Classic American Short Stories Anthology

By the time of his early death in 1988, Raymond Carver had established himself as one of the great practitioners of the American short story. Where I'm Calling From, his last collection, encompasses classic stories from Cathedral, What We Talk About When We Talk About Love, and earlier Carver volumes, along with seven new works previously unpublished in book form.

With this, his first collection of stories, Raymond Carver breathed new life into the American short story and instantly became both the recognized master of the form and one of our best-loved fiction writers. Carver shows us the humor and tragedy that dwell in the hearts of ordinary people; his stories are the classics of our time.

Young, impressionable Aubrey is fascinated by the enigmatic Lord Ruthven, and accompanies him on a tour to Europe. But Aubrey develops a growing distaste for Lord Ruthven’s sinister and grotesque conduct - especially as it concerns human blood. This novella, penned during that tempestuous night in Switzerland amongst such notables as Percy Shelley, Lord Byron, and Mary Shelley, served as the great inspiration for Bram Stoker to create Dracula.

This is Raymond Carver's third collection of stories, a finalist for the Pulitzer Prize, including the canonical titular story about blindness and learning to enter the very different world of another. The 12 stories in Cathedral mark a turning point in Carver's work.

Here is the preface to 12 magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

Here are eight stories from master American writers of the 19th century. They vary from sinister tales by Ambrose Bierce - why is that window boarded up? - and a reflective moment in the life of a woman without children, but forced to look after children, to classic short stories by O. Henry and Stephen Crane. There is even an elegiac description of an eclipse by James Fenimore Cooper, author of The Last of the Mohicans.

Here is the preface to twelve magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

This collection of short stories includes the works of three famous American writers who contributed a great deal to world literature.

Ten superbly narrated stories that help explain America by America's best writers.

Finally available after three decades, a lost classic of the Harlem Renaissance that Langston Hughes acclaimed for its "hard poetic beauty". Eric Walrond (1898 - 1966), in his only book, injected a profound Caribbean sensibility into black literature. His work was closest to that of Jean Toomer and Zora Neale Hurston with its striking use of dialect and its insights into the daily lives of the people around him.

The Conjure Woman is a collection of short stories by noted African American author Charles Waddell Chesnutt. It is considered to be one the seminal collections of African American literature.

Ten superbly narrated stories that help explain America by America's best writers.

The 1925 New York edition of Ernest Hemingway’s In Our Time trails readers through the years before, during, and after World War I. The collection’s first two stories, “Indian Camp” and “The Doctor and the Doctor’s Wife,” introduce Hemingway’s semiautobiographical character Nick Adams as a child. In total, seven stories portray the young man’s coming of age. All fourteen, including interspersed vignettes, embody the themes that Hemingway would return to throughout his career: alienation, grief, loss, and separation, as well as the regenerative powers of nature.

Selections include "The Robber Bridegroom" by Washington Irving, "The Stolen White Elephant" by Mark Twain, "Chickamauga" by Ambrose Bierce, "The Mission of Jane" by Edith Wharton, and "The Black Cat" by Edgar Allan Poe.

Young Alice leads an ordinary sort of life until, one day, she follows a rabbit down a hole and embarks on a series of adventures with some of the most weird and wonderful characters anyone has ever encountered! She soon discovers that nothing is ordinary in Wonderland, least of all the Mad Hatter, the March Hare, the Cheshire Cat, the Duchess, and the Mock Turtle.

These 13 stories by the author of The Invisible Man "approach the elegance of Chekhov" ( The Washington Post) and provide "early explorations of [Ellison's] lifelong fascination with the 'complex fate' and 'beautiful absurdity' of American identity" (John Callahan).

When Alice follows a white rabbit down a hole she discovers the extraordinary world of Wonderland, where a magical adventure begins. It’s not long before Alice finds herself attending a very unconventional tea party and taking part in a peculiar game of croquet, all in the company of such mysterious and unforgettable characters as the Mad Hatter, the Cheshire Cat and the Mock Turtle.

In ancient mythology, the Titan Prometheus was punished by the gods for bringing man the gift of fire - an event that set humankind on its course of knowledge. As punishment, Prometheus was bound to a rock. But in The Gift of Fire, those chains cease to be, and the great champion of man walks from that immortal prison into present-day South Central Los Angeles. Disheveled and lost, he is thrown in jail, where he meets lifelong criminal Nosome Blane....