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In a country where patriarchal favoritism and the primacy of sons survived multiple revolutions and an ideological earthquake, this epic novel is first and foremost about women, with the female body serving as the book’s central metaphor. The protagonist, Mother, is born in 1900 and married at seventeen into the Shangguan family. She has nine children, only one of whom is a boy—the narrator of the book. A spoiled and ineffectual child, he stands in stark contrast to his eight strong and forceful female siblings.

Tiller is an average American college student with a good heart but minimal aspirations. Pong Lou is a larger-than-life, wildly creative Chinese American entrepreneur who sees something intriguing in Tiller beyond his bored exterior and takes him under his wing. When Pong brings him along on a boisterous trip across Asia, Tiller is catapulted from ordinary young man to talented protégé, and pulled into a series of ever more extreme and eye-opening experiences that transform his view of the world, of Pong, and of himself.

Motl is middle-aged, poor, nerdy, Jewish, and in desperate need of a shave. Since having his balls shot cleanly off as a youth in WWI, he's lived a quiet life at home in Vilnius with his shrewd and shrewish mom, Gitl, losing himself in the masculine fantasy world of cowboy novels by writers like Karl May - novels equally loved by Hitler, whose troops have just invaded Lithuania and are out to exterminate people like Motl. As friends and neighbors are killed around them, Motl and Gitl escape from Vilnius, saving their own skins.

Penguin presents the unabridged, downloadable audiobook edition of 'Rommel?' 'Gunner Who?', written and read by Spike Milligan. 'Keep talking, Milligan. I think I can get you out on mental grounds.' 'That's how I got in, sir.' 'Didn't we all?' The second volume of Spike Milligan's legendary recollections of life as a gunner in World War Two sees our hero into battle in North Africa - eventually.

Wise-cracking Kerry Salter has spent her adulthood avoiding two things: her hometown and prison. A tough, generous, reckless woman accused of having too much lip, Kerry uses anger to fight the avalanche of bullshit the world spews. But now her Pop is dying and she's an inch away from the lockup, so she heads south on a stolen Harley for one last visit. She quickly discovers that Bundjalung country has a funny way of latching on to people—not to mention her chaotic family and the threat of a proposal to develop a prison on Granny Ava’s Island, the family’s spiritual home.

The world of comedy and comedians of the last five decades. By the man the New York Times calls "a comic institution himself", the only comedian (26 years in stand-up) to have made Elie Wiesel laugh, as well as having appeared on The Tonight Show (140 times, second only to Bob Hope, but who's counting). From the director of TV comedy series Mad About You, Seinfeld, Friends, Weeds, and Curb Your Enthusiasm.

Hailed in his lifetime as one of Latin America’s greatest writers, Machado de Assis (1839-1908) was a storyteller known for his wholly innovative narrative techniques and uncanny talent for unraveling the social and political milieu of nineteenth-century Brazil. These signature traits are on full display in Quincas Borba, a novel that sees Machado satirize a rapidly changing Rio de Janeiro. Originally published in 1891, the story begins with the death of its titular character, a mad philosopher infamous for spouting pessimistic theories of “Humanitism”.

To the outside observer, Vivian is a success story—a dedicated lawyer who advocates for mentally ill patients at a New York City psychiatric hospital. Privately, Vivian contends with the memories and aftereffects of her bad childhood—compounded by the everyday stresses of being a Black Latinx woman in America. She lives in a constant state of hypervigilant awareness that makes even a simple subway ride into a heart-pounding drama.

Мы рады представить Вам бестселлер русской литературы - роман молодых одесситов Ильфа и Петрова "12 стульев" в прочтении Вениамина Смехова. Думаем, что не стоит пересказывать приключения главных героев - Остапа Бендера, Кисы Воробьянинова и Отца Федора, которые принесли нам так много уморительных минут смеха.

After fleeing crumbling, volatile Venezuela, Yola Palacio wants nothing more than to settle into a peaceful new life in Trinidad with her family. And who cares if they’re there illegally - aren’t most of the people on the island? But life for the Palacios is far from quiet - and when Yola’s aunt Celia dies, the family once again find their lives turned upside down. For Celia had been keeping a very big secret - she owed a lot of money to a local criminal called Ugly. And without the funds to pay him off, Ugly has the entire family do his bidding until Celia’s debt is settled.

