Classic Plays

In this, Shakespeare's most fantastical comedy, the fairy world wreaks havoc with the foolish mortal one as a lover's nightmare melts into an innocent dream. Under the canopy of a moonlit forest, pairs of lovers and five delightfully inept "mechanicals" weave a web of magic.

Julius Caesar is one of Shakespeare’s most compelling Roman plays. The plot against Caesar and the infamous assassination scene make for unforgettable listening. Brutus, the true protagonist of the play, is mesmerizing in his psychological state of anguish, forced to choose between the bonds of friendship and his desire for patriotic justice.

Hey nonny, nonny - the Bard’s "greatest hits" are all here! Performed with a lively full musical cast ,interspersed with engaging and informative introductory narrative, this imaginative recording uses song and sonnet from Shakespeare’s comedies and tragedies to highlight his works, in his own words. Whether listeners are long-time Shakespearean aficionados or new students of the Englishman’s genius, this educational and entertaining new recording is certain to delight!

An award winning Drama from SmartPass. Unabridged with guided description to set the scene and fill in visual moments.

Elizabeth Gaskell, famed author of Cranford, is cherished for her incise social observations and portrayals of the changing nature of English life through the Industrial Revolution of the Victorian era. Mr. Harrison's Confessions is a warm, funny portrait of life in a small English town. Following the young Doctor Harrison, we hear of his practice and his courting in this charming tale.

The Bard was so incredibly prolific that even most Shakespeare scholars would welcome the occasional refresher course, and most of the rest of us haven't even got a clue as to what a petard actually is. Fear not, the best-selling authors of Homework for Grown-Ups are here to help.

David Ian Davies performs this unique and exciting reading of William Shakespeare's erotic poem, The Rape of Lucrece - not available on cassette or CD!

The premier Russian dramatist before Chekov, Alexander Ostrovsky was one of the first masters of realistic theatre. A typical example of his approach to drama, A Protégée of the Mistress is almost cinematic in its presentation. The action is represented by a series of vivid snapshots, in which Ostrovsky quickly and subtly illustrates the foibles and weaknesses of each character, and shows how they are forced into a hostile dependence on each other.

Ever miss a prime opportunity for a snappy comeback or a perfect putdown? We all have, kicking ourselves later when we think of what we could have said. The well-aimed insult was never in better shape than when Shakespeare mastered the art of defining dramatic conflict with rapier wit rather than swordplay.

In a hole under the floorboards Silas Marner the linen-weaver keeps his gold. Every day he works hard at his weaving, and every night he takes the gold out and holds the bright coins lovingly, feeling them and counting them again and again. The villagers are afraid of him and he has no family, no friends. Only the gold is his friend, his delight, his reason for living. But what if a thief should come in the night and take his gold away?

The St. Charles Players present a unique telling of Owen Wister's classic Western, in a new multi-cast dramatization performed in exciting Radio Theatre style.

Cymbeline ist König von England. Seine Tochter Imogen soll Cloten heiraten - doch sie ist schon vermählt, mit Posthumus, dem gebildetsten Manne Englands. Dieser wird verbannt und schon droht Gefahr in Person von Iachimo, einem italienischen Kavalier.

Many masters employed the form of the sonnet, including Petrarch, Spenser, Shakespeare, Keats, and Robert Bridges. However, the most celebrated, and oft quoted, examples are to be found in the collection by Shakespeare, first published in 1609. In the 154 poems, Shakespeare surveys and dissects the subject of love in all its guises, and its relationship with youth, age, illness, death, and memory.

Beliefs and passions become intertwined with betrayal and violence in this classic adventure tale, performed in exciting Radio Theatre style by a full cast.

A solo recording of Twelfth Night in an American dialect.

A solo recording of Julius Caesar in an American dialect.

William Shakespeare had nothing to do with the actor and moneylender William Shaksper from Stratford-upon-Avon. The man behind the nom de plume "William Shakespeare" was, in fact, a very well-educated aristocrat who often frequented the court of Elizabeth and whose real name was Edward de Vere, Earl of Oxford. The dramas of Shakespeare were not written for the Globe Theatre but for the Queen's court.

In this great tragedy, Macbeth's ambition to fulfill the three witches' prophecy that he will become King of Scotland spurs him and his wife to assassinate King Duncan. But for persistant ghosts, Lady Macbeth's conscience, and the vengeance of Duncan's son, they might have gotten away with murder!

King Lear divides his kingdom between his two duplicitous daughters, banishing the loving Cordelia and the steadfast Kent. These and other acts of folly launch a hugely moving search for dignity, self-knowledge and wisdom on the grandest of scales.

Petruchio arrives in Padua determined to gain his fortune by marrying the volatile Katherina. Their tempestuous meeting and marriage leads to a great love affair. This is perhaps the most famous play ever written about the battle of the sexes. (A full-cast production.)