Cozy Historical Fiction

Minerva Kenny is a dear woman, but her tendency to "borrow" things without asking has finally caught up with her. William Barrett has learned Minerva's shameful secret, and he's holding it over her head. Mrs. Jeffries and the staff at Upper Edmonton Gardens have hatched a scheme to save her - but when they try to recover the damning evidence from Barrett, they discover something more shocking: Barrett's corpse. Considering the victim's wicked ways, Minerva is far from the only suspect.

On a spring morning in 1951, 11-year-old chemist and aspiring detective Flavia de Luce gathers with her family at the railway station, awaiting the return of her long-lost mother, Harriet. Yet upon the train’s arrival in the English village of Bishop’s Lacey, Flavia is approached by a tall stranger who whispers a cryptic message into her ear. Moments later, he is dead, mysteriously pushed under the train by someone in the crowd. Who was this man, what did his words mean, and why were they intended for Flavia? Back home at Buckshaw, the de Luces’ crumbling estate, Flavia puts her sleuthing skills to the test.

Beatrice, Duchess of Kesgrave, emerges from a wretched night’s sleep to discover him embracing the most beautiful woman she has ever seen. His former mistress! It is shocking, yes, but not so very alarming, for Penelope Taylor is actually there to see Bea. Her dearest friend has been brutally slain, and as Millicent Lloyd happened to be sleeping in the courtesan’s bed at the time, Mrs. Taylor is the only suspect. The magistrate is impatient to cart her off to Newgate and refuses to acknowledge the truth that is glaringly obvious to her: She was the intended victim.

To be clear: Beatrice, Duchess of Kesgrave, does not think every dead person in London is the victim of a sinister plot. The city is large, after all, and some of its inhabitants had to have died from innocent causes. Like Peter Huzza, who was killed in a horrifying steam engine accident. It is shocking, yes, the way his body was torn apart by the explosion of his very own machine, but not entirely surprising. High-pressure steam is notoriously dangerous to harness. There is no reason to suspect foul play. Nope, none at all.

Kat brings Harry across the Atlantic to New York for a planned whirlwind time in her home town - complete with a lavish suite at the Plaza. But when Teddy Crowther - grandson of a wealthy City magnate - is snatched by the mob, the pair is asked to help. As Prohibition New York swelters in a heatwave, the Mortimers soon find themselves playing a dangerous game of cat and mouse, not just with the kidnappers, but also the rest of the Crowther family, all of whom have everything to gain - and maybe lose - if Teddy is found ...

In September 1926, the Honorable Daisy Dalrymple Fletcher visits Sybil Sutherby, a school friend now living in Derbyshire as the confidential secretary to a novelist. Suspecting that something is seriously amiss, Sybil has asked Daisy to discretely investigate. Upon arrival, Daisy finds a household of relatives and would-be suitors living off the hospitality of Humphrey Birtwhistle, who had been supporting them through his thrice-yearly, pseudonymous Westerns. When he took ill, though, Sybil took over writing them while he recovered, only to see the sales increase. Now, she fears that someone in the household is poisoning Birtwhistle to keep him ill and Sybil writing the better-paying versions.

While attending an exhibition at the Crystal Palace, young cook Kat Holloway is approached by a woman in distress. Lady Covington is a wealthy widow convinced that her entire family is trying to kill her. Kat feels compelled to help, so she escorts the lady home to discover whether she is delusional or in true danger. When it quickly becomes apparent that the threat is all too real, Kat promises aid.

England, 1936. On a clear autumn day, Kitty and her mischievous spaniel Bertie take a drive to a nearby village. After a long walk in the rolling country hills and lunch in a pretty tearoom, what could be nicer than to buy a couple of bottles of local cider for her husband—and partner-in-crime solving—Matt? Instead, she finds a body in the orchard… Kitty is shocked to discover Titus Blake dead, crushed by his own cider press.

Lady Violet returns with St. Sevier to her family seat, and finds Derwent Hall at sixes and sevens upon the occasion of her nephew’s christening. Other guests have brought their children along to celebrate the occasion, and Sebastian MacHeath is on hand to serve as godfather. Nobody seems to be getting along, despite the happy nature of the gathering. Summer heat builds to an unbearable crescendo as clandestine affairs, marital troubles, and family tensions escalate. Then somebody starts kidnapping little girls.

