Colonial Ghosts

In the late 1890s, Edmund Dene Morel, a young British shipping company agent, noticed something strange about the cargoes of his company's ships as they arrived from and departed for the Congo. Incoming ships were crammed with valuable ivory and rubber. Outbound ships carried little more than soldiers and firearms. Correctly concluding that only slave labor could account for these cargoes, Morel almost singlehandedly made this slave-labor regime the premier human rights story in the world.

Okey Ndibe's funny, charming, and penetrating memoir tells of his move from Nigeria to America, where he came to edit the influential - but forever teetering on the verge of insolvency - African Commentary magazine. It recounts stories of Ndibe's relationships with Chinua Achebe, Wole Soyinka, and other literary figures; examines the differences between Nigerian and American etiquette and politics; and recalls an incident of racial profiling just 13 days after he arrived in the US, in which he was mistaken for a bank robber.

What if the British Museum isn't a house of learning, but a vast sinkhole of still-bubbling historic injustice? What if it presents us not with a carefully ordered cross section of history but is instead a palatial trophy cabinet of colonial loot swarming with volatile and errant spirits? When artist and writer Noah Angell first heard murmurs of ghostly sightings at the British Museum he had to find out more. What started as a trickle soon became a landslide as staff old and new brought forth testimonies of their inexplicable supernatural encounters.

In a daring and fierce debut work of fiction - the likes of which comes along once in a generation - Virginia’s landscapes, emblems, and Thomas Jefferson’s historic plantation set the stage for a cast of unforgettable characters fighting for their right to exist in America. Jocelyn Nicole Johnson’s precisely imagined debut explores burdened inheritances and extraordinary pursuits of belonging.