Classic Noir

Hard-boiled detective Sam Spade is hired to locate a client's sister by tailing the sister's companion. Spade's partner Miles Archer takes on the assignment, and quickly both Archer and the man he was shadowing are murdered. As Spade pursues the mystery of his partner's death, he is drawn into a circle of colorful characters, and they are all after a legendary statuette of a falcon that had long ago been made for King Charles of Spain. Encrusted with jewels, it is worth a fortune.

Publié en 1830, "Le rouge et le noir" est un monument de la littérature française. Roman réaliste où l'ambition côtoie la cruauté d'une jeunesse inconsciente. Julien Sorel, fil de charpentier, veut gravir les échelon de la société,pour cela deux carrières s'offrent à lui : le clergé ou le militaire ; c'est finalement par les femmes que Julien parviendra à ses fins.

Private eye Eddie Valiant doesn't like Toons - those cartoon characters who live side-by-side with humans. But Eddie will work for a Toon if his cash supply is low enough. So he reluctantly agrees when Roger Rabbit, a Toon who plays straight man (or should that be straight rabbit) in the Baby Herman cartoon series, asks him to find out who's been trying - unsuccessfully - to buy his contract from the DeGreasy Brothers syndicate. Then Rocco DeGreasy is murdered - and Roger is the prime suspect!

Mildred Pierce had gorgeous legs, a way with a skillet, and a bone-deep core of toughness and determination. She used those attributes to survive a divorce in 1940s America with two children and to claw her way out of poverty, becoming a successful businesswoman. But Mildred also had two weaknesses: a yen for shiftless men and an unreasoning devotion to her monstrous daughter.

One of the 20th-century's most darkly beautiful works of crime fiction - a story of carny life, spiritualism, and a con man of merciless resolve.

Eddie's on his way back from a routine investigation when his horse almost runs down a half-naked blonde in serious trouble. Against his better judgment, he promises to protect the frightened young woman, only to find himself waylaid by unknown assailants and left for dead beside her mutilated body.

Begun in 1959 by a twenty-two-year-old Hunter S. Thompson, The Rum Diary is a brilliantly tangled love story of jealousy, treachery, and violent alcoholic lust in the Caribbean boomtown that was San Juan, Puerto Rico, in the late 1950s.

In The Lady in the Lake, hard-boiled crime-fiction master Raymond Chandler brings us the story of a couple of missing wives - one a rich man's and one a poor man's - who have become the objects of Philip Marlowe's investigation. One of them may have gotten a Mexican divorce and married a gigolo, and the other may be dead. Marlowe's not sure he cares about either one, but he's not paid to care.

There is not much left of the irascible Albert Evan Jasper, "dean of American forensic anthropologists," after his demise in a fiery car crash. But in accord with his wishes, his remains are installed in an Oregon museum to create a fascinating if macabre exhibit. All agree that it is a fitting end for a great forensic scientist - until what is left of him disappears in the midst of the biannual meeting of the august WAFA - the Western Association of Forensic Anthropologists - in nearby Bend, Oregon. Like his fellow attendees, Gideon Oliver - the Skeleton Detective - is baffled.

In noir master Raymond Chandler's The Little Sister, a movie starlet with a gangster boyfriend and a pair of siblings with a shared secret lure private eye Philip Marlowe into the less than glamorous and more than a little dangerous world of Hollywood fame. Chandler's first foray into the industry that dominates the company town that is Los Angeles.

A society matron's life is threatened after she engineers the theft of her own priceless jewelry to pay off a gambling debt. Only a debonair connoisseur of crime can save her and recover her gems. For a price.

Aboard the Orient Express as it heads across Europe towards Constantinople, a relationship develops between Carleton Myatt and Coral Musker, a naive English chorus girl. Around them a web of espionage, murder and lies twist in this spy thriller.

Dark City expands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life.

Frankie Machine (Sinatra), a recovering heroin addict and illegal card dealer, returns home to his squalid neighborhood in Chicago after six months in prison. He is hoping to go straight and find a job as a drummer, but when both his ex-drug pusher, Louie, and his ruthless former employer, Schwiefka, show up, Frankie is in trouble.

Aaron Platt has spent every day of his life breaking his back to scrape a living from the rocky, played-out fields of the Adirondack farm he inherited from his sadistic father. One winter morning, he follows footprints in the snow to his barn and discovers a man freezing to death in a horse stall. What unfolds between the two men, past and present, is a brisk, gritty depiction of crime and punishment. But their harrowing story is more than that, exposing the shocking hypocrisy of the people who live in the nearby bucolic town.

An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one, grisly solution; a solution that only creates other problems that no one can ever solve.

"Le Rouge et le Noir", publié en 1830, est le premier grand roman de Stendhal.

An eccentric boarding house denizen winds up dead; his presumed killer, a fellow boarder, has vanished. The baffling case unfolds through the testimony of witnesses, who are themselves suspect.

Published as a 'shilling shocker', Robert Louis Stevenson's dark psychological fantasy gave birth to the idea of the split personality. The story of respectable Dr Jekyll's strange association with 'damnable young man' Edward Hyde, the hunt through fog-bound London for a killer, and the final revelation of Hyde's true identity is a chilling exploration of humanity's basest capacity for evil. The other stories in this volume also testify to Stevenson's inventiveness within the Gothic genre.

Fred Underhill is a young cop on the rise in Los Angeles in the early 1950s - a town blinded to its own grime by Hollywood glitter; a society nourished by newspaper lies that wants its heroes all-American and squeaky clean. A chance to lead on a possible serial killing is all it takes to fuel Underhill's reckless ambition - and it propels him into a dangerous alliance with certain mad and unstable elements of the law enforcement hierarchy. When the case implodes with disastrous consequences, it is Fred Underhill who takes the fall. His life is in ruins, his promising future suddenly a dream of the past.