Comedy Mystery Thrillers

Take an exit off the Jersey Turnpike to the irresistible world of Stephanie Plum, America's favorite bounty hunter, where she gets into more trouble than ever. This time, she faces a notorious gang in Trenton who wants her dead. Morelli warns that she's in too deep, and Stephanie more than agrees.

It's 1985, and at Oxford University, Pimm's, punting, and ball gowns are de rigeur. Ursula Flowerbutton, a studious country girl, arrives for her first term anticipating nothing more sinister than days spent poring over history books in gilded libraries - and, if she's lucky, an invitation to a ball. But when she discovers a glamorous classmate on a chaise longue with her throat cut, Ursula is catapulted into a murder investigation.

When Izzy Spellman, PI, is arrested for the fourth time in three months, she writes it off as a job hazard. She's been (obsessively) keeping surveillance on a suspicious next door neighbor (suspect's name: John Brown), convinced he's up to no good - even if her parents (the management at Spellman Investigations) are not.

Praising Tim Dorsey’s tongue-in-cheek humor, the Miami Herald wrote, “Nobody, but nobody, writes like this guy.” Here Florida politics take the main stage in a rollicking satire that proves Dorsey’s at the top of his game. When a traumatic experience forever changes Florida gubernatorial race candidate Marlon Conrad’s life, he hits the road in a Winnebago to find the “real” Florida. But his odyssey is plagued with would-be assassins and cutthroat journalists.

This 12th entry from Alexander McCall Smith’s New York Times best-selling series showcases the humanity and matchless wit that define Precious Ramotswe. While both Precious and Grace Makutsi are puzzled by prophetic dreams, life goes on at the No. 1 Ladies’ Detective Agency. Precious finds herself investigating a case of rural jealousy, while Grace inches closer to her wedding.

Meet Steven Stelfox. London, 1997: New Labour is sweeping into power, and Britpop is at its zenith. A&R man Stelfox is slashing and burning his way through the music industry, fuelled by greed and inhuman quantities of cocaine, searching for the next hit record amid a relentless orgy of self-gratification. But as the hits dry up and the industry begins to change, Stelfox must take the notion of cutthroat business practices to murderous new levels in a desperate attempt to salvage his career.

Gwen Turner has made a bloody mess of her life. She recently broke up with the best man she’s ever known for reasons even she can’t admit to herself and quit a lucrative job to open her own coffee shop. To top it all off, her best friend is getting married and leaving her behind in singlehood.

Veranix Calbert leads a double life. By day, he’s a struggling magic student at the University of Maradaine. At night, he spoils the drug trade of Willem Fenmere, crime boss of Dentonhill and murderer of Veranix’s father. He’s determined to shut Fenmere down. With that goal in mind, Veranix disrupts the delivery of two magical artifacts meant for Fenmere's clients, the mages of the Blue Hand Circle. Using these power-filled objects in his fight, he quickly becomes a real thorn in Fenmere's side.

Stephanie Plum may not be the best bounty hunter in beautiful downtown Trenton, but she's pretty darn good at turning bad situations her way . . . and she always gets her man. In To the Nines, her cousin Vinnie (who's also her boss) has posted bail on Samuel Singh, an illegal immigrant. When the elusive Mr. Singh goes missing, Stephanie is on the case. But what she uncovers is far more sinister than anyone imagines and leads to a group of killers who give new meaning to the word hunter.

Alison Hart, a medium by trade, tours the dormitory towns of London's orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists....

Fledgling reporter Fletch's first big interview is with a millionaire lawyer with a crooked streak and an itch to give away some of his ill-gotten gains. He ends up dead in the News-Tribune's parking lot before Fletch can ask question number one. So Fletch goes after the murderer instead and ends up learning a thing or two about crime and punishment. At the same time, he's supposed to be covering (or maybe uncovering) a health spa that caters to all its clients' needs and gets hired as a very personal trainer.

Rhoda West is Silicon Valley’s favorite female CEO: the luminously charismatic founder of the fast-growing startup Radical, a wellness company whose core mission is the betterment of women’s lives. Rhoda’s Instagram page offers intimate glimpses of her personal life alongside promotions for the cult-status products developed in the Well, Radical’s secretive lab.

Kyril Bonfiglioli's wickedly fun mysteries featuring the Honorable Charlie Mortdecai, degenerate aristocrat, amoral art dealer, seasoned epicurean, unwilling assassin, and general knave-about-Picadilly, have been cult classics in the UK since their first publication there in the 1970s.

At the ripe old age of 32, former wild child Isabel "Izzy" Spellman has finally agreed to take over the family business. And the transition won't be a smooth one....The uproarious fourth and final installment in this New York Times best-selling, Edgar- and Macavity-nominated series about a kooky detective family.

Everyone has a hidden talent. For Lucky O'Toole it's murder...solving it. Tonight she feels like committing it. Her live-in lover, Teddie, has rock-starred out and taken his show on the road. Her mother is a pregnant hormonal weapon of mass destruction. But, as the Chief Problem Solver for the Babylon, Las Vegas's most over-the-top destination, murder isn't in her job description. So damn lucky.

If Lucky O’Toole, Chief Problem Solver for the Babylon, Vegas’ primo Strip property, knows one thing, it's where money goes, trouble follows. So, when the NFL announces it’s moving a team to Vegas, Lucky is left on the fence until the trouble she feared lands in her lap. Nolan Ponder, one of the key players in the negotiations to get the NFL to Sin City, staggers into the Babylon covered in blood and holding a knife. With the mountains of money and careers on the line, Lucky figured someone would try to kill the deal. But murder?

Heidi Lucy has a secret—a big one. A scary, dangerous, ugly one. There’s just one problem: thanks to a mysterious head wound, she can’t seem to remember what that secret is. In order to regain her lost memories, Heidi sets out to retrace her steps—followed grudgingly by Soren, a faithful patron of her little bookshop and the less-than-thrilled recipient of the cryptic voicemail she can’t remember leaving. But her journey gets derailed when one of Heidi’s customers drops dead in the middle of her shop, and it isn’t long before both Heidi and Soren come under suspicion.

"Work," said Psmith, with simple dignity. "I am now a member of the staff of this bank. Its interests are my interests. Psmith, the individual, ceases to exist, and there springs into being Psmith, the cog in the wheel of the New Asiatic Bank; Psmith, the link in the bank's chain; Psmith, the Worker. "I shall not spare myself," he proceeded earnestly. "I shall toil with all the accumulated energy of one who, up till now, has only known what work is like from hearsay."

A pig escapes from its pen and roots up the garden of Kitty McCloud, a best-selling novelist who "corrects" the classics. What the obstreperous little pig unearths is evidence of a possible transgression that the novel's three Irish characters - the plagiarizing Kitty, her blood-feud rival Kieran, and a sexy swineherd named Lolly - are convinced the other has probably benefited from.

With The Blazing World, internationally best­selling author Siri Hustvedt returns to the New York art world in her most masterful and urgent novel since What I Loved. Hustvedt, who has long been celebrated for her “beguiling, lyrical prose” ( The Sunday Times Books, London), tells the provocative story of the artist Harriet Burden. After years of watching her work ignored or dismissed by critics, Burden conducts an experiment she calls Maskings: She presents her own art behind three male masks, concealing her female identity.