Classic Fairy

La petite Alice s'ennuie, assise dans l'herbe. Quand un Lapin Blanc passe en marmonnant devant elle, Alice le poursuit jusque dans sonterrier. Sa chute l'entraîne au centre de la Terre, où elle fait d'étranges rencontres: un Chat qui sourit, un Loir qui boit du thé, et une horribleReine bien décidée à couper la tête de tout le monde.

The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it - and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother.

Children have always disappeared under the right conditions - slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere...else. But magical lands have little need for used-up miracle children. Nancy tumbled once, but now she's back. The things she's experienced...they change a person. The children under Miss West's care understand all too well. And each of them is seeking a way back to their own fantasy world.

Chosen as one of the New York Times's 10 best books in the year of its original publication, this collection immediately won a cherished place among lovers of the tale and vaulted Calvino into the ranks of the great folklorists.

Watch out for cats in boots, three bears who live in the woods and strange unicorns in this magical collection of short stories by Enid Blyton. From lost slippers and fairy curses to imps without names and a dragon called Mr Wumble, there's fairy magic brewing. Who will live happily ever after? These traditional tales are ideal for younger children and for new listeners. Each story stands alone and is the perfect length for listening at bedtime or in the classroom.

Trolls haunt the snowy forests, and terrifying monsters roam the open sea. A young woman journeys to the end of the world, and a boy proves he knows no fear. This collection of 16 traditional tales transports readers to the enchanting world of Nordic folklore. Translated and transcribed by folklorists in the 19th century, and presented here unabridged, the stories are by turns magical, hilarious, cozy, and chilling. They offer a fascinating view into Nordic culture and a comforting wintertime listen.

The stories collected in the twelve volumes of Andrew Lang's Fairy Books of Many Colors have captivated generations of readers. In The Blue Fairy Book, the first in his legendary series, Lang compiled and edited tales from the Brothers Grimm, Madame d’Aulnoy, and French, Scandinavian, and Middle Eastern sources. He captured the folkloric traditions and dark origins of dozens of the world's best-known fairy-tale characters, including Sleeping Beauty, Little Red Riding Hood, Snow-White, Cinderella, and Rumpelstiltskin.

From the magical mysteries of India to the gaslit streets of Victorian London, Mercedes Lackey's unique departure from her Valdemar series follows a young woman doctor as she searches for the secret behind the sorcery in her blood.

The land outside of the Old City was supposed to be green, lush, hopeful. A place where Alice could finally rest, no longer the plaything of the Rabbit, the pawn of Cheshire, or the prey of the Jabberwocky. But the verdant fields are nothing but ash - and hope is nowhere to be found. Still, Alice and Hatcher are on a mission to find his daughter, a quest they will not forsake even as it takes them deep into the clutches of the mad White Queen and her goblin or into the realm of the twisted and cruel Black King. The pieces are set, and the game has already begun.

Rowen is on the run. Convicted of a murder she didn't commit, a last-minute surprise rescue from the gallows by the notorious pirate Elian Westin should have brought her a measure of freedom, if not peace. Instead, Rowen has more enemies than eve and more questions.

This book of five classic fairy tales follows an earlier edition based mostly on works by the Brothers Grimm. The tribute here is to Hans Christian Andersen and three of his most popular stories, including the search for a genuine princess, an emperor who is foolish as well as ridiculous, and a duckling that discovers there’s more than meets the eye in the real world.

Some folk stories endure generation after generation because, although they are not literal, they resound in truths on a human scale. Folktales remind us of wisdom so elemental it is often lost in the rush of everyday life, so that "sometimes common sense makes no sense at all." The six wonder tales on this audiobook are gems of the genre. They have a "long ago and far away" quality.

Brought to life by Academy Award®-winning actor F. Murray Abraham and an ensemble cast of narrators, and featuring original music by Michael Bacon, this collection contains Hans Christian Andersen’s most beloved fairy tales, as well as a selection of lesser-known favorites. Unlike the Brothers Grimm, who collected and retold folklore and fairy tales, Hans Christian Andersen adopted the most ancient literary forms and distilled them into a genre that was uniquely his own. His fairy tales are remarkable for their sense of fantasy, power of description, and vivid imagination.

Lud-in-the-Mist - a prosperous country town situated where two rivers meet: the Dawl and the Dapple. The latter, which has its source in the land of Faerie, is a great trial to Lud, which had long rejected anything 'other', preferring to believe only in what is known, what is solid. Nathaniel Chanticleer is a somewhat dreamy, slightly melancholy man, not one for making waves, who is deliberately ignoring a vital part of his own past: a secret he refuses even to acknowledge.

The islands of Britain and Ireland hold a rich heritage of plant folklore and wisdom, from the magical yew tree to the bad-tempered dandelion. Here are traditional tales about the trees and plants that shape our landscapes and our lives through the seasons. They explore the complex relationship between people and plants, in lowlands and uplands, fields, bogs, moors, woodlands and towns.

The Arthurian legend of Camelot has been told many times, but never better than by Alfred Tennyson. Employing some of the most stirring and beautiful blank verse ever written, Tennyson crafted his version of the Knights of the Round Table over the course of nearly fifty years, completing it in 1885. Despite the length of time, Tennyson managed to maintain a high level of style and continuity throughout.

Orphaned and sold to a harsh master, Lera's life is about mucking stalls, avoiding her master's advances, and steering clear of the mystical forest separating the mortal and fae worlds. Only fools venture into the immortal realms, and only dark rumors come out... Until four powerful fae warriors appear at Lera's barn. River, Coal, Tye, and Shade have waited a decade for their new fifth to be chosen, the wounds from their quint brother's loss still raw. But the magic has played a cruel trick, bonding the four immortal warriors to... a female. A mortal female.

Bawdy and exotic, Tales from the Book of the Thousand Nights and a Night features the wily, seductive Scheherazade, who saves her own life by telling tales of magical transformation, genies and wishes, flying carpets and fantastical journeys, terror and passion to entertain and appease the brutal King Shahryar.

This collection contains the novella "The Finder," and the short stories "The Bones of the Earth," "Darkrose and Diamond," "On the High Marsh," and "Dragonfly." It concludes with an account of Earthsea's history, people, languages, literature, and magic.

The Homecoming of Beorhtnoth Beorhthelm’s Son was originally published in the 1953 edition of Essays and Studies. In December of that year, J.R.R. Tolkien took possession of a reel-to-reel tape recorder and, some time during the first few months of 1954, decided to record ‘the whole thing on tape’ as a way of ‘testing’ the performative quality of the dramatic dialogue between Tídwald and Torhthelm.