Classic Horror Fiction

For a century Bram Stoker's Dracula has reigned supreme as the undisputed masterpiece of horror writing. We have all grown up under the shadow of the elegant Count, at once an attractive, brutal and erotic creature of the night. The gothic tale of Frankenstein and his construction of a human being which runs amok, has, with the help of numerous films, become one of the most vivid horror stories.

Few ghost stories are as chilling as the ones written by Victorian writers. Featuring work by H.G. Wells, Edith Wharton, F.G. Loring and Florence Marryat, this second volume of eight enduring stories, some well-known, others less familiar, transport you to a cosy fireside to hear tales of disembodied voices, haunted objects and unknown entities lurking in the shadows cast by candlelight.

Listeners will discover lost and forgotten women who wrote horror every bit as effectively as their male contemporaries. They will learn about their lives and careers, the challenges they faced as women working in a male-dominated field, the way they overcame those challenges, and the way they approached the genre - which was often subtler, more psychological, and more disturbing.

Award winning narrator Mike Vendetti reads The Mask of the Red Death by Edgar Allen Poe, a Gothic short story that originally appeared in Graham's magazine in May of 1882. This short story later appears as The Masque of the Red Death. The Red death is fictitious, but it is likely that the disease was inspired by tuberculosis (or consumption, as it was known then), since Poe's wife, Virginia, was suffering from the disease at the time the story was written.

This collection of classic horror stories is sure to give you goose bumps, raise the hair on the back of your neck, and put some fright in your night. Includes Yours Truly, Jack the Ripper by Robert Bloch, Coin of the Realm by Charles L. Grant, Something Had to be Done by David Drake, The Graveyard Rats by Henry Kuttner, The Small Assassin by Ray Bradbury, Calling Card by Ramsey Campbell, The Words of Guru by C.M. Kornbluth, and Passengers by Robert Silverberg.

Volume 9 launches with "The Ash Tree", M. R. James' insight into an enigmatic woman and her rituals around this mysterious tree. A condemned man and over zealous executioners generate shocking results, in Arthur Conan Doyle's "The Los Amigos Fiasco". An immoral wager leads to terror when the dead rise in Ambrose Bierce's "A Watcher by the Dead". Lovecraft takes us exploring through a lost world of ancient evil in "The Nameless City".

Volume 11 begins with Doug's well-researched insight into the stories and their authors. This is followed by Edgar Allan Poe’s highly acclaimed gothic romance "Ligeia", Ambrose Bierce's haunting "A Fruitless Assignment", H. P. Lovecraft's dark and disturbing "Pickman's Model", Sir Arthur Conan Doyle's sinister masterpiece "Blue John Gap", and more.

Volume 12 begins with Doug Bradley's well-researched insight into the stories and their authors. This is followed by what H. P. Lovecraft considered to be one of his best stories, "The Music of Eric Zann". "The Tool" by W. F. Harvey is a horrifying tale narrated by an inmate of a mental institution. Next Edgar Allan Poe revisits his terrifying fear of being buried alive in "The Premature Burial". Then an eavesdropper overhears five creepy and scary ghost stories in Charles Dickens "To Be Read at Dusk".

Rediscover the classics you hold dear, reborn with haunting and thrilling twists. This collection will transport you to a world where the known meets the unknown, where the familiar becomes strange, and where the literature come alive with a bone-chilling and exhilarating flair.

William Wymark Jacobs (1863 - 1943) was an English short-story writer. "The Monkey's Paw" is a classic horror story whose title refers to a shrunken monkey’s paw that is said to have the power to grant its possessor three wishes.

The Beast in the Jungle is a 1903 novella by Henry James, first published in the collection titled The Better Sort. The story addresses themes like fate, loneliness, love and death. The protagonist, John Marcher, anticipates an event that he believes will set him apart from other people. Marcher is frozen by his fears and a sense of impending doom. A haunting tale of egotism, fear of the unknown and unrequited love, the story warns that the only thing one has to fear is fear itself. John’s failure to reciprocate May Bartram’s love condemns him.

