Classic Plays

Pavel Vassilyevitch finds himself meeting with an unwanted visitor one day after lunch, an odd woman beseeching him to give him just a half hour of his time. Madam Murashkin wants Pavel to critique a play that she has written before she sets off on a voyage, and insists it will take only a half hour of his time. Unable to deny her relentless pitiful pleas, Pavel gives in and Madam Murashkin launches into her play - which turns out to take much longer than half an hour to get through.

Graeme Malcolm, Eric Stoltz, and other accomplished actors bring life to the words of the world's favorite poets, including William Shakespeare, Edgar Allan Poe, and Samuel Taylor Coleridge. Also available: The Best Poems of All Time, Volume 2.

Nathan the Wise, a play published by Gotthold Ephraim Lessing in 1779, is a fervent plea for religious tolerance. It was first performed in 1783 at the Döbbelinsches Theatre in Berlin. The narrative is set in Jerusalem during the Third Crusade and describes how the wise Jewish merchant Nathan, the enlightened sultan Saladin, and a Templar Knight bridge the differences between Judaism, Islam, and Christianity. Its major themes are friendship, tolerance, the relativism of God, a rejection of miracles and a need for communication.

The internationally renowned star of Fiddler on the Roof brings the original stories of Tevye to life! Tevye personified the dreams not only of Russian Jews but of people everywhere when he sang "If I Were a Rich Man." Now hear the original stories of Tevye, as written by Sholem Aleichem (pen name of Sholem Rabinovich): "Today's Children," "Hodl," "Chava," and "Lekh-Lekho," the stories which were the basis for Fiddler, plus "Tevye Strikes It Rich" and "Tevye Blows a Small Fortune."

Falstaff is both a comic and tragic central protagonist in Shakespeare's three Henry plays. He is companion to Prince Hal (the future Henry V), who loves him, goads him, teases him, indulges his vast appetites, and commits all sorts of mischief with him. Award-winning author and esteemed professor Harold Bloom examines Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal.

Shylock, a Jewish moneylender, agrees to lend Antonio, a Venetian merchant, three thousand ducats so that his friend Bassanio can afford to court his love, Portia. However, Shylock has one condition: Should the loan go unpaid, he will be entitled to a pound of Antonio's own flesh. Meanwhile in Belmont, according to the terms of her father's will, Portia's many suitors must choose correctly from three caskets. Bassanio arrives at Portia's estate and they declare their love for one another before he picks the correct casket.

We find ourselves in the austerity of the 1950s, when England's aristocracy was feeling the pinch. Bertie Wooster has gone to a residential self-help school to learn how to darn his socks. Until he re-emerges, Jeeves has signed up with Bill Rowcester (pronounced Roaster), an earl who is failing to make ends meet in trade, and yearning to sell his stately home, which has charm and damp in equal measure. In his new environment Jeeves is required to exert his mammoth brain to what would be breaking point for any normal intellect.

This widely studied play is one of the "best sellers" of the Shakespeare canon. This production is the sixth Shakespeare play in the series undertaken by Naxos AudioBooks in conjunction with Cambridge University Press.

After an insult from the French Dauphin, King Henry V of England invades France to claim the throne he believes should be his. Henry stops an assassination plot, gives powerful speeches and wins battles against the odds. In the end, he woos and marries the princess of France, linking the two nations....

Les sonnets parus en 1609 mais rédigés au fil des décennies précédentes résonnent encore aujourd'hui de part les thèmes intemporels qu'ils abordent, le désir, l'amour, la jalousie, le doute, la vieillesse, la mort. Ces 154 poèmes nous offrent à voir un concentré de l'univers shakespearien passionné, touchant, universel.

Second star to the right and straight on until morning...that's one way to get to Neverneverland. The other is through this unique full-cast performance, presented in exciting Radio Theatre style.

Make Shakespeare a part of your daily routine with Shakespeare for Every Day of the Year, a yearlong collection of passages from Shakespeare's greatest works. Drawing from the full spectrum of plays and sonnets to mark each day of the year, whether it's a scene from Hamlet to celebrate Christmas or a Sonnet in June to help you enjoy a summer's day. There are also passages to mark important days in the Shakespeare calendar, both from his own life and from his plays.

Jim Craig is 18-years-old, and cannot return to his mountain home until he has proven himself a man. Jessica Harrison is the beautiful, impetuous daughter of the wealthy cattleman whose £1000 colt runs off to join the brumby mob. And then there is the stallion, leader of the brumbies for almost 20 years, ranging free and proud in the mountains, whose very existence is like a dark thread running through the lives of so many people....

The tragedy of King Lear receives an outstanding performance in an all-star cast led by Britain’s senior classical actor, Paul Scofield. He is joined by Alec McCowen as Gloucester, Kenneth Branagh as The Fool, Harriet Walter as Gonerill, Sara Kestelman as Regan and Emilia Fox as Cordelia. This is the ninth recording of Shakespeare plays undertaken by Naxos AudioBooks in conjunction with Cambridge University Press, and is directed by John Tydeman. It was released to mark the 80th birthday of Paul Scofield in January 2002.

Barchester Towers, the sequel to The Warden, is the second novel in Trollope's major series, the Chronicles of Barsetshire. It focuses on the power struggle between Archdeacon Grantly, Mr. Slope and the Proudies as they fight for control of the diocese of Barchester. Meanwhile, another struggle is taking place for the heart of Eleanor Bold. Who will win her? The vile Mr. Slope, the idling Bertie Stanhope or someone else entirely?

In the cosmopolitan Paris of the 1880s, the new proprietors of the Opera House are amused to discover that their costly acquisition is said to be haunted. But their smiles quickly vanish as tragedy follows misfortune: a murdered stagehand, a fatal accident, a missing girl. Fearful tales of the Opera Ghost race through the corridors and dressing rooms of the theatre. And with good reason - for deep in the catacombs beneath the Opera House, something is stirring.

This highly entertaining anthology of verse is the comic, tragic, tender, and telling story of life's seven ages, from childhood to old age. Within the framework of Shakespeare's speech, "The Seven Ages of Man," performed by Sir Ian McKellen, are 150 great poems from all ages, from Chaucer to Emily Dickinson to Walt Whitman and many others. The poem are presented by the finest cast ever assembled on one recording and includes Ralph Fiennes, Dame Judi Dench, John Cleese, Michael Caine, and more.

Have you ever seen a Shakespeare play and come away without fully understanding it? Or wished you had known the basis of the plot before seeing a play by Shakespeare? Are you studying Shakespeare? Would you like to increase your knowledge of the plays without reading the originals? Then these are the recordings for you!

This collection of masterful reinterpretations brilliantly demystifies and breathes new life into Shakespeare's work, demonstrating the continued resonance of a playwright whose popularity remains more than 400 years after his death. Now, the passion, heartbreak, deception, reconciliation, and mortality of Shakespeare’s originals can be understood by all, without the need to cross-reference to an enjoyment-sapping study guide.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.