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party. Oxford Bookworms Library reader for learners of English, adapted from the Oscar Wilde original by Jill Nevile.

When the children dug a hole in the gravel-pit, they were very surprised at what they found. "It" was a Psammead, a sand-fairy, thousands of years old. It was a strange little thing - fat and furry, and with eyes on long stalks. It was often very cross and unfriendly, but it could give wishes - one wish a day. "How wonderful!" the children said. But wishes are difficult things. They can get you into trouble. An Oxford Bookworms Library reader for learners of English.

You are walking through the streets of London. It is getting dark and you want to get home quickly. You enter a narrow side-street. Everything is quiet, but as you pass the door of a large, windowless building, you hear a key turning in the lock. A man comes out and looks at you. You have never seen him before, but you realize immediately that he hates you. You are shocked to discover, also, that you hate him. Who is this man that everybody hates?

Adapted from the stories by Arthur Conan Doyle.... Sherlock Holmes is the greatest detective of them all. He sits in his room, and smokes his pipe. He listens, and watches, and thinks. He listens to the steps coming up the stairs; he watches the door opening – and he knows what question the stranger will ask.

In these three of his best stories, Holmes has three visitors to the famous flat in Baker Street – visitors who bring their troubles to the only man in the world who can help them.

Little Mary Lennox is a bad-tempered, disagreeable child. When her parents die in India, she is sent back to England to live with her uncle in a big, lonely, old house. There is nothing to do all day except walk in the gardens – and watch the robin flying over the high walls of the secret garden . . . which has been locked for ten years. And no one has the key. An Oxford Bookworms Library reader for learners of English, adapted from the Frances Hodgson Burnett original by Clare West.

The room was on the fourth floor, and the door was locked - with the key on the inside. The windows were closed and fastened - on the inside. The chimney was too narrow for a cat to get through. So how did the murderer escape? And whose were the two angry voices heard by the neighbours as they ran up the stairs? Nobody in Paris could find any answers to this mystery.Except Auguste Dupin, who could see further and think more clearly than other people.

In the mountains of Transylvania there stands a castle. It is the home of Count Dracula – a dark, lonely place, and at night the wolves howl around the walls. In the year 1875 Jonathan Harker comes from England to do business with the Count. But Jonathan does not feel comfortable at Castle Dracula. Strange things happen at night, and very soon, he begins to feel afraid. And he is right to be afraid, because Count Dracula is one of the Un-Dead – a vampire that drinks the blood of living people.

Sara Crewe is a very rich little girl. She first comes to England when she is seven, and her father takes her to Miss Minchin’s school in London. Then he goes back to his work in India. Sara is very sad at first, but she soon makes friends at school. But on her 11th birthday, something terrible happens, and now Sara has no family, no home, and not a penny in the world.

When a handsome young man begins to court Catherine Sloper, she feels she is very lucky. She is a quiet, gentle girl, but neither beautiful nor clever; no one had ever admired her before, or come to the front parlour of her home in Washington Square to whisper soft words of love to her. But in New York in the 1840s young ladies are not free to marry where they please. Catherine must have her father’s permission, and Dr Sloper is a rich man.

"The moment I first met you, I noticed your pride, your sense of superiority, and your selfish disdain for the feelings of others. You are the last man in the world whom I could ever be persuaded to marry," said Elizabeth Bennet. And so Elizabeth rejects the proud Mr Darcy. Can nothing overcome her prejudice against him? This famous novel by Jane Austen is full of wise and humorous observation of the people and manners of her times.

A pretty young girl has to leave home to make money for her family. She is clever and a good worker; but she is uneducated and does not know the cruel ways of the world. So, when a rich young man says he loves her, she is careful - but not careful enough. He is persuasive, and she is overwhelmed. It is not her fault, but the world says it is.... An Oxford Bookworms Library reader for learners of English, adapted from the Thomas Hardy original by Clare West.

Sometimes the Dashwood girls do not seem like sisters. Elinor is all calmness and reason, and can be relied upon for practical, common sense opinions. Marianne, on the other hand, is all sensibility, full of passionate and romantic feeling. She has no time for dull common sense - or for middle-aged men of 35, long past the age of marriage. True love can only be felt by the young, of course. And if your heart is broken at the age of 17, how can you ever expect to recover from the passionate misery that fills your life, waking and sleeping?

In a hole under the floorboards Silas Marner the linen-weaver keeps his gold. Every day he works hard at his weaving, and every night he takes the gold out and holds the bright coins lovingly, feeling them and counting them again and again. The villagers are afraid of him and he has no family, no friends. Only the gold is his friend, his delight, his reason for living. But what if a thief should come in the night and take his gold away?

When Black Beauty is trained to carry a rider on his back, or to pull a carriage behind him, he finds it hard at first. But he is lucky - his first home is a good one, where his owners are kind people, who would never be cruel to a horse. But in the 19th century many people were cruel to their horses, whipping them and beating them, and using them like machines until they dropped dead. Black Beauty soon finds this out, and as he describes his life, he has many terrible stories to tell.