Classic Plays

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

Now, for the first time in audio, Blackstone presents seven great plays in one volume: Euripides' Medea, Shakespeare's The Tempest, Moliere's The Imaginary Invalid, Dumas' Camille, Ibsen's An Enemy of the People, Shaw's Arms and the Man, and Chekhov's Uncle Vanya. These productions illustrate the development of European drama from ancient times to the threshold of the modern theater.

The internationally renowned star of Fiddler on the Roof brings the original stories of Tevye to life! Tevye personified the dreams not only of Russian Jews but of people everywhere when he sang "If I Were a Rich Man." Now hear the original stories of Tevye, as written by Sholem Aleichem (pen name of Sholem Rabinovich): "Today's Children," "Hodl," "Chava," and "Lekh-Lekho," the stories which were the basis for Fiddler, plus "Tevye Strikes It Rich" and "Tevye Blows a Small Fortune."

Pavel Vassilyevitch finds himself meeting with an unwanted visitor one day after lunch, an odd woman beseeching him to give him just a half hour of his time. Madam Murashkin wants Pavel to critique a play that she has written before she sets off on a voyage, and insists it will take only a half hour of his time. Unable to deny her relentless pitiful pleas, Pavel gives in and Madam Murashkin launches into her play - which turns out to take much longer than half an hour to get through.

Shylock, a Jewish moneylender, agrees to lend Antonio, a Venetian merchant, three thousand ducats so that his friend Bassanio can afford to court his love, Portia. However, Shylock has one condition: Should the loan go unpaid, he will be entitled to a pound of Antonio's own flesh. Meanwhile in Belmont, according to the terms of her father's will, Portia's many suitors must choose correctly from three caskets. Bassanio arrives at Portia's estate and they declare their love for one another before he picks the correct casket.

A key figure in the metaphysical movement known as New Thought, Florence Scovel Shinn has influenced many modern spiritual leaders, including Dr. Wayne Dyer, Dr. Christiane Northrup, Deepak Chopra, May McCarthy, and Louise Hay. Through stories of real-life situations and biblical tenets, Shinn teaches that the empowering use of positive attitude and affirmations can create a path to wealth, good health, and loving relationships. Intuition, love, and prosperity can expand through intentional thoughts and prayer.

This highly entertaining anthology of verse is the comic, tragic, tender, and telling story of life's seven ages, from childhood to old age. Within the framework of Shakespeare's speech, "The Seven Ages of Man," performed by Sir Ian McKellen, are 150 great poems from all ages, from Chaucer to Emily Dickinson to Walt Whitman and many others. The poem are presented by the finest cast ever assembled on one recording and includes Ralph Fiennes, Dame Judi Dench, John Cleese, Michael Caine, and more.

Here is the full-cast production of Shakespeare's classic love story, fully dramatized from the complete text, and starring Michael Sheen as Romeo and Kate Beckinsale as Juliet.

Nathan the Wise, a play published by Gotthold Ephraim Lessing in 1779, is a fervent plea for religious tolerance. It was first performed in 1783 at the Döbbelinsches Theatre in Berlin. The narrative is set in Jerusalem during the Third Crusade and describes how the wise Jewish merchant Nathan, the enlightened sultan Saladin, and a Templar Knight bridge the differences between Judaism, Islam, and Christianity. Its major themes are friendship, tolerance, the relativism of God, a rejection of miracles and a need for communication.

Second star to the right and straight on until morning...that's one way to get to Neverneverland. The other is through this unique full-cast performance, presented in exciting Radio Theatre style.

The tragedy of King Lear receives an outstanding performance in an all-star cast led by Britain’s senior classical actor, Paul Scofield. He is joined by Alec McCowen as Gloucester, Kenneth Branagh as The Fool, Harriet Walter as Gonerill, Sara Kestelman as Regan and Emilia Fox as Cordelia. This is the ninth recording of Shakespeare plays undertaken by Naxos AudioBooks in conjunction with Cambridge University Press, and is directed by John Tydeman. It was released to mark the 80th birthday of Paul Scofield in January 2002.

This widely studied play is one of the "best sellers" of the Shakespeare canon. This production is the sixth Shakespeare play in the series undertaken by Naxos AudioBooks in conjunction with Cambridge University Press.

Have you ever seen a Shakespeare play and come away without fully understanding it? Or wished you had known the basis of the plot before seeing a play by Shakespeare? Are you studying Shakespeare? Would you like to increase your knowledge of the plays without reading the originals? Then these are the recordings for you!

Make Shakespeare a part of your daily routine with Shakespeare for Every Day of the Year, a yearlong collection of passages from Shakespeare's greatest works. Drawing from the full spectrum of plays and sonnets to mark each day of the year, whether it's a scene from Hamlet to celebrate Christmas or a Sonnet in June to help you enjoy a summer's day. There are also passages to mark important days in the Shakespeare calendar, both from his own life and from his plays.

Barchester Towers, the sequel to The Warden, is the second novel in Trollope's major series, the Chronicles of Barsetshire. It focuses on the power struggle between Archdeacon Grantly, Mr. Slope and the Proudies as they fight for control of the diocese of Barchester. Meanwhile, another struggle is taking place for the heart of Eleanor Bold. Who will win her? The vile Mr. Slope, the idling Bertie Stanhope or someone else entirely?

We find ourselves in the austerity of the 1950s, when England's aristocracy was feeling the pinch. Bertie Wooster has gone to a residential self-help school to learn how to darn his socks. Until he re-emerges, Jeeves has signed up with Bill Rowcester (pronounced Roaster), an earl who is failing to make ends meet in trade, and yearning to sell his stately home, which has charm and damp in equal measure. In his new environment Jeeves is required to exert his mammoth brain to what would be breaking point for any normal intellect.

Jim Craig is 18-years-old, and cannot return to his mountain home until he has proven himself a man. Jessica Harrison is the beautiful, impetuous daughter of the wealthy cattleman whose £1000 colt runs off to join the brumby mob. And then there is the stallion, leader of the brumbies for almost 20 years, ranging free and proud in the mountains, whose very existence is like a dark thread running through the lives of so many people....

The new Jim Carrey movie, Me, Myself, and Irene, hits theaters this weekend! We recommend listening to the original tale of a man with an evil twin, The Strange Case of Dr. Jekyll and Mr. Hyde, as a warm-up for this summer blockbuster.

Julius Caesar is at the height of his power. He has just defeated his top rival and is basking in the glory of his triumph. Some believe that he is abusing his power, though, and behind his back, a conspiracy is developing to assassinate him. Even his close advisor Brutus is swayed to participate in the murder plot. Once Caesar is murdered, the conspirators are forced to explain themselves to Rome’s citizens and explain their intentions and attempt to convince them that this murder was necessary to create peace.

In the cosmopolitan Paris of the 1880s, the new proprietors of the Opera House are amused to discover that their costly acquisition is said to be haunted. But their smiles quickly vanish as tragedy follows misfortune: a murdered stagehand, a fatal accident, a missing girl. Fearful tales of the Opera Ghost race through the corridors and dressing rooms of the theatre. And with good reason - for deep in the catacombs beneath the Opera House, something is stirring.