Classic African American Fiction

Set in post-World War II Chicago and Omaha, the novel features Manfred Banks, a young, harmonica-blowing blues singer who is always writing music in his head. Torn between his friendships with fellow musicians and nightclub life and his responsibilities to his wife and child, along with the pressures of dealing with a racist America that assaults him at every turn, Manfred seeks easy answers in "Dirty Bird" (Old Crow whiskey) and in moving on.

In the aftermath of the Civil War, siblings Rena and John Walden seek a better life for themselves by passing as white in their new home state of South Carolina. John’s success as an attorney and marriage to a white Southerner help cement his own place, but Rena’s engagement to John’s best friend brings a new level of scrutiny that threatens to expose them both. As the rewards increase, so does the risk, and ultimately, the color line seems determined to re-exert itself.

Northern-educated physician Kenneth Harper moves back to his hometown in Georgia with a relatively modest goal: he wants to start his own medical practice. He hopes that racist prejudices have relaxed enough to allow room for someone like him, but the local presence of the Ku Klux Klan offers some sense of how little the community has actually changed. In response to that reality, Harper seeks to liberate local sharecroppers from white landowners via a cooperative society - but that’s something the area’s ruling class simply cannot abide.

When the free-spirited Zora and the ambitious Bles first meet, they strike up an immediate friendship - one that seems destined to mature into love. That emotional journey is disrupted, however, by the crushingly oppressive forces that surround them in the post-Reconstruction South. Zora’s desire for personal growth takes her to New York, where she finds work as a domestic servant, while Bles travels to Washington, DC, for an education in politics. Disillusioned by the corruption and hypocrisy of the North, they eventually return home with a new dream altogether.

Drawing on the 1898 overthrow of the Wilmington, North Carolina, government by white supremacists, Charles W. Chesnutt’s classic novel unmasked the racism of the post-Reconstruction South.

Marshall Field Finney was named after a department store and dropped like a hot potato when his mother suddenly packed up and left. Now Marshall lives with his hard-drinking father in a crackerbox house and rides a yellow bus through beautiful St. Louis County to his mostly white suburban school. Caught at a crossroads, Marshall is desperately searching for something to believe in. At stake is only the rest of his life.

Belton Piedmont and Bernard Belgrave begin their lives as childhood friends, but that friendship is not bound to last. Belton (modeled on Booker T. Washington) is an African American integrationist; Bernard (modeled on W. E. B. Du Bois) is a biracial militant, and their lives, like their politics, quickly diverge. When they do meet again, at a Black nationalist community called “the Imperium,” the stakes could not be higher.

Charles W. Chesnutt (1858-1932) is considered the first important Black American novelist. The Conjure Woman is a collection of seven stories that began appearing in magazines in 1887 and were first published together in 1899. The narrator of The Conjure Woman is a White man from the North living in the South who passes along the stories told to him by the ex-slave Julius McAdoo. The narratives provide a realistic picture of the pre-Civil War South, including descriptions of brutish slave owners.

Clotel; or, The President’s Daughter is rooted not only in the horrific reality of institutional slavery but also in the historical fact of Thomas Jefferson’s relationship with the enslaved Sally Hemings (here represented by the character Currer). In William Wells Brown’s telling, Currer has two daughters by Jefferson, Clotel and Althesa. Both become Jefferson’s legal property when they are born, and both wind up at auction - along with their mother - when Jefferson dies.

Eric Walrond was a singular voice of the Harlem Renaissance, and Tropic Death is his most famous work - a collection that highlights his particular strength as a writer of short fiction. Over the course of these ten stories, Walrond vividly details the punishing realities of life and labor across the Caribbean, and yet the overall effect is far from grim. These are unsentimental yet startlingly beautiful portraits of the migrant experience, full of distinctive voices striving for an audience in a seemingly implacable world.

A striking mosaic of prose, poetry, and dramatic dialogue, Jean Toomer’s Cane has come to be considered a masterpiece of the Harlem Renaissance. Structured as a series of vignettes ripe with longing, passion, violence, and revenge, the haunting novel gives a powerful voice to the interior lives of African Americans in the rural South and urban North. Championed for its unsparing honesty and psychological insight by such luminaries as Langston Hughes, Richard Wright, Alice Walker, and Maya Angelou, Cane shines as a beacon to generations of African-American writers.

The author of 30 critically acclaimed works, Walter Mosley has had his novels translated into 23 languages. The Tempest Tales, an Essence Book Club Recommended Read, features Tempest Landry, a black man shot down by an over-eager cop. But that's not the end of the line for Tempest. Unwilling to accept St. Peter's judgment that he spend eternity in Hell, Tempest is sent back to Harlem - guardian angel in tow - to make things right.

When Jackson returns home to his family after an absence of 10 years, he discovers that his bonds to them have been irreparably rent by his absence. In the midst of his alienation, he falls in love with Catherine Carmier, setting the stage for conflicts and confrontations which are complex, tortuous, and universal in their implications.

Poet Jean Toomer’s short-story and poetry collection.

Robert Benjamin Lewis (1802 - 1858) was an African American and Native American author, inventor, and entrepreneur. In the ethnological work Light and Truth, Lewis claims that Adam and Eve were people of color, as were the Egyptians and many great figures of the ancient world, including Julius Caesar and Plato. Denouncing notions of white superiority, he asserts that all humans have a common origin, and pointed to a shared cultural history between Africans and Native Americans.

Believing fiction to be an invaluable tool for social change, Pauline E. Hopkins used her first novel to challenge the racist and sexist assumptions of her time. Contending Forces operates on an epic scale - with settings ranging from antebellum North Carolina to post-Civil War Boston - and Hopkins surveys this panorama with an eye in particular on the intersections of race, class, and gender relations.

The distinguished American civil rights leader, W. E. B. DuBois first published these fiery essays, sketches, and poems individually in 1920 in the Atlantic, the Journal of Race Development, and other periodicals. Reflecting the author's ideas as a politician, historian, and artist, this volume has long moved and inspired readers with its militant cry for social, political, and economic reform. It is essential reading for all students of African American history.

"So this is the little lady that made the big war." The authenticity of Lincoln's words have been questioned, but there is no question that the work fueled the passion and prejudices of countless numbers. It is a work of overwhelming power and persuasions which has outlived even the most severe critics. Notwithstanding its contribution to the abolitionist movement, the book offers a balanced treatment; there is admiration for the best of Southern gentility and the villain is a Vermonter.

A chance meeting reunites Irene Redfield and Clare Kendry, estranged friends who have long been separated by their ambitions. Since losing touch, Irene has become a wife and mother in Harlem, where she remains closely connected to her racial heritage. The seductive Clare, however, now “passes,” enjoying the privileges of white society while hiding her roots from the world, including her rich (and racist) husband.

A civil rights activist and key figure in African American literary history, Alice Dunbar-Nelson made her mark during the emerging Harlem Renaissance. Violets and Other Tales is her debut (included here in full, save for three stories later updated in The Goodness of St. Rocque). The collection includes poetry, short stories, and essays offering a varied examination of class differences, racial identity, oppression, intolerance, and women’s societal roles. The Goodness of St. Rocque and Other Stories assembles 14 of Dunbar’s short works of fiction.