Classics Literature Horror

This collection by Robert W. Chambers was first published in 1895 and features stories loosely tied together with one theme, the supernatural. Many of the stories in The King in Yellow were not received well by the critics of the time due to their supernatural undertones. Some of the stories mention a play by the same name that had been outlawed in some regions of the world. It was thought that the play could induce madness in those who viewed it. Two of the stories in this book take place in a fictional world of the future 1920s and are macabre in tone.

Qui pourrait croire que derrière cette paisible ménagère, si tendre et si attentionnée avec son mari, se cache une terrible meurtrière ? Et cette logeuse débordante d'amabilité et de gentillesse, comment ne pas lui faire confiance ? Mais attention ! Les apparences sont parfois trompeuses... Voici quatre histoires à l'humour plutôt macabre dont la lecture vous fera frémir !

An authentic, gothic reimagining of Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde, told from the villain' s perspective, that takes listeners deep into the seedy side of Victorian London and explores the nature of personality and of the subconscious. Mr. Hyde is trapped in Dr. Jekyll' s surgical cabinet, counting the days until he will face capture and be forced to make the ultimate choice about survival. Over the course of four days, he thinks back on what brought him to this moment, and he finally has the chance to tell the story of his brief but marvelous life.

The events of the story occupy a single June day in post-World War I Central London, as wealthy and fashionable society hostess Clarissa Dalloway is preparing for a party she is to give that evening. Through her thoughts and memories, the voices of others who have touched on her life and will attend her party, Virginia Woolf shows her genius as a writer who is both accessible and popular.

Lovecraft’s gothic horror masterpiece. During an investigation in Red Hook, Detective Thomas F. Malone, and discovers horrors that he never imagined. A horror classic.

With the sole idea that, through a pleasant, or at least fascinatingly strange story, some will be brought to the threshold of realization wherein the partially explored activities and functions of the mind contain many profound mysteries and principles of considerable import, and that those so illumined may be tempted to seek for more light in the chamber of the unknown, this book is offered to those constantly asking for the unusual in fiction and the mystical in romance.

Christmas may come but once a year but human emotions, the driving force of our characters, are with us every day. Yet, somehow these same emotions when they happen at Christmas seem amplified; we seem more tender to their touch, their words. Whether it’s a long-lost returning soldier wondering how best to return to the arms of his family without too great a risk of shock... Or a prodigal son whose taken path has driven pain into his own and others hearts… These stories reveal much about the human condition.

Andrew Pinkney is a young English solicitors clerk with boyish good looks and a gentle manner. But he also has a dark side. When his girlfriend Jennifer laughs at his impotence, he lashes out in a violent rage, knocking her unconscious. At the suggestion of his employer, Andrew heads to an isolated cottage in the dark Welsh countryside to take a break and get a grip on himself.

The classic vampire story by Bram Stoker revolves around a struggle between good and evil, tradition and modernity, and lust versus chastity. The author didn’t invent vampires, but his novel has so captured the public’s imagination that he is rightly considered their popularizer. Listen and you will meet not only the Count himself, but heroes Jonathan Harker and Abraham Van Helsing, plus an array of madmen, psychiatrists, and fair maidens who cross paths with the fanged menace.

In this classic, romantic ghost story, a governess on a remote country estate begins to believe her charges are possessed by the spirits of 2 dead former servants. Are her perceptions simply the fruit of her neuroses - or could they possibly be valid? A foray into the very heart of evil, Henry James's masterful novel is also remarkable for its psychological acuity and evocation of mood.

Jane is haunted. Since she was a child, she has carried a ghost girl that feeds on the secrets and fears of everyone around her, whispering to Jane what they are thinking and feeling, even when she doesn't want to know. Henry, Jane's brother, is ridden by a genius ghost that forces him to build strange and dangerous machines. Their mother is possessed by a lonely spirit that burns anyone she touches. In Swine Hill, a place of defeat and depletion, there are more dead than living.

She made a deal with a demon to live again…Now she's cursed to live over and over, see-sawing into people's lives at the moment of their deaths, thrust into maelstroms of violence and emotion without any warning. As she strives to survive and do the right thing, she finds herself sometimes forced into evil acts, recognizing that she has become a game piece used in the eternal game of good vs. evil.

When local newspapers report strange things seen floating in rivers during a historic Vermont flood, Albert Wilmarth becomes embroiled in a controversy about the reality and significance of the sightings. However it isn’t until he receives communication from Henry Wentworth Akeley that he is offered the proof he requires.

Courtney is a total show-off. She thinks she's so brave, and she's always making Eddie and his friends look like wimps. But now, Eddie's decided he's had enough. He's going to scare Courtney once and for all. And he's come up with the perfect plan to do it. Eddie's going to lure Courtney down to Muddy Creek. Because he knows that she actually believes those silly rumors about the monsters. That there are Mud Monsters living deep inside the creek. It's just too bad that Eddie doesn't believe the rumors, too. Because they just might be true.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

Stephen Norman is to inherit her father’s vast fortune and estate. She seeks to ask Leonard Everard (a wastrel) to marry her, but only to prove that she can ask a man to marry her and defy 19th-century convention which says a man can only ask a woman to marry. This sets into motion a showdown between two old rivals for her hand in marriage, as Harold An Wolf (a gentleman) is in love with her.

In this atmospheric horror story, the city of the title is the ruin of a primordial site in the Arabian desert, thought to be more ancient than the first human civilization. In its heyday, the city flourished on the edge of the ocean. The inhabitants were a species of reptile looking like a hybrid of crocodile and seal, but with horns and protruding foreheads. They moved by crawling, so the remaining buildings have low ceilings.

This haunting, unabridged reading from the original 1897 text, recounts with mounting suspense the nocturnal travels of a suspicious count from Transylvania.

Between 1925-27, H.P. Lovecraft wrote Supernatural Horror in Literature, an extended essay about about the history of the weird tale. In it he describes supernatural horror from its earliest manifestations up to the 1920s. Lovecraft offers his own candid opinions on the merits (and deficiencies) of the world's canon of strange literature. The H.P. Lovecraft Historical Society recorded the essay as an audiobook. Read by society founders Sean Branney and Andrew Leman, the recording is approximately three hours long.

Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Perkins Gilman, alongside works of writers who were the best sellers and critical favorites of their time - Marie Corelli, Ellen Glasgow, Charlotte Riddell - and lesser known authors who are deserving of contemporary recognition.