Classic Gothic Literature

Edgar Allan Poe's early literary works were poetic, but he quickly turned to prose. He worked for several magazines and journals till in January 1845, The Raven was published and became an instant classic. Poe was also an early proponent of the detective story and announced his entry to this genre with the classic short story 'The Murders in the Rue Morgue'.

Dracula by Bram Stoker, with some dialogue of the vampires translated in Romanian by Ana Talos.

The Picture of Dorian Gray is a novel which shocks us still. The sensibilities of its original Victorian readership may have blanched at the exoticism and barely disguised eroticism which drip from Wilde’s prose, but for us today who barely look twice at such things, we find something much more horrific at the heart of the book.

First published in French as a serial in 1909, "The Phantom of the Opera" is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage.

El narrador intenta convencernos de su salud mental, diciéndonos que lo único que le pasa es que es un poco nervioso porque todos sus sentidos están extremadamente sensibilizados. El anciano con el que vive tiene un ojo azul que está velado, al que nuestro narrador describe como un ojo de buitre. El anciano realmente le cae bien pero odia el ojo de buitre....Hasta tal punto llega a odiar ese ojo que se convierte en una obsesión enfermiza, que le hace imposible no pensar en otra cosa que no sea planificar el asesinato del anciano.

These three tales were written for the popular literary gift annual The Keepsake in 1828, 1829, and 1831. Their "sensational" themes include exotic locations, dire misfortune, long-lost kin, stolen identity, evil redeemed, plots resolved by strange coincidences, and in one case at least, an encounter with a supernatural being. Gothic fare.

Was a noose tightening around a horrified Deborah Foster? It was the night of evil ritual. The worshippers of the devil danced around the ruined abbey, now transformed into a temple of terror. Deborah had come there hoping to unmask her sister’s killer. Suddenly against her will, Deborah felt herself succumbing tothe unholy spell woven by the frenzied witches. Relentlessly they began to encircle her. Panic gripped her for she knew they had chosen her as their next victim.

On the day of his wedding, Conrad, heir to the house of Otranto, is killed in mysterious circumstances. His calculating father Manfred fears that his dynasty will now come to an end and determines to marry his son's bride himself - despite the fact he is already married. But a series of terrifying supernatural omens soon threaten this unlawful union, as the curse placed on Manfred's ancestor, who usurped the lawful prince of Otranto, begins to unfold.