A London lawyer named Gabriel John Utterson who investigates strange occurrences between his old friend, Dr. Henry Jekyll, and the evil Edward Hyde. The work is commonly associated with the rare mental condition often called "split personality", referred to in psychiatry as dissociative identity disorder, where within the same body there exists more than one distinct personality. In this case, there are two personalities within Dr. Jekyll, one apparently good and the other evil.

Long acknowledged as a master of nightmarish vision, H.P. Lovecraft established the genuineness and dignity of his own pioneering fiction in 1931 with his quintessential work of supernatural horror, "At the Mountains of Madness". The deliberately told and increasingly chilling recollection of an Antarctic expedition's uncanny discoveries - and their encounter with an untold menace in the ruins of a lost civilization - is a milestone of macabre literature.

Unique to this title is: A historical introduction and a study of the themes present in A Tale of Two Cities, A Christmas Carol and The Chimes. Charles Dickens was an English writer and social critic. He was born in 1812 in Portsmouth. When his father was sent to jail because of unsettled debt, Dickens had to leave school and get a job in a factory. Dickens is believed to be the best novelist of the Victorian era and he became very popular during his lifetime. His novels are still widely read and translated.

تتصاعد الأحداث حينما يقوم الراوي وزوجته بزيارة قبو بيتهم الجديد، حيث يدخل القط بين أقدام سيده ويكاد يتعثر ويسقط فيحاول السيد قتله بالفأس فتمنعه زوجته فيقتلها هي ويدفنها داخل نتوء جدار ويغلقه. تأتي الشرطة للتحقيق فلا تجد شيئاً ويختفي القط أيضاً، وفي اليوم الأخير من التحقيق، تكتشف الشرطة مكان الجثة بعد صدور عويل لا بشري وفوق رأسها المتعفن القط حيّاً، حيث دفنه الراوي مع جثة زوجته. تعتبر قصة القط الأسود قصة رعب، تمتزج بجوانب الغموض والظلام والشر.

American poet, critic, and short-story writer Edgar Allan Poe is universally recognized for his cultivation of the macabre in fiction. His stories are characterized by an original kind of supernatural horror, often using the awareness of death as a catalyzing force in its own right. His tales and poems brim with psychological depth and intense imagery, made vivid through his musical language and hypnotic rhythms, which are especially captivating when heard aloud.

Un fils de bonne famille, William Legrand, est venu fuir la misère en Caroline du Sud. Un jour, en compagnie de son domestique Jupiter, il découvre un magnifique scarabée doré, si lourd qu'il pourrait bien être en or massif, et ressemblant à une tête de mort. Cette découverte sera le point de départ d'une incroyable chasse au trésor. Cette nouvelle d'Edgar Allan Poe, qui fut son texte le plus lu de son vivant, popularisa la cryptographie auprès du grand public.

Vincentio di Vivaldi has fallen in love with Ellena Rosalba. However, his proud and noble family vehemently oppose the match: they cannot allow him to wed someone with no money or social standing. Thus, his mother, the mean-spirited Marchesa, and her minion, the evil monk Father Schedoni, set in motion a malign plot that has Ellena kidnapped and imprisoned in a convent, to prevent a hasty marriage.

William Wilson est poursuivi, son existence durant, par son double (un pantin moraliste, sa conscience ?) qui intervient pour le remettre sur la bonne voie, chaque fois qu'il s'égare dans le mal... or, William Wilson est las de ce harcèlement. Il va donc réagir, mais tragiquement.

Cloîtrée dans une maison de campagne isolée et tenue à l'écart de toute activité par son mari médecin, une jeune mère dépressive après la naissance de leur enfant brave en secret l'interdiction qu'il lui pose d'écrire. Désœuvrée, elle sombre dans la fascination pour l'affreux papier peint de la chambre à coucher. Elle finit par y voir, en miroir, une femme séquestrée derrière les arabesques.