Jane and Dan have been married for nineteen years, but Jane isn’t sure they’re going to make it to twenty. The mother of two feels unneeded by her teenagers, and her writing career has screeched to an unsuccessful halt. Her one published novel sold under five hundred copies. Worse? She’s pretty sure Dan is cheating on her. When the couple goes to the renowned upscale restaurant La Fin du Monde to celebrate their anniversary, Jane thinks it’s as good a place as any to tell Dan she wants a divorce.

Independent bookstore owner Sophie Bernstein is burned out on books. Mourning the death of her husband, the loss of her favorite manager, her only child’s lack of aspiration, and the grim state of the world, she fantasizes about going into hiding in the secret back room of her store. Meanwhile, renowned poet Raymond Chaucer has published a new collection, and rumors that he’s to blame for his wife’s suicide have led to cancellations of his publicity tour. He intends to set the record straight—with a fine-point Sharpie—but only one shop still plans to host him: Sophie’s.

Look Who's Back is a cutting satire on modern media-bloated, celebrity-obsessed society, seen through the eyes of Adolf Hitler. Adolf Hitler wakes up on a patch of open ground, alive and well. It is the Summer of 2011 and things have changed - no Eva Braun, no Nazi party, no war. Hitler barely recognizes his beloved Fatherland, filled with immigrants and run by a woman.

When Jo Breen uses her divorce settlement to buy a neglected property in the Byron Bay hinterland, she is hoping for a tree change, and a blossoming connection to the land of her Aboriginal ancestors. What she discovers instead is sharp dissent from her teenage daughter, trouble brewing from unimpressed white neighbours and a looming Native Title war between the local Bundjalung families. When Jo unexpectedly finds love on one side of the Native Title divide she quickly learns that living on country is only part of the recipe for the Good Life.

Callahan Garrity is the owner of House Mouse, a cleaning service that tidies up after Atlanta’s elite. She’s also a former cop and a part-time sleuth. She and her coterie of devoted helpers can ransack a house for clues faster than it takes a fingerprint to set. When Callahan Garrity gets caught in a liquor store holdup on the way home from a St. Paddy’s Day party, one of her best friends is shot.

Meena Dave is a photojournalist and a nomad. She has no family, no permanent address, and no long-term attachments, preferring to observe the world at a distance through the lens of her camera. But Meena’s solitary life is turned upside down when she unexpectedly inherits an apartment in a Victorian brownstone in historic Back Bay, Boston.

Heroic bookseller Laurent Letellier comes across an abandoned handbag on a Parisian street. There's nothing in the bag to indicate who it belongs to, although there's all sorts of other things in it. Laurent feels a strong impulse to find the owner and tries to puzzle together who she might be from the contents of the bag. Especially a red notebook with her jottings, which really makes him want to meet her. Without even a name to go on, and only a few of her possessions to help him, how is he to find one woman in a city of millions?

Laissez-vous gagner par cette famille fantaisiste digne d'Almodóvar. Réunion de famille impromptue dans un café. Fernando, sa mère, Amalia, ses deux sœurs, Emma et Silvia. Tous espèrent un coup de téléphone qui tarde à arriver. L'attente, fébrile, est ponctuée de scènes savoureuses, de quiproquos et de malentendus. Les vérités cachées ou à demi dites s'égrènent sans fin. Et on rit aux larmes de cette comédie familiale plus profonde qu'il n'y paraît.

L.A. Woman is quintessential Babitz, the story of Sophie, a 20-something blonde Jim Morrison groupie gliding through a golden existence in L.A.; and Lola, a German immigrant who settles in Hollywood in the '20s to drive Pierce Arrows recklessly down Sunset Boulevard and who knows that Maybelline mascara cakes and that Rudolph Valentino is the essence of life. Sophie and Lola, like the many other women who move in and out of this electric saga, know that while L.A. is constantly changing, it is essentially eternal.

A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of writers who espoused extreme right-wing ideologies in the 20th and 21st centuries.