Classic Thrillers Mystery

Based in part on Donn Pearce’s own experiences working on a Florida road gang, this classic story of Cool Hand Luke, the defiant survivor who refused to be defeated by the forces of corrupt authority, is earthy, sensitively written, and revealing.

One of the 20th-century's most darkly beautiful works of crime fiction - a story of carny life, spiritualism, and a con man of merciless resolve.

Halloween Night, 1954. A young, film-obsessed scriptwriter has just been hired at one of the great studios. An anonymous investigation leads from the giant Maximus Films backlot to an eerie graveyard separated from the studio by a single wall. There he makes a terrifying discovery that thrusts him into a maelstrom of intrigue and mystery - and into the dizzy exhilaration of the movie industry at the height of its glittering power.

My name is Mac Brennan, and that's the only thing I can remember about myself. Not why I woke up in a dumpster. Not why my right arm is as black as pitch and covered in glowing red tattoos, and certainly not why a vicious death cult is after me. Actually, that last part isn't true. I know why the death cult is after me. It's because I saved that damned girl from them. I didn't know who she was at the time, but I'd have done it anyway. I just don't like it when girls get beat up; call me old fashioned.

In the1930s and '40s, Black Mask was the single most important magazine for the modern mystery field. Here writers such as Dashiell Hammett, Raymond Chandler, and Earl Stanley Gardner reshaped the established view of mystery fiction, creating the "hard-boiled" private eye. Now this series resurrects from those pages the toughest of tough detectives in sonic dramatizations from the award-winning Hollywood Theater of the Ear.

There is not much left of the irascible Albert Evan Jasper, "dean of American forensic anthropologists," after his demise in a fiery car crash. But in accord with his wishes, his remains are installed in an Oregon museum to create a fascinating if macabre exhibit. All agree that it is a fitting end for a great forensic scientist - until what is left of him disappears in the midst of the biannual meeting of the august WAFA - the Western Association of Forensic Anthropologists - in nearby Bend, Oregon. Like his fellow attendees, Gideon Oliver - the Skeleton Detective - is baffled.

The house called Sunset has been Marcia's summer home for her entire life. Both of her parents died there, and she and her brother spent their youth exploring its rambling hallways and seaside grounds. They love the old house, but Marcia's sister-in-law has never taken to it. Juliette loathes the sea, and soon comes to loathe her husband as well. After they divorce, Juliette pays a final visit to Sunset, demanding alimony. She is there for a few tense days before she disappears. It takes them a week to find her body.

Au XVIIIe siècle vécut en France un homme qui compta parmi les personnages les plus généreux et les plus horribles de son époque. Il s'appelait Jean-Baptiste Grenouille. Sa naissance, son enfance furent épouvantables et tout autre que lui n'aurait pas survécu. Mais, Grenouille n'avait besoin que d'un minimum de nourriture et de vêtements, et son âme n'avait besoin de rien.

Avoided by the Coast Salish tribes for generations, Hurst Island is one of the last remnants of untracked wilderness on the British Columbia coastal frontier. Not yet overtaken by logging or commercial fishing, it is a final outpost where myth lives on, heedless of human progress or desire. As their boat sinks, Amy and Ian find themselves stranded on this island, unaware of what they are about to face.

Ellison Russell is planning the event of the season - and she's stressed. Why not yoga? Because the yoga instructor gets murdered during class - and Ellison's stress level rises exponentially. Now, in addition to raising a ridiculous amount of money, she's babysitting a deranged cat (named after the devil himself), taking 10 million phone calls (most of them from Mother), and finding more bodies (they're popping up like dandelions after a spring rain). There's no such thing as balance when the killer makes it personal. Can Ellison catch a murderer or will her next namaste be her last?

Every year for two decades, David Payne invites his five closest college friends to travel with him on a weeklong humanitarian mission. And each year, they are too busy. This year, however, when David's funeral reunites them, they decide to fulfill his mission to a far-flung Pacific island. But something unplanned and mind-boggling occurs.

In Edgar Allan Poe's eerie title story, an old man's diseased eye drives the narrator to murder. But while the murderer can rid himself of the eye, he can't silence the old man's heart.

Lyra and Will, the two ordinary children whose extraordinary adventures begin in The Golden Compass and The Subtle Knife, are in unspeakable danger. With help from Iorek Byrnison the armored bear and two tiny Gallivespian spies, they must journey to a dank and gray-lit world where no living soul has ever gone.

A fourth floor room, a door locked with the key inside, no way in, no way out. Edgar Allan Poe is the true grandfather of the murder mystery. Decades before Sherlock Holmes and Hercule Poirot, Poe gave us C. Auguste Dupin, a man able to solve mysteries through observation and deduction.

This Victorian best seller, along with Braddon's other famous novel, Aurora Floyd, established her as the main rival of the master of the sensational novel, Wilkie Collins. A protest against the passive, insipid 19th-century heroine, Lady Audley was described by one critic of the time as "high-strung, full of passion, purpose, and movement." Her crime (the secret of the title) is shown to threaten the apparently respectable middle-class world of Victorian England.

Tippy the triceratops was once a little girl's imaginary friend, a dinosaur detective who could help her make sense of the world. But when her father died, Tippy fell into the Stillreal, the underbelly of the Imagination, where discarded ideas go when they're too real to disappear. Now, he passes time doing detective work for other unwanted ideas - until Tippy runs into The Man in the Coat, a nightmare monster who can do the impossible: kill an idea permanently. Now Tippy must overcome his own trauma and solve the case, before there's nothing left but imaginary corpses.

Body and soul. The song. That's what London constable and sorcerer's apprentice Peter Grant first notices when he examines the corpse of Cyrus Wilkins, part-time jazz drummer and full-time accountant, who dropped dead of a heart attack while playing a gig at Soho's 606 Club. The notes of the old jazz standard are rising from the body - a sure sign that something about the man's death was not at all natural but instead supernatural.

The time is World War II. The place is a brutal prison camp deep in Japanese-occupied territory. Here, within the seething mass of humanity, one man, an American corporal, seeks dominance over both captives and captors alike. His weapons are human courage, unblinking understanding of human weaknesses, and total willingness to exploit every opportunity to enlarge his power and corrupt or destroy anyone who stands in his path.

Elizabeth Bell runs a quiet household, with no family and no more than the usual number of servants. She passes her time thinking about crime and working on her biography of a relative. When a young cousin comes to stay, life in the house becomes uncharacteristically lively. First, cousin Judy burns a hole in Miss Bell's desk. Next, they spy a burglar on the staircase - a shadowy figure who vanishes without a trace. And finally, Sarah, the nurse, takes the dogs for a walk and never returns.

Investigating a crime seemingly unconnected to the Royal Family, Holmes & Watson uncover a conspiracy to kidnap Queen Victoria and destabilise the British Empire. With a ticking clock to her next public engagement, Holmes and Watson must discover who is behind the plot and locate her majesty, while Mycroft tries to keep the monarch’s disappearance a secret from the British people. At first, Holmes believes Moriarty is responsible for the abduction, but when the Napoleon of Crime is proved innocent, Holmes must work with his arch-nemesis to rescue the Queen.