Comic History

In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created in the bold, pulpy pages of comic books. The Ten-Cent Plague explores this cultural emergence and its fierce backlash while challenging common notions of the divide between "high" and "low" art.

Bestselling author and award-winning comics writer Ryan North has the answers. In this introduction to the science of comic-book supervillainy, he details a number of outlandish villainous schemes that harness the potential of today’s most advanced technologies. Picking up where How to Invent Everything left off, his explanations are as fun and elucidating as they are completely absurd.

Danny Fingeroth’s A Marvelous Life: The Amazing Story of Stan Lee is the first comprehensive biography of this powerhouse of ideas, who, with his invention of Marvel Comics, changed the world’s ideas of what a hero is and how a story should be told. With exclusive interviews with Lee himself, as well as with colleagues, relatives, friends - and detractors - Fingeroth makes a doubly remarkable case for Lee’s achievements, while not ignoring the controversies that dogged him his entire life - and even past his death.

Operation Iraqi Freedom Veteran and former host of All Access, DC Comics' web show, Jason Inman, discusses the influence war has had on some of the most memorable superheroes in comics.

Wright's lively study also focuses on the role comic books played in transforming children and adolescents into consumers; the efforts of parents, politicians, religious organizations, civic groups, and child psychologists to link juvenile delinquency to comic books and impose censorship; and the changing economics of comic book publishing over the course of the century. Comic Book Nation is at once a serious study of popular culture and an entertaining look at an enduring American art form.

Khrushchev's 1959 trip across America was one of the strangest exercises in international diplomacy ever conducted. He told jokes, threw tantrums, sparked a riot in a San Francisco supermarket, wowed coeds in an Iowa home-economics class, and ogled Shirley MacLaine. He befriended and offended a cast of characters including Nelson Rockefeller and Marilyn Monroe. The trip took place in the 50s, with the shadow of the hydrogen bomb hanging over his visit like the Sword of Damocles.

Comic book superheroines bend steel, travel across time and space, and wield awesome forces. These mighty females do everything that male superheroes do. But they have to work their wonders in skirts and high heels. The Supergirls asks whether their world of fantasy is that different from our own. Are the stories of Wonder Woman’s search for an identity, Batwoman and Power Girl’s battle for equality, and Manhunter’s juggling of a crime fighting career and motherhood also an alternative saga of modern American women?

In Superman Is Jewish? Harry Brod reveals the links between Jews and superheroes in a penetrating investigation of iconic comic book figures. He describes how the role of each hero reflects the evolution of the Jewish place in American culture - an alien in a foreign land, like Superman; a figure plagued by guilt for not having saved his family, like Spider-Man; outsiders persecuted for being different (X-Men); a nice, smart guy afraid people won't like him when he's angry (the Hulk).