Classic African American Fiction

Berry Hamilton was living a pretty good life - up until he was accused of stealing money from his employer. Despite having worked for the family for 20 years, Berry is found guilty of a crime he did not commit and sentenced to prison. As his wife and children turn to the community, they find themselves shunned. Left with no other choice, Fannie Hamilton and her two children, Joe and Kitty, pick everything up and move to Harlem.

Set in post-World War II Chicago and Omaha, the novel features Manfred Banks, a young, harmonica-blowing blues singer who is always writing music in his head. Torn between his friendships with fellow musicians and nightclub life and his responsibilities to his wife and child, along with the pressures of dealing with a racist America that assaults him at every turn, Manfred seeks easy answers in "Dirty Bird" (Old Crow whiskey) and in moving on.

In the aftermath of the Civil War, siblings Rena and John Walden seek a better life for themselves by passing as white in their new home state of South Carolina. John’s success as an attorney and marriage to a white Southerner help cement his own place, but Rena’s engagement to John’s best friend brings a new level of scrutiny that threatens to expose them both. As the rewards increase, so does the risk, and ultimately, the color line seems determined to re-exert itself.

Belton Piedmont and Bernard Belgrave begin their lives as childhood friends, but that friendship is not bound to last. Belton (modeled on Booker T. Washington) is an African American integrationist; Bernard (modeled on W. E. B. Du Bois) is a biracial militant, and their lives, like their politics, quickly diverge. When they do meet again, at a Black nationalist community called “the Imperium,” the stakes could not be higher.

Warum hat Rufus Scott - ein begnadeter schwarzer Schlagzeuger aus Harlem - sich das Leben genommen? Wegen seiner Amour fou mit der weißen Leona, einer Liebe, die nicht sein durfte? Verzweifelt sucht Rufus' Schwester Ida nach einer Erklärung. Aber sie findet nur Wahrheiten, die neue Wunden schlagen - auch Wahrheiten über sich selbst. Wie ihr Bruder war Ida lange bereit, sich selbst zu verleugnen, um ihren Traum zu verwirklichen, den Traum, Sängerin zu werden. Wie ihr Bruder trägt sie eine Wut auf die Weißen in sich, die sie diskriminieren. Bis jetzt.

At the heart of Harriet E. Wilson’s autobiographical novel is Frado, the young daughter of a mixed-race couple, who is exploited first by a middle-class New England white family and then by an opportunistic husband on the abolitionist lecture circuit. In adopting the nineteenth-century conventions of both the sentimental novel and the narratives of enslaved people, Wilson delivered a scathing and ironic indictment of the racism of the antebellum North.

Northern-educated physician Kenneth Harper moves back to his hometown in Georgia with a relatively modest goal: he wants to start his own medical practice. He hopes that racist prejudices have relaxed enough to allow room for someone like him, but the local presence of the Ku Klux Klan offers some sense of how little the community has actually changed. In response to that reality, Harper seeks to liberate local sharecroppers from white landowners via a cooperative society - but that’s something the area’s ruling class simply cannot abide.

When the free-spirited Zora and the ambitious Bles first meet, they strike up an immediate friendship - one that seems destined to mature into love. That emotional journey is disrupted, however, by the crushingly oppressive forces that surround them in the post-Reconstruction South. Zora’s desire for personal growth takes her to New York, where she finds work as a domestic servant, while Bles travels to Washington, DC, for an education in politics. Disillusioned by the corruption and hypocrisy of the North, they eventually return home with a new dream altogether.

A civil rights activist and key figure in African American literary history, Alice Dunbar-Nelson made her mark during the emerging Harlem Renaissance. Violets and Other Tales is her debut (included here in full, save for three stories later updated in The Goodness of St. Rocque). The collection includes poetry, short stories, and essays offering a varied examination of class differences, racial identity, oppression, intolerance, and women’s societal roles. The Goodness of St. Rocque and Other Stories assembles 14 of Dunbar’s short works of fiction.

Drawing on the 1898 overthrow of the Wilmington, North Carolina, government by white supremacists, Charles W. Chesnutt’s classic novel unmasked the racism of the post-Reconstruction South.

Clotel; or, The President’s Daughter is rooted not only in the horrific reality of institutional slavery but also in the historical fact of Thomas Jefferson’s relationship with the enslaved Sally Hemings (here represented by the character Currer). In William Wells Brown’s telling, Currer has two daughters by Jefferson, Clotel and Althesa. Both become Jefferson’s legal property when they are born, and both wind up at auction - along with their mother - when Jefferson dies.

A chance meeting reunites Irene Redfield and Clare Kendry, estranged friends who have long been separated by their ambitions. Since losing touch, Irene has become a wife and mother in Harlem, where she remains closely connected to her racial heritage. The seductive Clare, however, now “passes,” enjoying the privileges of white society while hiding her roots from the world, including her rich (and racist) husband.

Believing fiction to be an invaluable tool for social change, Pauline E. Hopkins used her first novel to challenge the racist and sexist assumptions of her time. Contending Forces operates on an epic scale - with settings ranging from antebellum North Carolina to post-Civil War Boston - and Hopkins surveys this panorama with an eye in particular on the intersections of race, class, and gender relations.

In this fictional confession, an unnamed narrator reveals the “great secret” of his life: he was born mixed race - and his ability to pass as white has provided him a unique perspective on America’s profound racial prejudice. As he recounts his experiences in the American South, the suburbs of the Northeast, New York City jazz clubs, and various European capitals, he also grapples with the emotional fallout of a life lived in constant fear of discovery - a life lived, in other words, in a culture unaccountably preoccupied with the shade of a person’s skin.

This inspirational audiobook encapsulates African American history and invites conversations at all levels. Carole Boston Weatherford’s riveting text is an informative reminder of yesterday, a hopeful image for today, and an aspirational dream of tomorrow. Starting from 1619 and stretching more than four hundred years, this audiobook features such pivotal moments in history as the arrival of enslaved people in Jamestown, Virginia; Nat Turner's rebellion; the integration of the US military; and more.