Classic African American Fiction

Can't get enough of Harper Lee's To Kill a Mockingbird? Wondering if you missed something important in one of the chapters? Dive a little deeper into her world, discover hidden treasures, and hang out with Jem and Scout just a little longer with this sidekick.

In this rambunctious satire, Wallace Thurman, one of the leading figures of the Harlem Renaissance, takes his fellow artists and critics to task. The setting is a buzzing apartment building in 1930s Harlem, where avatars for the likes of Langston Hughes, Zora Neale Hurston, Countee Cullen, and Thurman himself come together to push past old boundaries and test out new ideas. But the heat of this collective energy soon threatens to consume them all, as wild parties, jealous rages, and intellectual conflicts turn the literary circle into an out-of-control hothouse of personal drama.

Marshall Field Finney was named after a department store and dropped like a hot potato when his mother suddenly packed up and left. Now Marshall lives with his hard-drinking father in a crackerbox house and rides a yellow bus through beautiful St. Louis County to his mostly white suburban school. Caught at a crossroads, Marshall is desperately searching for something to believe in. At stake is only the rest of his life.

Warum hat Rufus Scott - ein begnadeter schwarzer Schlagzeuger aus Harlem - sich das Leben genommen? Wegen seiner Amour fou mit der weißen Leona, einer Liebe, die nicht sein durfte? Verzweifelt sucht Rufus' Schwester Ida nach einer Erklärung. Aber sie findet nur Wahrheiten, die neue Wunden schlagen - auch Wahrheiten über sich selbst. Wie ihr Bruder war Ida lange bereit, sich selbst zu verleugnen, um ihren Traum zu verwirklichen, den Traum, Sängerin zu werden. Wie ihr Bruder trägt sie eine Wut auf die Weißen in sich, die sie diskriminieren. Bis jetzt.

Eric Walrond was a singular voice of the Harlem Renaissance, and Tropic Death is his most famous work - a collection that highlights his particular strength as a writer of short fiction. Over the course of these ten stories, Walrond vividly details the punishing realities of life and labor across the Caribbean, and yet the overall effect is far from grim. These are unsentimental yet startlingly beautiful portraits of the migrant experience, full of distinctive voices striving for an audience in a seemingly implacable world.

Set in post-World War II Chicago and Omaha, the novel features Manfred Banks, a young, harmonica-blowing blues singer who is always writing music in his head. Torn between his friendships with fellow musicians and nightclub life and his responsibilities to his wife and child, along with the pressures of dealing with a racist America that assaults him at every turn, Manfred seeks easy answers in "Dirty Bird" (Old Crow whiskey) and in moving on.

When the free-spirited Zora and the ambitious Bles first meet, they strike up an immediate friendship - one that seems destined to mature into love. That emotional journey is disrupted, however, by the crushingly oppressive forces that surround them in the post-Reconstruction South. Zora’s desire for personal growth takes her to New York, where she finds work as a domestic servant, while Bles travels to Washington, DC, for an education in politics. Disillusioned by the corruption and hypocrisy of the North, they eventually return home with a new dream altogether.

Drawing on the 1898 overthrow of the Wilmington, North Carolina, government by white supremacists, Charles W. Chesnutt’s classic novel unmasked the racism of the post-Reconstruction South.

This inspirational audiobook encapsulates African American history and invites conversations at all levels. Carole Boston Weatherford’s riveting text is an informative reminder of yesterday, a hopeful image for today, and an aspirational dream of tomorrow. Starting from 1619 and stretching more than four hundred years, this audiobook features such pivotal moments in history as the arrival of enslaved people in Jamestown, Virginia; Nat Turner's rebellion; the integration of the US military; and more.

Northern-educated physician Kenneth Harper moves back to his hometown in Georgia with a relatively modest goal: he wants to start his own medical practice. He hopes that racist prejudices have relaxed enough to allow room for someone like him, but the local presence of the Ku Klux Klan offers some sense of how little the community has actually changed. In response to that reality, Harper seeks to liberate local sharecroppers from white landowners via a cooperative society - but that’s something the area’s ruling class simply cannot abide.

Belton Piedmont and Bernard Belgrave begin their lives as childhood friends, but that friendship is not bound to last. Belton (modeled on Booker T. Washington) is an African American integrationist; Bernard (modeled on W. E. B. Du Bois) is a biracial militant, and their lives, like their politics, quickly diverge. When they do meet again, at a Black nationalist community called “the Imperium,” the stakes could not be higher.

When Jackson returns home to his family after an absence of 10 years, he discovers that his bonds to them have been irreparably rent by his absence. In the midst of his alienation, he falls in love with Catherine Carmier, setting the stage for conflicts and confrontations which are complex, tortuous, and universal in their implications.

Clotel; or, The President’s Daughter is rooted not only in the horrific reality of institutional slavery but also in the historical fact of Thomas Jefferson’s relationship with the enslaved Sally Hemings (here represented by the character Currer). In William Wells Brown’s telling, Currer has two daughters by Jefferson, Clotel and Althesa. Both become Jefferson’s legal property when they are born, and both wind up at auction - along with their mother - when Jefferson dies.

With no magic, no brawn, and no pirate crew, Zala seeks to steal back the one treasure that matters to her most: Her husband. To succeed she needs a ship - and not just any ship, but the latest, secret invention by the Vaaji Empire. An airship. Zala will have to use her wits to overcome scoundrels and nobles alike on her journey through the clouds. But if she's smart enough, she may just have what it takes to save her husband - and go down in history as the first sky pirate.

"So this is the little lady that made the big war." The authenticity of Lincoln's words have been questioned, but there is no question that the work fueled the passion and prejudices of countless numbers. It is a work of overwhelming power and persuasions which has outlived even the most severe critics. Notwithstanding its contribution to the abolitionist movement, the book offers a balanced treatment; there is admiration for the best of Southern gentility and the villain is a Vermonter.

The Autobiography of an Ex-Colored Man, a 1912 novel by James Weldon Johnson, is a fictional autobiography which was originally published anonymously. It chronicles the intricacies of racial identity in the late 19th and early 20th centuries through the life of its biracial narrator. The book portrays his journey through America's color lines, from his attendance of a black college in Florida to an elite New York nightclub, from the rural South to the suburbs of the Northeast, and a visit to Europe. The author employs places, character, and incidents from his own life....

Believing fiction to be an invaluable tool for social change, Pauline E. Hopkins used her first novel to challenge the racist and sexist assumptions of her time. Contending Forces operates on an epic scale - with settings ranging from antebellum North Carolina to post-Civil War Boston - and Hopkins surveys this panorama with an eye in particular on the intersections of race, class, and gender relations.

A civil rights activist and key figure in African American literary history, Alice Dunbar-Nelson made her mark during the emerging Harlem Renaissance. Violets and Other Tales is her debut (included here in full, save for three stories later updated in The Goodness of St. Rocque). The collection includes poetry, short stories, and essays offering a varied examination of class differences, racial identity, oppression, intolerance, and women’s societal roles. The Goodness of St. Rocque and Other Stories assembles 14 of Dunbar’s short works of fiction.

Poet Jean Toomer’s short-story and poetry collection.

In this fictional confession, an unnamed narrator reveals the “great secret” of his life: he was born mixed race - and his ability to pass as white has provided him a unique perspective on America’s profound racial prejudice. As he recounts his experiences in the American South, the suburbs of the Northeast, New York City jazz clubs, and various European capitals, he also grapples with the emotional fallout of a life lived in constant fear of discovery - a life lived, in other words, in a culture unaccountably preoccupied with the shade of a person’s skin.