It is 1936. Undercook Joan Hart and lady's maid Verity Hunter are back in London after a long stay in the country. The capital is fraught and unsettled. Protests and riots are taking place regularly, fascism is on the rise and trouble in Europe is brewing, but the girls are still thrilled to be back in the Big Smoke, ready for some fun and frivolity. That is, until an old friend of Verity's contacts the servant sleuths, asking for help.

Another day, another dead woman in Ellison Russell's study. Only this one claimed to be Mrs. Anarchy Jones. As Ellison juggles mothers, daughter, unhappy wives, and near-miss murder attempts, one thing is clear - someone will go to any lengths to hide the truth. Can Ellison and Anarchy catch a killer before the body count rises? Or will Ellison be the next corpse in the study?

Lady Violet has decided that life in noisy, crowded, busy London is simply not her cup of tea. Her search for a rural property to purchase must be set aside when she learns that Hugh St. Sevier has been accused of murder. Worse, the handsome physician is doing nothing to aid those trying to exonerate him. Though it requires outsmarting the magistrate, enlisting the aid of Sebastian, Marquess of Dunkeld, and literally poking around in the undergrowth, Violet is determined to prove her friend’s innocence—with or without St. Sevier’s cooperation.

It is May 1971 and the Cambridgeshire countryside is bursting into summer. Attending to his paternal duties, Archdeacon Sidney Chambers is walking in the woods with his daughter Anna and their aging Labrador, Byron, when they stumble upon a body. Beside the dead man lies a basket of wild flowers, all poisonous. And so it is that Sidney is thrust into another murder investigation, entering a world of hippies, folk singers, and psychedelic plants, where love triangles and permissive behavior seem to hide something darker.

The Cotswolds, 1924. At the Old Forge in the quiet village of Maybury-in-the-Marsh a cry of anguish rings out: lady of the house Amy Phelps has been discovered dead. But with all the windows and doors to her room locked from inside, how – and by whom – was she killed? Arbuthnot ‘Arbie’ Swift finds himself in the unlikely position of detective. The celebrated author of The Gentleman’s Guide to Ghost-Hunting is staying at the Old Forge to investigate a suspected spectre, but now the more pressing matter of Amy’s murder falls to him too.

When the body of a young woman is found near the ruins of a haunted abbey, everyone assumes she died of fright. A postmortem examination tells a different story. Not only was Elizabeth Barrett poisoned, but the lethal dose of cyanide must have been administered by someone close to her - someone she trusted, who may have known her secret. As Captain Redmond and Constable Haze delve into the victim's seemingly ordinary life, they learn she wasn't the proper, biddable wife everyone believed her to be.

Why, yes, the former Beatrice Hyde-Clare is distracted. Having settled comfortably into marriage to the duke of Kesgrave, she is nevertheless surprised to find herself in an interesting condition. And it has to be that—the unsettling prospect of motherhood—that causes her to overlook the obvious clue that Roger Dugmore had indeed been killed in his sleep.

New York Times best-selling author Stephanie Laurens presents a brash, bold new series. They're battle-hardened, sinfully wealthy, completely unstoppable - and all male: Four officers of the Crown, fighting against a deadly foe known only as the Black Cobra.

It’s wintertime in New York, and for the first time since Irish immigrant Molly Murphy started her early-twentieth-century detective agency, she is completely snowed in with work. While she’s proving to be quite the entrepreneur and is very much in demand by some of Broadway’s brightest stars and Fifth Avenue’s richest families, she has to grudgingly admit that if she’s going to work more than one case at a time, then she’s going to need some help.

When a local publican is murdered, Inspector Witherspoon takes Mrs. Jeffries' advice to heart. He is going to trust his own instincts - but that keeps Mrs. Jeffries in the dark. She must rouse the household staff to action and hope the Inspector doesn't arrest the wrong person before they can solve the crime.

As much as Beatrice Hyde-Clare relished the challenge of figuring out who murdered a fellow guest during a house party in the Lake District, she certainly does not consider herself an amateur investigator. So when a London dandy falls dead at her feet in the entryway of a London Daily Gazette, she feels no compulsion to investigate. It was a newspaper office, after all, and reporters are already on the case as are the authorities.