Classical Music Memoir

The attraction of opera is in its scale, in the fact that it is larger than real life in actions and emotions, more magnificent in sound and in sight. And in the world of opera, no figure in our time loomed larger than the late Luciano Pavarotti. Especially in his triumphant collaborations with Placido Domingo and Jose Carreras, he captured the imagination of an audience breadth and depth is remarkable even in the grand context of classical opera.

Is there any music more instantly recognizable and beautifully scored than Tchaikovsky’s wildly popular ballet Swan Lake? These and other works have become enduring classics, yet they were not uncontroversial in Tchaikovsky’s day, and there are those that still wonder if his style is fundamentally European or ardently Russian. Find out more about Tchaikovsky’s childhood obsession with music, his turbulent relationships with friends and colleagues, and how he overcame the deepest of personal crises to transcend all with an ambition that has left us with some of the greatest music ever written.

John Denver said, “I have a producer who looks like an accountant, and an accountant who looks like a producer”. Soberly dressed, unflashy, and a trained classical musician, in the golden age of the music business, Milt Okun stood out by not standing out. His legacy does that for him. He discovered and launched John Denver, and mentored him throughout his career. He created arrangements for Peter, Paul and Mary that the trio performed for half a century. He brought Placido Domingo a crossover career that made him an international star beyond the world of opera.