Classics Literature Horror

Este ebook presenta "El retrato de Dorian Gray", con un índice dinámico y detallado. Se trata de una novela que escribió Oscar Wilde, publicada en 1890. Se considera una de las últimas obras clásicas de la novela de terror gótica con una fuerte temática faustiana. La novela cuenta la historia de un joven llamado Dorian Gray, retratado por el artista Basilio Hallward, quien queda enormemente impresionado por la belleza física de Dorian y comienza a encapricharse con él, creyendo que esta belleza es la responsable de la nueva forma de su arte.

During a canoe trip on the Danube, two men are forced to stop on an island due to the current. What was supposed to be a peaceful temporary camping experience turns into a disturbing and supernatural ordeal: the willows covering the island seem to move and whisper in the wind, giving the impression of being alive; the presence of hostile and terrifying invisible entities is perceived, casting doubt on every capacity for rational thought.

Dracula begins with the journal of Jonathan Harker, a young solicitor on the way to Transylvania to give information to the mysterious Count Dracula about his new estate in London. Dracula takes the young man prisoner, and Jonathan sees many strange and evil things in the castle before escaping and fleeing into the night. He later decides that he must have been mad.

Dorian Gray, giovane e bellissimo dandy della società londinese del diciannovesimo secolo, plagiato e iniziato dall'amico esteta Lord Henry, esprime, contemplando un proprio ritratto, il desiderio di poter rimanere sempre giovane e bello. Per un terribile sortilegio è il dipinto a portare i segni dell'età che avanza e della decadenza umana e morale ...

Hours before his wedding, fifteen-year-old Conrad, heir to the house of Otranto, is crushed to death. His father, Manfred, Lord of Otranto, sees only one recourse to protect the family lineage. He will divorce his wife and marry the boy’s bride-to-be. Her wishes be damned. When the fearful and resistant Isabella takes flight, Manfred follows in mad pursuit. But it is he who must outrun a greater fear: a curse cast on his family generations ago.

Edgar Allan Poe est l'un des grands auteurs du XIXème siècle. Archétype de l'écrivain maudit, trop génial pour être compris, il a mis dans son œuvre la tristesse, la solitude et le désespoir qui caractérisent tous les incompris. Ses "Histoires Extraordinaires" ne dérogent pas à cette règle, ni d’ailleurs à son goût prononcé pour la découverte scientifique, comme en témoigne "La descente dans le Maelström", sujet du présent enregistrement.

After executing the perfect crime, a woman inherits an estate by poisoning its original owner and learns that we are sometimes our own worst enemy.

Those who belong to the secret society called The Oversight know many things. They know cold iron will hold back the beasts in the darkness. They know it is dangerous to stand between two mirrors. And they know that despite their dwindling numbers, it remains their duty to protect humanity from the predations of the supernatural. And vice versa. But two of the society's strongest members, Mr. Sharp and Sara Falk, are trapped in the world between the mirrors, looking for each other, searching for a way back home.

For 17 years of his life, the exact whereabouts of the medieval Italian poet Dante Alighieri are unknown to modern scholars. It is known that during this time he traveled as an exile across Europe, working on his epic poem, The Divine Comedy. In his masterpiece he describes a journey through the three realms of the afterlife. During his lost wanderings, Dante stumbled upon an infestation of the living dead. The unspeakable acts he witnessed became the basis of all the horrors described in Inferno.

The name Edgar Allan Poe conjures up thoughts of hearts beating long after their owners are dead, of disease and plague amid wealth, and of love that extends beyond the grave. The richness of Poe's writing, however, includes much more than horror, loss, and death. Poe's stories teem with irony and black humor, in addition to plot twists and surprise endings.

At first blush, Widdershins is a conventional haunted house story involving an unsuccessful writer who moves into an empty house in hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend, and his sanity are all destroyed in the process. It can be interpreted as narrating the gradual possession of the protagonist by a mysterious, possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the psychotic subject’s view.

Ambrosio, the worthy superior of the Capuchins of Madrid, falls to the temptations of Matilda, a fiend-inspired wanton who, disguised as a boy, has entered his monastery as a novice. Ambrosio then falls in love with one of his penitents and finally kills her in order to escape detection. However, he is discovered, tortured by the Inquisition and sentenced to death.

Few ghost stories are as chilling as the ones written by Victorian writers. Featuring work by H.G. Wells, Edith Wharton, F.G. Loring and Florence Marryat, this second volume of eight enduring stories, some well-known, others less familiar, transport you to a cosy fireside to hear tales of disembodied voices, haunted objects and unknown entities lurking in the shadows cast by candlelight.

When a young governess is hired to care for two orphans in a country estate, she soon realises that something is lurking in the grounds of the house. But is it a mere ghost or an altogether more sinister presence at work? The tension of this timeless horror is perfectly captured by stage and screen actress Virginia McKenna.

Vincentio di Vivaldi has fallen in love with Ellena Rosalba. However, his proud and noble family vehemently oppose the match: they cannot allow him to wed someone with no money or social standing. Thus, his mother, the mean-spirited Marchesa, and her minion, the evil monk Father Schedoni, set in motion a malign plot that has Ellena kidnapped and imprisoned in a convent, to prevent a hasty marriage.

London, 1885. Gabriel Utterson, a 17-year-old law clerk, has returned to London for the first time since his life—and that of his dearest friend, Henry Jekyll—was derailed by a scandal that led to his and Henry's expulsion from the London Medical School. Whispers about the true nature of Gabriel and Henry's relationship have followed the boys for two years, and now Gabriel has a chance to start again. But Gabriel doesn't want to move on, not without Henry. His friend has become distant and cold since the disastrous events of the prior spring, and now his letters have stopped altogether.

Ichabod Crane, a schoolteacher, came to Tarry Town in the glen of Sleepy Hollow to ply his trade in educating young minds. He was a gullible and excitable fellow, often so terrified by locals' stories of ghosts that he would hurry through the woods on his way home, singing to keep from hysterics. Until late one night, he finds that maybe they're not just stories. What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands?

A governess employed at a remote estate finds herself in charge of two young children. As the story unfolds, it would appear that nothing is as it should be. The governess doubts her own sanity when the children see things, and it seems that the estate is haunted. Is the governess in danger from the ghosts or is she in danger from the children?

A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate...an estate haunted by a beckoning evil. Half-seen figures who glare from dark towers and dusty windows—silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls. But worse, the governess discovers that Miles and Flora have no terror of the lurking evil.

As a Level Eight telepath, I am the best police interrogator in the department. But I’m not a cop - I never will be - and my only friend on the force, Homicide Detective Isabella Cherabino, is avoiding me because of a telepathic link I created by accident. And I might not even be an interrogator for much longer. Our boss says unless I pull out a miracle, I’ll be gone before Christmas. I need this job, damn it. It’s the only thing keeping me sane.