Classic Irish Fiction

Irish Fairy Tales is a collection of 14 Irish stories, edited by W. B. Yeats. Originally published in 1892, this collection is beautifully narrated by John Dunleavy and includes Yeats' notes and his "Classification of Irish Fairies."

The brilliant conclusion to the Palliser novels, this touching story follows the elderly Duke of Omnium, the former prime minister of England, as he struggles to overcome his grief at the loss of his beloved wife, Lady Glencora. To complicate matters, he must also deal with the willfulness of his three adult children as he tries to guide and support them - his plans for them are quite different from their own. While his two sons, sent down from university in disgrace, rack up gambling debts, the duke’s only daughter yearns to marry the poor son of a country squire.

The four Grace sisters love their quiet life in the country village of Chevis Green. To some, their insular world might seem dull, but the sisters never seem to run out of conversation, jokes, and pleasant ways to pass the time together. They truly are the happiest of families. That is, until Aunt Rona comes to town. Rona intends to stay with the Graces indefinitely, and her meddlesome attitude immediately sets the sisters' teeth on edge. Throw in another unexpected houseguest, some potential suitors and a case of mistaken intentions, and the members of the Grace family suddenly find themselves quite out of their element.

At the opening of The Claverings (1866) the beautiful Julia Brabazon jilts her lover Harry Clavering in order to make a marriage of convenience with a wealthy but dissolute earl. Harry licks his wounds, leaves London to train as a civil engineer, and falls in love with his employer's daughter, to whom he soon becomes engaged. But when Julia returns unexpectedly as a wealthy widow, the flame of Harry's old love is rekindled.

The short stories of Irish writers appeal to audiences far beyond the shores of Eire. These stories, in turn atmospheric, spookily funny, full of intriguing characters, picturesque, and touching, are steeped in the Irish delight in story-telling and cover an intriguing century of Irish city and country life.

The story girl of the title is the 14-year-old Sara Stanley who weaves spellbinding tales that enchant her audience that comes from near and far. These 32 stories range from the humorous and satirical to exotic romances, Scottish folk tales, retellings of Greek myths and poems by Tennyson, to ghost stories. They include the scary "Tale of the Family Ghost", and the bittersweet "The Blue Chest of Rachel Ward".

Relinquishing thoughts of a materially rewarding life, the respectably educated Felix Holt returns to his native village in North Loamshire and becomes an artisan. He is a forceful young man of honor, integrity, and idealism, burning to participate in political life so that he may improve the lot of his fellow artisans.

When her father remarries, the honest, innocent Molly Gibson suddenly finds herself with a new stepsister, Cynthia, who is beautiful, worldly and impetuous. This would be more than enough to deal with, but the new wife is the deeply snobbish (and darkly secretive) Hyacinth. Thwarted love, scheming ambition and small-town gossip underlie the warmth, irony and brilliant social observation which link the relationships and the inevitable conflicts as profound change comes to rural England.

Slowbridge's customs have been set in stone by Lady Theobald, who has decreed that young ladies should always wear white muslin to social events and that their only decoration should be fresh flowers - which invariably wilt by the end of the evening. Enter Octavia, bedecked in yards of lace and ribbons and with a profusion of diamond jewelry. She is soon informed that only married ladies wear diamonds in England. She makes other mistakes: Young ladies do not ask men to join them on terraces; they do not invite men to play croquet on their lawns.

Under Western Eyes, Conrad's novel of political treachery and oppression, begins with a bomb that kills a hated Russian minister of police along with innocent bystanders. A young student named Razumov hides the perpetrator, then betrays him and becomes a spy among his exiled comrades. He faces a moral dilemma from which there is no escape. This masterwork, published six years before the Russian Revolution, is a chillingly accurate prophecy of what was to come.

Three tales from The Canterbury Tales, read in the original Middle English by Richard Bebb under the direction of Britain's foremost Chaucer scholar, Derek Brewer.

One of the best-known collections of W. B. Yeats' prose, The Celtic Twilight explores the old connection between the Irish people and the magical world of fairies. Yeats, by traveling the land in the early 20th century and talking to the common people about their experiences with the creatures, yielded a colorful overview of Celtic fairy folklore.

Rainbow Valley (1919) is the seventh audiobook in the chronology of the Anne of Green Gables series by Lucy Maud Montgomery, although it was the fifth book published. In this audiobook, Anne Shirley is married with six children, but the audiobook focuses more on her new neighbor, the new Presbyterian minister John Meredith, as well as the interactions between Anne's and John Meredith's children.

Lady Audley is universally adored: Beautiful, kind and charming, she enamors all whom she meets. It is not until the strange disappearance of widower George Talboys that her behavior takes an odd turn. George's friend, Robert Audley, Lady Audley's nephew-in-law, is on the case; an upper-class layabout turned detective, he is determined to get to the bottom of things.

Un jour de printemps, Mrs Dalloway, maîtresse de maison londonienne, s'apprête à donner une réception à Westminster. Tandis qu'au fil de la journée, Big Ben sonne les heures, les personnages s'affairent, vivant chacun à leur manière leur rapport au temps et aux autres. À travers les souvenirs et les réflexions des personnages se dévoilent apparences et faux-semblants et le temps ne devient plus qu'une succession d'événements minuscules et de bouleversements camouflés.

Lady Isabel Carlyle leaves her husband and children for the aristocratic Francis Levison, who, as it turns out, has no intention of marrying her. Having been disfigured in a train accident, the unrecognizable Isabel then takes up the position of governess to her own children in the Carlyle household, with tragic consequences.

Bereft of his beloved wife, Glencora, and his role as prime minister, Plantagenet Palliser enters the realm of family politics as he struggles to guide and connect with his three wayward children. Lord Silverbridge, the Duke's first born and natural inheritor, expelled from Oxford, a gambler at the racetrack and an elected Conservative, further troubles his father when he becomes engaged to Isabel Boncassen. Lady Mary, his daughter, falls in love with a penniless young gentleman named Frank Tregear, while his second son, Gerald, displays similar behavior to his brother.

Charlotte Dean enjoys nothing more than the solitude of her London flat and the monotonous days of her work at a travel bookshop. But when her younger sister unceremoniously bursts into her quiet life one afternoon, Charlotte's world turns topsy-turvy. Beloved author D. E. Stevenson captures the intricacies of post-World War I England with a light, comic touch that perfectly embodies the spirit of the time. Alternatively heartbreaking and witty, The Young Clementina is a touching tale of love, loss and redemption through friendship.

Just as Mr. Darcy finally decides to propose to the enticing Miss Elizabeth Bennet, she is summoned to Falmouth, to meet a relation she never knew she had. Thus, the ill-starred Hunsford proposal is avoided - but before he could even begin to understand his luck, adverse circumstances hasten to conspire against him, and Fitzwilliam Darcy is compelled to follow the woman he loves to the far reaches of Cornwall, into a world of deceit and peril, where few - if any - are what they seem to be...

The Canterbury Tales is a collection of stories, written in the Middle English vernacular, supposedly told among a group of pilgrims traveling from London to Canterbury. Chaucer uses the form, possibly based on knowledge of Boccaccio’s Decameron gained on a visit to Italy in 1373, to provide a highly varied portrait of his society, both secular and religious. The journey of the pilgrims, unlike that of, say, Homer’s Odysseus or of Dante in the Divine Comedy, is relatively unimportant compared to the tales themselves, where Chaucer’s true interest lies.