Classic Horror Fiction

It was a dark and stormy night when Mary Crane glimpsed the unlit neon sign announcing the vacancy at the Bates Motel. Exhausted, lost, and at the end of her rope, she was eager for a hot shower and a bed for the night. Her room was musty, but clean, and the manager seemed nice, if a little odd.

Andrew Ranulf Blankenship is a handsome, stylish nonconformist with wry wit, a classic Mustang, and a massive library. He is also a recovering alcoholic and a practicing warlock, able to speak with the dead through film. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago.

In the land of moss, magnolias, and bayous, ghost stories suffuse the landscape like mist on a moonlit swamp. Swamp ghosts, hot-tempered villains and tricksters once lived there, and live on today in such blood-chilling stories as the six in this collection.

Deep in the labyrinthine corridors of Gormenghast Castle, a child is born. Titus, 77th Earl of Groan, is heir to arcane and all-embracing rituals that determine the activities of everyone from Lord Sepulchrave, his father, to the vast cook, Swelter, and the irrepressible Dr Prunesquallor. But not the steely and devious Steerpike, who will lie, cheat and even murder to get on. One of the greatest feats of sustained imaginative writing, the world of Gormenghast Castle is brilliantly realised in this darkly fantastic novel.

It's been seven months since Chris Gordon met Tanya Demidova, and a lot has changed. He's stronger and faster and has the senses of a vampire and the appetite of a werewolf. But even as he settles into his new position with the Special Situations Squad and his relationship with Tanya, new threats appear. From south of the border, north of the city, inside the NYPD, and the federal government. But the hardest fight Chris will face is with himself.

A Penguin Classic. First published in 1938, this volume of stories collected with the encouragement of his longtime editor Pascal Covici serves as a wonderful introduction to the work of Nobel Prize winner John Steinbeck. Set in the beautiful Salinas Valley of California, where simple people farm the land and struggle to find a place for themselves in the world, these stories reflect Steinbeck’s characteristic interests: The tensions between town and country, laborers and owners, past and present.

In Lolly Willowes, Sylvia Townsend Warner tells of an aging spinster's struggle to break away from her controlling family - a classic story that she treats with cool feminist intelligence, while adding a dimension of the supernatural and strange. Warner is one of the outstanding and indispensable mavericks of 20th-century literature, a writer to set beside Djuna Barnes and Jane Bowles, with a subversive genius that anticipates the fantastic flights of such contemporaries as Angela Carter and Jeanette Winterson.

Some places are too good to be true. Under a pink moon, there is a perfect little town not found on any map. In that town, there are quiet streets lined with pretty houses, houses that conceal the strangest things. After a couple years of hard traveling, ex-cop Mona Bright inherits her long-dead mother's home in Wink, New Mexico. And the closer Mona gets to her mother's past, the more she understands that the people of Wink are very, very different....

This is volume two of a two-volume omnibus set comprising the complete fictional works of Howard Phillips Lovcecraft. Every story written for publication under his own name is included in this set, from 1927 through 1935. (Poems, ghostwritten material, and stories written in collaboration with other writers are not included.)

On the day of his wedding, Conrad, heir to the house of Otranto, is killed under mysterious circumstances. His calculating father, Manfred, fears that his dynasty will now come to an end and determines to marry his son's bride himself, despite the fact he is already married. But a series of terrifying supernatural omens soon threaten this unlawful union, as the curse placed on Manfred's ancestor, who usurped the lawful Prince of Otranto, begins to unfold.

"The Dream-Quest of Unknown Kadath" is a novella by American writer H. P. Lovecraft. Begun probably in the autumn of 1926, the draft was completed on January 22, 1927 and it remained unrevised and unpublished in his lifetime. It is both the longest of the stories that make up his Dream Cycle and the longest Lovecraft work to feature protagonist Randolph Carter. Along with his 1927 novel "The Case of Charles Dexter Ward", it can be considered one of the significant achievements of that period of Lovecraft's writing.

HorrorBabble's complete, dramatic telling of Robert W. Chambers' classic collection, The King in Yellow. The book comprises 10 individual tales, several of which are thematically linked by a controversial play with which the novel shares its title.

As a young double agent infiltrating the Soviet spy network in Nazi-occupied Paris, Andrew Hale finds himself caught up in a secret, even more ruthless war. Two decades later, a coded message draws Professor Andrew Hale back into Her Majesty’s Secret Service. Elements from his past are gathering in Beirut, including ex-British counterespionage chief and Soviet mole Kim Philby, and a beautiful former Spanish Civil War soldier-turned-intelligence operative.

"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So begins Pride and Prejudice and Zombies, an expanded edition of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem.

Orphaned as a young child, Mirin O'Malley has been brought up by her grandparents on their isolated, rambling estate Hob's Hallow. Long ago her family prospered due to a deal struck with the mer, the terrifying creatures who live in the depths of the sea: safety for their merchant ships in return for a child of each generation. But for many years the family have been unable to keep their side of the bargain and their fortunes have suffered as a result. When Mirin's grandfather dies, her grandmother puts in train a plan to restore their glory - but at the price of Mirin's freedom.

This collection comprises stories by and inspired by the originators of weird fiction. From Allen's "The Arctic Death", through to Poe's "The Tell-Tale Heart", Stoker's "Dracula's Guest", and beyond. Time immemorial; worlds unimaginable.

Robinson Crusoe is one of the most enduring adventures of the past four centuries and one of the most well-known works in the English language. Or is it? Recently discovered amidst the papers of the 20th-century writer and historian H. P. Lovecraft is what claims to be the true story of Robinson Crusoe. Taken from the castaway's own journals and memoirs, and fact-checked by Lovecraft himself, it is free from many of Defoe's edits and alterations. From Lovecraft's work a much smoother, simpler tale emerges - but also a far more disturbing one.

Powers of Darkness is an incredible literary discovery. In 1900, Icelandic publisher and writer Valdimar Asmundsson set out to translate Bram Stoker's world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, 'Powers of Darkness'), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker's preface to the book.

Satan’s final judgement on Victoria sums up a shocking novel, set in Venice at the end of the 15th century, that tracks the path of its heroine from abused victim to fully fledged criminal. Her conscious embodiment of vice seems to know no limits. Depicting unfettered desire and gratuitous cruelty, and challenging taboos of race and class, this tale of lust, betrayal, and multiple murder has Dacre moving beyond the limits of contemporaneous gothic heroes into a truly hellish zone of her own.

Victor Frankenstein, un jeune étudiant brillant, crée de toutes pièces un être à l'apparence humaine. Bien vite, il regrette son geste. En effet, la créature prend l'apparence d'un monstre sanguinaire qui ne pense qu'à semer la mort et le malheur sur son passage et qui persécute son créateur. Au travers de l'histoire de Victor Frankenstein et de son monstre, Mary W. Shelley nous pose la question de l'origine de la cruauté humaine. Le monstre de Frankenstein est rejeté par tous. Il aimerait avoir des relations avec les humains mais ceux-ci le fuient. Il devient alors violent et s'en prend aux personnes qu'il rencontre.