Classic English Style

The oldest long poem in Old English, written about AD 1,000, Beowulf tells the story of a great warrior of southern Scandinavia, in both youth and maturity. The monster Grendel terrorizes the Scyldings of Hrothgar's Danish Kingdom until Beowulf defeats him. As a result, he has to face her enraged mother. Beowulf dies after a battle against a fierce dragon.

This collection was published in 1923 and won the Pulitzer Prize for the author in the following year. It is laid out in three main sections. The first is a lengthy poem, titled New Hampshire, the name being given to the entire collection. The second section bears the title "Notes", and consists of 14 poems, including the mini drama, "The Witch of Coös". The final section, which contains 30 poems, many of which are very short, is titled "Grace Notes."

The origins, history and authorship of Beowulf are shrouded in uncertainty. This heroic epic probably began, as most do, with a wandering troubadour strumming a stringed instrument, sitting before a hearth-fire, and singing the verses to a spellbound audience arrayed before him. Beowulf is a rousing adventure story, filled with intrepid heroes, monsters and fire-breathing dragons, which can be listened to for the sheer enjoyment of the tale.

Book four of Vergil's Aeneid follows the tragic love and death of Dido, Queen of Carthage—an unfortunate casualty in Aeneas' fated quest to find a new home for the Trojans and become a founder of the Romans. This audiobook is narrated in Latin according to the Calabrese Classical Reconstruction, with careful attention to historical features such as phonemic vowel quantities, geminated consonants, and nasalized final m.

The Merchant of Venice (by William Shakespeare) starring David Serero as Shylock. Adapted in a Jewish Sephardi style.

Remember those biggies we loved in high school English? Well, here they are again performed by award-winning narrator Mike Vendetti. You'll hear "Chicago" by Carl Sandberg, "A Valediction: Forbidding Mourning" by John Donne, "Because I Could Not Stop for Death" by Emily Dickinson, "Mending Wall" by Robert Frost, "Ode on a Grecian Urn" by John Keats, "Song VII ("My song has put off her adornments")" by Rabindranath Tagore, and who can ever forget "The Love Song of J Alfred Prufrock" by T.S. Eliot.

There have been many translators of Chinese literature and poetry over time, but Arthur Waley stands out as one of the best known and most loved. This is perhaps because he had an attribute that most others lacked, which is his poetic abilities. Waley was as much a poet himself as a translator, and while his scholarly erudition was matched by a few others at his time, none ever managed to bring out the true character of Chinese poetry quite so well.

Dispute over land and kingdom may lie at the heart of this story of war between cousins - the Pandavas and the Kouravas - but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination.

Enjoy these classic love poems by authors you may know and poets you may be meeting for the first time. The journey begins in beauty, endures trials, and ends with a hint of past wonders. Make this a Valentine's Day treat or a special experience for any day.

A witty, bawdy, erotic but classic collection of poetry designed to celebrate the most sensual of human pleasures. Over the ages, many poets have put pen to paper in celebration of that most raw and yet most beautiful of human instincts - erotic love. This anthology includes verse by Herrick, Marlowe, Jonson, Byron, Verlaine, Whitman, Yeats, Cummings and, from our own time, John Betjeman. All aspects of erotic love are to be found in these poems - from the bawdy to the sensuous and tender.

Steeped in history, culture and traditions, London remains one of the largest and most populous cities on the planet. Small wonder then, that some of history's greatest poets have been inspired by it.

Jenny Lewis relocates Gilgamesh to its earlier, oral roots in a Sumerian society where men and women were more equal, the reigning deity of Gilgamesh’s city, Uruk, was female (Inanna), only women were allowed to brew beer and keep taverns and women had their own language - emesal. With this shift of emphasis, Lewis captures the powerful allure of the world’s oldest poem and gives it a fresh dynamic while creating a fast-paced narrative for a new generation of listeners.

Four more delightful tales from one of the most entertaining storytellers of all time. Though writing in the thirteenth century, Chaucer’s wit and observation comes down undiminished through the ages, especially in this accessible modern verse translation. The stories vary considerably from the uproarious Wife of Bath’s Tale, promoting the power of women to the sober account of patient Griselda in the Clerk’s Tale.

Jean-Michel La Grenouille has a lot going for him. He's a prince. Handsome. Filthy rich. And definitely charming. But he also spent his first few years as a fly-catching, pond-dwelling frog. All that saved him was the kiss of The One, the girl who saw nobility through his slimy form and fell into True Love. Okay, fine. Technically she was a toddler who tried to eat him, but whatever. The curse broke, and as long as he finds and marries her by his 30th birthday, he's a free man.

Caliban is a major character in The Tempest by Shakespeare. He is a deformed monster, the offspring of Sycrorax, a witch. Prospero, a magician who presides over the island where Caliban dwells, has made him a servant. This galls Caliban's spirit, as he believes himself to be the rightful ruler of the island. Setebos is the deity who was worshipped by Sycorax and is mentioned by Caliban in two scenes.

The best and most engaging portraits of the Romans as living people are to be found in the works like those of the four poets featured in this recording. In Howard Felperin’s lively translations, these pieces become verbal postcards of the era, revealing in exquisite detail the passion and the grief, the joy and the pain experienced by the people of Rome as they deal with the inevitable fascination of love as it permeates their daily lives.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

Perhaps Poe's most famous work, "The Raven" was first published in 1845 in the New York Evening Mirror. Known for its tight rhymes and rhythm and the repetitive response given by the eponymous raven - "nevermore" - the poem focuses on that raven and a forlorn man who is distraught over his lost lover, Lenore.

Perhaps the most famous epic poems ever written, the Iliad and the Odyssey have been read for nearly 3,000 years, making them the oldest written works in the Western world. The poems made characters like Paris, Helen, Odysseus, Achilles, Hector, and Ajax instantly recognizable, and they also influenced other ancient poets like Virgil, whose Aeneid is clearly modeled after them.

Considered by many to be the greatest epic poem ever written, this biblical tale relates the story of Adam and Eve in the Garden of Eden. Despite God's prohibitive warning, Satan entices Eve to eat of the forbidden fruit. Dire consequences ensue.