Classic Noir

Hard-boiled detective Sam Spade is hired to locate a client's sister by tailing the sister's companion. Spade's partner Miles Archer takes on the assignment, and quickly both Archer and the man he was shadowing are murdered. As Spade pursues the mystery of his partner's death, he is drawn into a circle of colorful characters, and they are all after a legendary statuette of a falcon that had long ago been made for King Charles of Spain. Encrusted with jewels, it is worth a fortune.

Private eye Eddie Valiant doesn't like Toons - those cartoon characters who live side-by-side with humans. But Eddie will work for a Toon if his cash supply is low enough. So he reluctantly agrees when Roger Rabbit, a Toon who plays straight man (or should that be straight rabbit) in the Baby Herman cartoon series, asks him to find out who's been trying - unsuccessfully - to buy his contract from the DeGreasy Brothers syndicate. Then Rocco DeGreasy is murdered - and Roger is the prime suspect!

Mildred Pierce had gorgeous legs, a way with a skillet, and a bone-deep core of toughness and determination. She used those attributes to survive a divorce in 1940s America with two children and to claw her way out of poverty, becoming a successful businesswoman. But Mildred also had two weaknesses: a yen for shiftless men and an unreasoning devotion to her monstrous daughter.

One of the 20th-century's most darkly beautiful works of crime fiction - a story of carny life, spiritualism, and a con man of merciless resolve.

Publié en 1830, "Le rouge et le noir" est un monument de la littérature française. Roman réaliste où l'ambition côtoie la cruauté d'une jeunesse inconsciente. Julien Sorel, fil de charpentier, veut gravir les échelon de la société,pour cela deux carrières s'offrent à lui : le clergé ou le militaire ; c'est finalement par les femmes que Julien parviendra à ses fins.

There is not much left of the irascible Albert Evan Jasper, "dean of American forensic anthropologists," after his demise in a fiery car crash. But in accord with his wishes, his remains are installed in an Oregon museum to create a fascinating if macabre exhibit. All agree that it is a fitting end for a great forensic scientist - until what is left of him disappears in the midst of the biannual meeting of the august WAFA - the Western Association of Forensic Anthropologists - in nearby Bend, Oregon. Like his fellow attendees, Gideon Oliver - the Skeleton Detective - is baffled.

Fred Underhill is a young cop on the rise in Los Angeles in the early 1950s - a town blinded to its own grime by Hollywood glitter; a society nourished by newspaper lies that wants its heroes all-American and squeaky clean. A chance to lead on a possible serial killing is all it takes to fuel Underhill's reckless ambition - and it propels him into a dangerous alliance with certain mad and unstable elements of the law enforcement hierarchy. When the case implodes with disastrous consequences, it is Fred Underhill who takes the fall. His life is in ruins, his promising future suddenly a dream of the past.

Begun in 1959 by a twenty-two-year-old Hunter S. Thompson, The Rum Diary is a brilliantly tangled love story of jealousy, treachery, and violent alcoholic lust in the Caribbean boomtown that was San Juan, Puerto Rico, in the late 1950s.

Nobody plays accordion like Dick Contino. His skilled fingers can find beauty in even the schmaltziest Borscht Belt favorites, and with his matinee-idol looks he could be a real star. Right now, though, he’s slumming it as the headliner in a Grade Z teenybopper picture called Daddy-O. He’s too good for this movie, and finishing it is going to take him to a very dark place. Daddy-O and Dick Contino are both real, their stories dredged out of the past by James Ellroy, a master of historical crime fiction. In Dick Contino's Blues he takes us to B-List Hollywood in 1957 - a time when movies were cheerful and dirty secrets lurked just off camera.

Le Chat noir relate l'implacable chute d'un homme. C'est l'une des nouvelles qui ont assuré la célébrité d'Edgar Poe, et ont décidé Charles Baudelaire...

In The Lady in the Lake, hard-boiled crime-fiction master Raymond Chandler brings us the story of a couple of missing wives - one a rich man's and one a poor man's - who have become the objects of Philip Marlowe's investigation. One of them may have gotten a Mexican divorce and married a gigolo, and the other may be dead. Marlowe's not sure he cares about either one, but he's not paid to care.

An eccentric boarding house denizen winds up dead; his presumed killer, a fellow boarder, has vanished. The baffling case unfolds through the testimony of witnesses, who are themselves suspect.

"La Tulipe noire" est un des romans les plus connus d'Alexandre Dumas. On y trouve tous les thèmes chers à l'auteur : l'aventure, le courage, la grande histoire qui se mêle à la petite... Pourtant ici, Cornélius van Baerle n'a pas d'ambition militaire ou sociale, il veut avant tout créer et faire pousser une tulipe noire. Hélas, ses projets seront contrariés car notre héros n'est autre que le neveu du chef de l'État hollandais, Corneille de Witt, qui vient d'être renversé.

Tippy the triceratops was once a little girl's imaginary friend, a dinosaur detective who could help her make sense of the world. But when her father died, Tippy fell into the Stillreal, the underbelly of the Imagination, where discarded ideas go when they're too real to disappear. Now, he passes time doing detective work for other unwanted ideas - until Tippy runs into The Man in the Coat, a nightmare monster who can do the impossible: kill an idea permanently. Now Tippy must overcome his own trauma and solve the case, before there's nothing left but imaginary corpses.

An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one, grisly solution; a solution that only creates other problems that no one can ever solve.

"Le Rouge et le Noir", publié en 1830, est le premier grand roman de Stendhal.

"Relativement à la très-étrange et pourtant très-familière histoire que je vais coucher par écrit, je n'attends ni ne sollicite la créance. Vraiment, je serais fou de m'y attendre dans un cas où mes sens eux-mêmes rejettent leur propre témoignage. Cependant, je ne suis pas fou, - et très certainement je ne rêve pas. Mais demain je meurs, et aujourd'hui je voudrais décharger mon âme."

Aaron Platt has spent every day of his life breaking his back to scrape a living from the rocky, played-out fields of the Adirondack farm he inherited from his sadistic father. One winter morning, he follows footprints in the snow to his barn and discovers a man freezing to death in a horse stall. What unfolds between the two men, past and present, is a brisk, gritty depiction of crime and punishment. But their harrowing story is more than that, exposing the shocking hypocrisy of the people who live in the nearby bucolic town.

Dark City expands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life.

In noir master Raymond Chandler's The Little Sister, a movie starlet with a gangster boyfriend and a pair of siblings with a shared secret lure private eye Philip Marlowe into the less than glamorous and more than a little dangerous world of Hollywood fame. Chandler's first foray into the industry that dominates the company town that is Los Angeles.